{"id":2093,"date":"2019-04-05T11:45:15","date_gmt":"2019-04-05T10:45:15","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=2093"},"modified":"2019-04-05T11:46:04","modified_gmt":"2019-04-05T10:46:04","slug":"jakub-jan-ryba-stabat-mater","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2019\/04\/05\/jakub-jan-ryba-stabat-mater\/","title":{"rendered":"Jakub Jan Ryba | Stabat mater"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Po roztan\u010den\u00e9m masopustu jsme vtan\u010dili do postn\u00edho \u010dasu, kdy hudba nen\u00ed u\u017e tak tane\u010dn\u00ed. P\u0159ich\u00e1z\u00ed \u010das na povzdech: A\u00e1\u00e1h, Bach! V\u0161ude jsou to sam\u00e9 pa\u0161ije. P\u0159izn\u00e1v\u00e1m se, \u017ee pa\u0161ije nem\u00e1m r\u00e1d. Ten styl \u201con \u0159ekl&#8230;oni odv\u011btili\u2026\u201d mi opravdu nic ne\u0159\u00edk\u00e1, sna\u017eil jsem se u\u017e mnohokr\u00e1t, ale zkr\u00e1tka nic. Text evangelia se l\u00edp \u010dte a vypr\u00e1v\u00ed, pokud ov\u0161em p\u0159\u00edb\u011bh nen\u00ed trochu para&#8230; tedy p\u0159evypr\u00e1v\u011bn.<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">Jeden p\u0159evypr\u00e1v\u011bn\u00fd p\u0159\u00edb\u011bh nab\u00edz\u00ed st\u0159edov\u011bk\u00e1 sekvence Stabat mater. Rozj\u00edmav\u00fd text o matce P\u00e1n\u011b, kter\u00e1 stoj\u00ed u k\u0159\u00ed\u017ee, na n\u011bm\u017e vis\u00ed jej\u00ed syn, se do\u010dkal mnoha zpracov\u00e1n\u00ed. Jedno z nejnov\u011bji znovuobjeven\u00fdch je Rybovo. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ano, kantor z Ro\u017emit\u00e1lu nenapsal zdaleka jen profl\u00e1knutou v\u00e1no\u010dn\u00ed m\u0161i a pastorely. Tedy nic proti, naopak. Ryba nezap\u0159el, \u017ee je kantor a dob\u0159e v\u011bd\u011bl, pro koho p\u00ed\u0161e. V\u00e1no\u010dn\u00ed m\u0161i napsal tak, aby mohla opravdu zlidov\u011bt a mohl si ji st\u0159ihnout ka\u017ed\u00fd trochu zku\u0161en\u00fd venkovsk\u00fd sbor a p\u0159\u00edle\u017eitostn\u00ed hudebn\u00edci. \u00a0To Stabat mater vznikla na objedn\u00e1vku z Plzn\u011b. A katedr\u00e1ln\u00ed produkce, ta u\u017e hraje jinou ligu, tak\u017ee Ryba mohl popustit uzdu sv\u00e9ho tv\u016fr\u010d\u00edho ducha a uk\u00e1zat, \u017ee je opravdov\u00fd skladatel! Je jen ot\u00e1zkou, a tady si m\u016f\u017eeme p\u0159edstavovat a sn\u00edt, kam by to b\u00fdval Ryba mohl dot\u00e1hnout, kdyby se na otcovo p\u0159\u00e1n\u00ed nevr\u00e1til z Prahy do Nepomuku a pozd\u011bji do Ro\u017emit\u00e1lu. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Velikono\u010dn\u00ed Rybovku nahr\u00e1l tu\u0161\u00edm loni Zden\u011bk Klauda s hv\u011bzdn\u00fdm obsazen\u00edm (S. \u0160aturov\u00e1, M. Cukrov\u00e1, A. Plachetka, J. Kryshak) a u\u017e za to sklidil zaslou\u017een\u00fd\u00a0 potlesk. Bylo jen ot\u00e1zkou \u010dasu, kdy se tohoto pozoruhodn\u00e9ho kusu zhost\u00ed dal\u0161\u00ed. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Musica Florea Marka \u0160tryncla je zaveden\u00fd a nem\u00e9n\u011b hv\u011bzdn\u00fd ans\u00e1mbl. V posledn\u00ed dob\u011b se hodn\u011b v\u011bnuje romantismu, kter\u00fd se sna\u017e\u00ed tak\u00e9 dobov\u011b interpretovat. Zkuste si poslechnout jeho Dvo\u0159\u00e1ka. M\u00e1 to prost\u011b jin\u00fd zvuk. Shodou okolnost\u00ed jeho proveden\u00ed Dvo\u0159\u00e1kovy Stabat mater m\u011b dostalo u\u017e p\u0159ed t\u0159emi lety (tehdej\u0161\u00ed dojmologii pro zaj\u00edmavost p\u0159ipojuji n\u00ed\u017ee). Te\u010f m\u011b dostala jeho Velikono\u010dn\u00ed Rybovka.