{"id":1868,"date":"2018-12-03T23:19:11","date_gmt":"2018-12-03T22:19:11","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=1868"},"modified":"2018-12-03T23:19:11","modified_gmt":"2018-12-03T22:19:11","slug":"adventni-janacek-2018-brno","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2018\/12\/03\/adventni-janacek-2018-brno\/","title":{"rendered":"Adventn\u00ed Jan\u00e1\u010dek 2018 | Brno"},"content":{"rendered":"

Balada stra\u0161liv\u00e1 o tom, kterak si Kozl\u00ed\u010dek neporozum\u011bl s loty\u0161sk\u00fdm pojet\u00edm Jen\u016ffy a kterak se uklidnil u vel\u0161sk\u00e9ho Mrtv\u00e9ho domu.<\/span><\/p>\n

Ano p\u0159\u00e1tel\u00e9, ode\u0161el jsem z d\u00edvadla ve druh\u00e9m d\u011bjstv\u00ed. A to je\u0161t\u011b z moj\u00ed milovan\u00e9 Jen\u016ffky. U\u017e v\u00edm, jak se c\u00edt\u00ed tradicionalist\u00e9, kdy\u017e jim zneuct\u00ed Prodanku t\u00edm, \u017ee nen\u00ed ve spr\u00e1vn\u00fdch kroj\u00edch.<\/span><\/p>\n

Ale te\u010f v\u00e1\u017en\u011b. Brno je hlavn\u00ed m\u011bsto opery v \u010cesku. Festival Jan\u00e1\u010dek je neskute\u010dnou n\u00e1dherou a po\u010dinem, kter\u00fd si zaslou\u017e\u00ed chv\u00e1lu. P\u0159esto v\u0161ak dovozov\u00e1 Jen\u016ffka z Polska byla ot\u0159esn\u00e1. Tedy p\u0159esn\u011bji, naprosto jsem se s n\u00ed nepotkal. A to za\u010d\u00ednala tak nad\u011bjn\u011b a kr\u00e1sn\u011b. <\/span><\/p>\n

Prvn\u00ed d\u011bjstv\u00ed – vizu\u00e1ln\u011b jedno z nejp\u016fsobiv\u011bj\u0161\u00edch, co jsem kdy vid\u011bl. Krojovan\u00e1 n\u00e1dhera n\u011bkde mezi Moravou, Polskem, Ukrajinou. O\u017eiven\u00e9 obrazy Jo\u017ei Uprky r\u00e1movan\u00e9 Alfonsem Muchou. Minimalismus v herectv\u00ed. Sp\u00ed\u0161 p\u016fsobiv\u00e9 obrazy a gesta kladen\u00e9 za sebe. To mi p\u0159ipadalo jako skv\u011bl\u00e9 \u010dten\u00ed Jan\u00e1\u010dkovy \u0159e\u010di. K tomu sch\u00e9matick\u00fd \u017eensk\u00fd balet pevn\u011b zar\u00e1movan\u00fd. Jakoby ukazoval \u0161katulkov\u00e1n\u00ed: pokud \u017eena p\u0159ijme svou roli ve spole\u010dnosti, pak je v\u0161e v po\u0159\u00e1dku, jen b\u011bda, kdy\u017e vybo\u010d\u00ed z r\u00e1mu. Perfektn\u00ed stylizace ob\u017ealoby spole\u010densk\u00fdch konvenc\u00ed, kter\u00e9 vedou k trag\u00e9dii, k selh\u00e1n\u00edm, zoufalstv\u00ed\u2026<\/span><\/p>\n

Bohu\u017eel p\u011bveck\u00e9 v\u00fdkony byly dost nev\u00fdrazn\u00e9. Snad se soubor teprve rozezp\u00edv\u00e1val. Za zm\u00ednku stoj\u00ed snad jen Laco (<\/span>Titusz T\u00f3bisz) a Kostelni\u010dka (Eli\u0161ka Weissov\u00e1)<\/span>. Co bylo asi nejhor\u0161\u00ed, byl v\u00fdkon orchestru. Dirigent Gabriel Chmura jej vedl skute\u010dn\u011b velmi chmurn\u011b. Dynamika a emocion\u00e1lnost Jan\u00e1\u010dka mu byly zcela ciz\u00ed a hudebn\u011b tak cel\u00e9 proveden\u00ed vyzn\u011blo plo\u0161e, bez sp\u00e1du, n\u00e1lady, v\u00fdrazu. Po\u0159\u00e1d mi ale sedlo to vizu\u00e1ln\u00ed pojet\u00ed, pr\u00e1v\u011b v\u010detn\u011b on\u00e9 zm\u00edn\u011bn\u00e9 schemati\u010dnosti. Snad jedna v\u00fdtka, a to ke stylizaci Kostelni\u010dky do \u201cbohat\u00e9 han\u00e1ck\u00e9 selky\u201d. Nam\u00edsto zd\u016frazn\u011bn\u00ed kontrastu mor\u00e1ln\u011b siln\u00e9, p\u0159\u00edsn\u00e9 a v\u00fdrazn\u00e9 \u017eeny, kter\u00e1 bud\u00ed \u00factu i b\u00e1ze\u0148 z\u00e1rove\u0148, mo\u017en\u00e1 pr\u00e1v\u011b proto, \u017ee p\u0159ekra\u010duje spole\u010densk\u00fd r\u00e1mec \u017een\u011b vymezen\u00fd, tu m\u00e1me prost\u011b jen bohatou selku, kter\u00e1 prud\u00ed.<\/span><\/p>\n