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nezapome\u0148te na pastorely a lidovost, ale p\u0159idejte po\u0159\u00e1dnou porci \u0159ekn\u011bme symfonick\u00e9ho lad\u011bn\u00ed, rozm\u00e1chlost a a\u017e tane\u010dn\u00ed zm\u011bny tempa. Dramatick\u00e9 <\/span><i><span style=\"font-weight: 400;\">Introduzione<\/span><\/i><span style=\"font-weight: 400;\"> jakoby rekapitulovalo cel\u00e9 pa\u0161ije, se za\u010d\u00e1tkem sekvence <em>Stabat mater<\/em> u\u017e stoj\u00edme u k\u0159\u00ed\u017ee a za\u010d\u00edn\u00e1 nitern\u00e1 sonda do utrpen\u00ed a vykoupen\u00ed skrze toto propojen\u00ed nebes a zem\u011b. Je tu me\u010d probod\u00e1vaj\u00edc\u00ed mat\u010dino srdce (srov. Lk 2,35), jsou tu v\u00fdk\u0159iky bolesti a tr\u00e1pen\u00ed, ale vz\u00e1p\u011bt\u00ed p\u0159ich\u00e1z\u00ed soucit, div\u00e1k je vta\u017een do d\u011bje a jako ryt\u00ed\u0159 se za zvuku polnic (<\/span><i><span style=\"font-weight: 400;\">Fac, ur ardeat<\/span><\/i><span style=\"font-weight: 400;\">) tou\u017e\u00ed p\u0159ipodobnit Kristu, p\u0159\u00edpadn\u011b v soustrastn\u00e9 melodii <em>Sancta mater<\/em> naslouch\u00e1 tomu, jak si s\u00f3lov\u00e9 hlasy p\u0159ed\u00e1vaj\u00ed melodii a t\u00edm symbolicky vyjad\u0159uj\u00ed sd\u00edlen\u00ed a soucit.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ryba do sv\u00e9 Stabat mater vlo\u017eil jak virtu\u00f3zn\u00ed a j\u00edmav\u00e9 sopr\u00e1nov\u00e9 nebo altov\u00e9 \u00e1rie <\/span><i><span style=\"font-weight: 400;\">Eia mater<\/span><\/i><span style=\"font-weight: 400;\"> a <\/span><i><span style=\"font-weight: 400;\">Virgo virginum<\/span><\/i><span style=\"font-weight: 400;\">, tak velk\u00e9 sbory <\/span><i><span style=\"font-weight: 400;\">Pro peccatis suae gentis<\/span><\/i><span style=\"font-weight: 400;\"> \u010di fin\u00e1le <\/span><i><span style=\"font-weight: 400;\">Quando corpus<\/span><\/i><span style=\"font-weight: 400;\">. Jsou tu n\u00e1zvuky, kter\u00e9 n\u00e1m mo\u017en\u00e1 p\u0159ipomenou pastor\u00e1ln\u00ed lidov\u00e9 motivy, ale klidn\u011b taky velk\u00e9 symfonie pozd\u011bj\u0161\u00edho \u010dasu.\u00a0 Ryba u\u017e vkro\u010dil do romantismu. Cel\u00e9 d\u00edlo postupn\u011b sm\u011b\u0159uje od utrpen\u00ed k\u0159\u00ed\u017ee k v\u00ed\u0159e v Bo\u017e\u00ed milost a velkolep\u00e9mu z\u00e1v\u011bru v podob\u011b and\u011blsk\u00fdch sbor\u016f zp\u00edvaj\u00edc\u00edch o radosti r\u00e1je.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Marek \u0160tryncl se neboj\u00ed zm\u011bny tempa k umocn\u011bn\u00ed v\u00fdraz\u016f hudby. Chv\u00edlemi jsem si \u0159\u00edkal, zda to nen\u00ed a\u017e moc tane\u010dn\u00ed, ale \u010d\u00edm v\u00edc o tom p\u0159em\u00fd\u0161l\u00edm, mysl\u00edm, \u017ee to bylo v po\u0159\u00e1dku.\u00a0Nen\u00ed to p\u0159ece truchlohra a v tanci lze obejmout, sladit krok, souc\u00edtit, vyznat l\u00e1sku. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Musica Florea hr\u00e1la tradi\u010dn\u011b v\u00fdte\u010dn\u011b, za mne byla excelentn\u00ed dechov\u00e1 sekce. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">S\u00f3lov\u00fdch part\u016f se skv\u011ble \u00a0zhostili Michaela \u0160r\u016fmov\u00e1 (sopr\u00e1n) &#8211; v\u00fdborn\u00e9 koloratury, Sylva \u010cmugrov\u00e1 (alt) a jedine\u010dn\u00fd Roman Hoza (bas), jeho\u017e hlas je skute\u010dn\u011b mimo\u0159\u00e1dn\u011b kr\u00e1sn\u00fd. Zklam\u00e1n\u00edm pro mne byl Jaroslav B\u0159ezina (tenor), kter\u00fd zrovna p\u0159ed t\u011bmi t\u0159emi roky exceloval v Dvo\u0159\u00e1kovi. Tohoto ve\u010dera jakoby nebyl ve sv\u00e9 k\u016f\u017ei, by\u0165 si po koncertu pobrukoval na chodb\u011b. Jeho hlas byl zast\u0159en\u00fd, nepr\u016fbojn\u00fd a s velmi \u0161patnou v\u00fdslovnost\u00ed, \u0161koda.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sbor Collegium Floreum byl d\u016fstojn\u00fdm partnerem s\u00f3list\u016f a z\u00e1v\u011bre\u010dn\u00e1 \u010d\u00e1st uk\u00e1zala, \u017ee byl vpravd\u011b sborem and\u011blsk\u00fdm.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">D\u00edky za ten kr\u00e1sn\u00fd ve\u010der!<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Jakub Jan Ryba | Stabat mater (1805)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Musica Florea za \u0159\u00edzen\u00ed Marka \u0160tryncla<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Collegium Floreum<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Michaela \u0160r\u016fmov\u00e1 (S), Sylva \u010cmugrov\u00e1 (A), Jaroslav B\u0159ezina (T), Roman Hoza (B)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u010cesk\u00e9 muzeum hudby, 3.4.2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>*****<\/p>\n<p><strong>Dvo\u0159\u00e1kova Stabat mater <\/strong>(ps\u00e1no 11.5.2016)<\/p>\n<p>\u017de Marek \u0160tryncl a Musica Florea pat\u0159\u00ed k v\u00fdkv\u011btu \u010desk\u00e9 hudebn\u00ed sc\u00e9ny na poli star\u00e9 hudby je zn\u00e1m\u00e1 skute\u010dnost. \u017de d\u011blaj\u00ed i tak trochu jin\u00e9 nahr\u00e1vky Anton\u00edna Dvo\u0159\u00e1ka mo\u017en\u00e1 nen\u00ed tak zn\u00e1m\u00e9. Pro\u010d jin\u00e9? Jin\u00e9 jsou t\u00edm, \u017ee jsou provedeny takzvan\u011b dobov\u011b, co\u017e se net\u00fdk\u00e1 jen pou\u017eit\u00fdch n\u00e1stroj\u016f, ale i volby tempa a dal\u0161\u00edch hudebn\u00edch prost\u0159edk\u016f. Dobov\u00e1 interpretace je dnes u star\u00e9 hudby t\u00e9m\u011b\u0159 pravidlem, u hudby romantick\u00e9 je to tak trochu novum. Jist\u011b, ucho a du\u0161e dne\u0161n\u00edho poslucha\u010de nejsou romantick\u00e9, ale pro\u010d to nezkusit. V mno\u017estv\u00ed nahr\u00e1vek si ka\u017ed\u00fd najde svou obl\u00edbenou, t\u0159eba pr\u00e1v\u011b tu romantickou. Osobn\u011b m\u00e1m moc r\u00e1d jejich osmou Dvo\u0159\u00e1kovu symfonii pr\u00e1v\u011b v tomto dobov\u00e9m proveden\u00ed.