V druh\u00e9m d\u011bjstv\u00ed je mi v\u0161ak konej\u0161iv\u00e1 vizu\u00e1ln\u00ed slo\u017eka odebr\u00e1na. Re\u017eis\u00e9r brut\u00e1ln\u011b aktualizuje. Jsme v podivn\u00e9 dom\u00e1cnosti, kdesi na okraji spole\u010dnosti, mo\u017en\u00e1 v druh\u00e9 polovin\u011b 20. stolet\u00ed, mo\u017en\u00e1 nyn\u00ed. Plesniv\u00e1 ledni\u010dka, plynov\u00fd spor\u00e1k, zable\u0161en\u00e1 rozvrzan\u00e1 postel. Jen\u016ffa vy\u017eil\u00e1, ztr\u00e1pen\u00e1. Kostelni\u010dka p\u0159ipom\u00edn\u00e1 sp\u00ed\u0161 bordelmam\u00e1. <\/span><\/p>\n

Nev\u00edm pro\u010d, nev\u00edm kam t\u00edm re\u017eis\u00e9r sm\u011b\u0159uje. V rozhovoru \u0159\u00edk\u00e1, \u017ee v Jen\u016ff\u011b nevid\u00ed soci\u00e1ln\u00ed drama, mo\u017en\u00e1 proto. J\u00e1 v Jen\u016ff\u011b soci\u00e1ln\u00ed drama vid\u00edm. Vid\u00edm tam ob\u017ealobu spole\u010densk\u00fdch konvenc\u00ed, kter\u00e9 \u017eenou \u010dlov\u011bka do ne\u0161t\u011bst\u00ed, kter\u00e9, slovy Kostelni\u010dky, m\u00edsto jednoho \u017eivota utr\u00e1p\u00ed \u017eivoty dva. Nen\u00ed to o mask\u00e1ch v \u017eivot\u011b, o tom. \u017ee na jednu stranu se stav\u00edme ctnostn\u00ed a na druhou m\u00e1me doma zable\u0161en\u00e9 slamn\u00edky a kostlivce ve sk\u0159\u00edni. Je to o tom, pro\u010d strk\u00e1me d\u011bti pod led, pro\u010d oskrakizujeme ty, kte\u0159\u00ed vybo\u010duj\u00ed, pro\u010d se boj\u00edme jinakosti, je to o odpu\u0161t\u011bn\u00ed a vykoupen\u00ed skrze s\u00edlu \u010dlov\u011bka tomu navzdory.<\/span><\/p>\n

Bohu\u017eel v druh\u00e9m d\u011bjstv\u00ed se cesty re\u017eis\u00e9rovy a cesty moje nutn\u011b rozch\u00e1zej\u00ed. Jeho brut\u00e1ln\u011b kontrastn\u00ed pojet\u00ed mi p\u0159ipad\u00e1 samo\u00fa\u010deln\u00e9 a hrub\u00e9 a kdy\u017e p\u0159ipo\u010dtu tu mizernou hru orchestru, nevid\u00edm d\u016fvod setrv\u00e1vat a tr\u00e1pit se\u2026 P\u016fvodn\u011b bruselsk\u00e1 inscenace loty\u0161sk\u00e9ho re\u017eis\u00e9ra Alvise Hermanise p\u0159edstaven\u00e1 v Brn\u011b souborem Velk\u00e9ho divadla z Poznan\u011b, tak b\u011b\u017e\u00ed zcela mimo mne a j\u00e1 se t\u011b\u0161\u00edm, a\u017e se zase n\u011bkdy s chut\u00ed zakousnu do jabl\u016f\u010dkov\u00e9 Jen\u016ffky z Brna (re\u017eie: Martin Glaser, hudebn\u00ed nastudov\u00e1n\u00ed: Marko Ivanovi\u010d).<\/span><\/p>\n

 <\/p>\n

Inu v ned\u011bli je \u010das spravit si n\u00e1ladu v Mrtv\u00e9m dom\u011b. No, n\u00e1ladu. Tenhle kus po pravd\u011b nem\u00e1m moc r\u00e1d. Pro\u010d? Proto\u017ee ub\u00edj\u00ed. Je o svobod\u011b, ale skoro ji nepost\u0159ehnete. Sp\u00ed\u0161 \u00fadery do kotl\u016f v orchestru v\u00e1s zatloukaj\u00ed do zem\u011b a ch\u0159est\u011bn\u00ed \u0159et\u011bz\u016f zlov\u011bstn\u011b zn\u00ed na pozad\u00ed, jako p\u0159edzv\u011bst v\u011b\u010dn\u00e9ho pekla carsk\u00e9ho l\u00e1gru, kter\u00fd, jak p\u00ed\u0161e t\u0159eba Radzinskij, byl p\u0159esto ve srovn\u00e1n\u00ed s t\u011bmi pozd\u011bj\u0161\u00edmi l\u00e1gry v podstat\u011b rekreac\u00ed. Ale pozor, Z mrtv\u00e9ho domu je vynikaj\u00edc\u00ed opera, siln\u00e1, expresivn\u00ed, \u0159ezav\u00e1 do masa, ne\u0161et\u0159\u00ed\u2026 A v pod\u00e1n\u00ed Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery pod taktovkou Tom\u00e1\u0161e Hanuse je to \u010dir\u00e1 kr\u00e1sa (jak\u00fd kontrast s proveden\u00edm Jen\u016ffy!). Mraziv\u00e1, ale kr\u00e1sa.<\/span><\/p>\n

Pojet\u00ed je velmi realistick\u00e9, nesna\u017e\u00ed se aktualizovat a p\u0159esto si uchov\u00e1v\u00e1 s\u00edlu i poselstv\u00ed pro dne\u0161n\u00ed \u010das. Velk\u00fdm nezvykem je snad nastudov\u00e1n\u00ed d\u00edla v angli\u010dtin\u011b. Mo\u017en\u00e1 t\u00edm m\u016f\u017ee n\u011bkdy utrp\u011bt Jan\u00e1\u010dk\u016fv cit pro mluvu v hudb\u011b. Trochu se t\u00edm smaz\u00e1v\u00e1 n\u00e1dhera origin\u00e1lu, kter\u00fd je minimalistick\u00fd, velmi slangov\u00fd, vyu\u017e\u00edvaj\u00edc\u00ed n\u00e1\u0159e\u010d\u00ed a \u010detn\u00e1 upraven\u00e1 slova z ru\u0161tiny. Ov\u0161em p\u0159izn\u00e1v\u00e1m, \u017ee n\u011bkter\u00e1 slova jsou mi tak ciz\u00ed, \u017ee pr\u00e1v\u011b \u00a0v angli\u010dtin\u011b porozum\u00edm textu l\u00e9pe. I to je jedna z v\u011bc\u00ed, kterou obhajuje re\u017eis\u00e9r Pountney pou\u017eit\u00ed angli\u010dtiny, a jeho obhajobu pova\u017euji v kontextu cel\u00e9ho ve\u010dera za p\u0159esv\u011bd\u010divou.<\/span><\/p>\n

Vynikaj\u00edc\u00ed jsou sc\u00e9ny ze \u017eivota v l\u00e1gru, kter\u00e9 dokonale koresponduj\u00ed s hudebn\u00ed \u0159e\u010d\u00ed Jan\u00e1\u010dkovy partitury, skv\u011bl\u00e1 a vtipn\u00e1 je pantomima. Ten kontrast mezi z\u00e1bavou v\u011bz\u0148\u016f a kamenn\u00fdmi strnul\u00fdmi tv\u00e1\u0159emi dozorc\u016f, popa a milosrdn\u00fdch \u017een, kde jen hol\u010di\u010dka v b\u00edl\u00fdch \u0161atech, dosud nevinn\u00e1, nespoutan\u00e1 konvencemi, zv\u011bdav\u011b p\u0159ihl\u00ed\u017e\u00ed h\u0159e o mlyn\u00e1\u0159ce, je p\u0159esn\u00fd, v\u00fdmluvn\u00fd, umocn\u011bn\u00fd dvoj\u00ed rovinou sc\u00e9ny. Zat\u00edmco v\u011bzni jsou dole v hl\u00edn\u011b a rozkladu, p\u0159esto snad s jiskrou nad\u011bje a radosti v o\u010d\u00edch, smet\u00e1nka s dobr\u00fdm pocitem, \u017ee u\u010dinila dobr\u00fd skutek milosrdenstv\u00ed, sed\u00ed nete\u010dn\u011b za stolem a nez\u00fa\u010dastn\u011bn\u011b, t\u00e9m\u011b\u0159 strojov\u011b, si p\u0159ip\u00edj\u00ed v\u00ednem. A orel-car nakonec let\u00ed ke svobod\u011b. Jen\u017ee paradoxn\u011b pr\u00e1v\u011b ten pt\u00e1k je tu ve v\u011bzen\u00ed. P\u0159esto\u017ee v dobr\u00e9 p\u00e9\u010di sokoln\u00edk\u016f, m\u00e1 daleko k orlu-carovi, kter\u00fd krou\u017e\u00ed nad ruskou tajgou a poho\u0159\u00edmi. A tak to m\u00e1m s celou touhle operou. Navzdory jisk\u0159i\u010dk\u00e1m v o\u010d\u00edch, navzdory z\u00e1vanu z orl\u00edch perut\u00ed mi zb\u00fdv\u00e1 dusot nohou v prachu a ch\u0159est\u011bn\u00ed \u0159et\u011bz\u016f. Kolob\u011bh marnosti a b\u00eddy.<\/span><\/p>\n