<\/p>\n<p>V\u010dera jsem dostal pozv\u00e1n\u00ed na \u017eiv\u00e9 proveden\u00ed velk\u00e9ho Dvo\u0159\u00e1kova opusu Stabat mater. A takov\u00e1 pozv\u00e1n\u00ed se neodm\u00edtaj\u00ed. Romantismus zaj\u00edm\u00e1 rozpolo\u017een\u00ed du\u0161e a na ni p\u016fsob\u00ed a Stabat mater, jakkoli je to star\u00e1 l\u00e1tka, je pro tohle jako stvo\u0159en\u00e1. Od prost\u00e9ho pat\u0159en\u00ed na sc\u00e9nu Kalv\u00e1rie vede p\u0159es bolest a soucit k nitern\u00e9mu vc\u00edt\u011bn\u00ed do postav a jak\u00e9si identifikaci poslucha\u010de s pla\u010d\u00edc\u00ed matkou a Je\u017e\u00ed\u0161em. Utrpen\u00ed k\u0159\u00ed\u017ee a bolest truchl\u00edc\u00ed matky prosycen\u00e9 myst\u00e9riem vykupitelsk\u00e9 ob\u011bti Kristovy.<\/p>\n<p>Je t\u0159eba \u0159\u00edct, \u017ee Dvo\u0159\u00e1kovi se to hudebn\u011b povedlo n\u00e1dhern\u011b ztv\u00e1rnit. Propojen\u00ed nebes a zem\u011b a vta\u017een\u00ed poslucha\u010de do t\u00e9to sc\u00e9ny se v\u010dera velmi zda\u0159ilo. Hudba byla tu jako bur\u00e1cej\u00edc\u00ed \u0159eka, povode\u0148 nebo h\u0159m\u00edc\u00ed vodop\u00e1d, kter\u00fd hrozil rozt\u0159\u00ed\u0161tit okna v kostele sv. \u0160imona a Judy, tu jako klidn\u00e1 hladina obj\u00edmaj\u00edc\u00ed a p\u0159\u00edjemn\u011b chladiv\u00e1, tu jako bodaj\u00edc\u00ed ledov\u00e1 vodn\u00ed t\u0159\u00ed\u0161\u0165. Jak se prom\u011b\u0148ovaly stavy du\u0161e, tak se m\u011bnila hudba. Na konci pak byla otev\u0159en\u00e1 nebesa a and\u011blsk\u00e9 ch\u00f3ry p\u011bly o Bo\u017e\u00ed sl\u00e1v\u011b. Dojem byl tak siln\u00fd, \u017ee po z\u00e1v\u011bre\u010dn\u00e9m amen bylo v s\u00e1le je\u0161t\u011b chv\u00edli ticho, teprve pak p\u0159i\u0161el zaslou\u017een\u00fd potlesk.<\/p>\n<p>Vzhledem k tomu, \u017ee jsem se cestou na tento koncert dov\u011bd\u011bl smutnou zpr\u00e1vu o \u00famrt\u00ed prvn\u00edho d\u011bkana sv\u00e9 alma mater, p\u0159ipsal jsem si pro sebe tohle proveden\u00ed jeho pam\u00e1tce.<\/p>\n<p>Quando corpus morietur, fac, ut animae donetur paradisi gloria. Amen.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Po roztan\u010den\u00e9m masopustu jsme vtan\u010dili do postn\u00edho \u010dasu, kdy hudba nen\u00ed u\u017e tak tane\u010dn\u00ed. P\u0159ich\u00e1z\u00ed \u010das na povzdech: A\u00e1\u00e1h, Bach! V\u0161ude jsou to sam\u00e9 pa\u0161ije. P\u0159izn\u00e1v\u00e1m se, \u017ee pa\u0161ije nem\u00e1m r\u00e1d. Ten styl \u201con \u0159ekl&#8230;oni odv\u011btili\u2026\u201d mi opravdu nic ne\u0159\u00edk\u00e1, sna\u017eil jsem se u\u017e mnohokr\u00e1t, ale zkr\u00e1tka nic. Text evangelia se l\u00edp \u010dte a vypr\u00e1v\u00ed, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.cozynotes.cz\/index.php\/2019\/04\/05\/jakub-jan-ryba-stabat-mater\/\" class=\"more-link\">Pokra\u010dovat ve \u010dten\u00ed<span class=\"screen-reader-text\"> &#8222;Jakub Jan Ryba | Stabat mater&#8220;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52,51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2093"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=2093"}],"version-history":[{"count":1,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2093\/revisions"}],"predecessor-version":[{"id":2094,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2093\/revisions\/2094"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=2093"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=2093"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=2093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}