P\u0159esto v\u0161ak vol\u00e1m BRAVO!<\/span><\/p>\n

 <\/p>\n

FESTIVAL JAN\u00c1\u010cEK BRNO 2018<\/strong><\/p>\n

Jej\u00ed pastorky\u0148a\/Jen\u016ffa<\/strong><\/p>\n

Dirigent: Gabriel Chmura <\/span><\/p>\n

Re\u017eie Alvis Hermanis <\/span><\/p>\n

Sc\u00e9na: Alvis Hermanis <\/span><\/p>\n

Kost\u00fdmy Anna Watkins <\/span><\/p>\n

Choreografie: Alla Sigalova <\/span><\/p>\n

Sv\u011bteln\u00fd design: Gleb Filshtinsky <\/span><\/p>\n

Projekce: Ineta Sipunova <\/span><\/p>\n

Sbormistr: Mariusz Otto <\/span><\/p>\n

 <\/p>\n

Z mrtv\u00e9ho domu<\/strong><\/p>\n

Dirigent: Tom\u00e1\u0161 Hanus <\/span><\/p>\n

Re\u017eie: David Pountney <\/span><\/p>\n

Asistent re\u017eie: Caroline Clegg <\/span><\/p>\n

Sc\u00e9na: Maria Bjornson <\/span><\/p>\n

Kost\u00fdmy: Maria Bjornson <\/span><\/p>\n

Sv\u011bteln\u00fd design: Chris Ellis <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Balada stra\u0161liv\u00e1 o tom, kterak si Kozl\u00ed\u010dek neporozum\u011bl s loty\u0161sk\u00fdm pojet\u00edm Jen\u016ffy a kterak se uklidnil u vel\u0161sk\u00e9ho Mrtv\u00e9ho domu. Ano p\u0159\u00e1tel\u00e9, ode\u0161el jsem z d\u00edvadla ve druh\u00e9m d\u011bjstv\u00ed. A to je\u0161t\u011b z moj\u00ed milovan\u00e9 Jen\u016ffky. U\u017e v\u00edm, jak se c\u00edt\u00ed tradicionalist\u00e9, kdy\u017e jim zneuct\u00ed Prodanku t\u00edm, \u017ee nen\u00ed ve spr\u00e1vn\u00fdch kroj\u00edch. Ale te\u010f v\u00e1\u017en\u011b. … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Adventn\u00ed Jan\u00e1\u010dek 2018 | Brno“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-1868","post","type-post","status-publish","format-standard","hentry","category-kultura"],"yoast_head":"\nAdventn\u00ed Jan\u00e1\u010dek 2018 | Brno - Koz\u00ed notes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cozynotes.cz\/index.php\/2018\/12\/03\/adventni-janacek-2018-brno\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adventn\u00ed Jan\u00e1\u010dek 2018 | Brno - Koz\u00ed notes\" \/>\n<meta property=\"og:description\" content=\"Balada stra\u0161liv\u00e1 o tom, kterak si Kozl\u00ed\u010dek neporozum\u011bl s loty\u0161sk\u00fdm pojet\u00edm Jen\u016ffy a kterak se uklidnil u vel\u0161sk\u00e9ho Mrtv\u00e9ho domu. Ano p\u0159\u00e1tel\u00e9, ode\u0161el jsem z d\u00edvadla ve druh\u00e9m d\u011bjstv\u00ed. A to je\u0161t\u011b z moj\u00ed milovan\u00e9 Jen\u016ffky. U\u017e v\u00edm, jak se c\u00edt\u00ed tradicionalist\u00e9, kdy\u017e jim zneuct\u00ed Prodanku t\u00edm, \u017ee nen\u00ed ve spr\u00e1vn\u00fdch kroj\u00edch. 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