{"id":2294,"date":"2019-09-23T09:28:10","date_gmt":"2019-09-23T08:28:10","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=2294"},"modified":"2019-09-23T13:29:35","modified_gmt":"2019-09-23T12:29:35","slug":"rusalka-theater-an-der-wien","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2019\/09\/23\/rusalka-theater-an-der-wien\/","title":{"rendered":"Rusalka | Theater an der Wien"},"content":{"rendered":"<p><em>\u201cKde jste kouzla letn\u00edch noc\u00ed nad kalichy lekn\u00edn\u016f\u2026\u201d<\/em><\/p>\n<p><a href=\"http:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2299 size-large\" src=\"http:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-1024x1024.jpg\" alt=\"\" width=\"525\" height=\"525\" srcset=\"https:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-1024x1024.jpg 1024w, https:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-150x150.jpg 150w, https:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-300x300.jpg 300w, https:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-768x768.jpg 768w, https:\/\/www.cozynotes.cz\/wp-content\/uploads\/2019\/09\/leknin-100x100.jpg 100w\" sizes=\"(max-width: 525px) 100vw, 525px\" \/><\/a><\/p>\n<p>Na prahu podzimu, kdy letn\u00ed slunce je\u0161t\u011b zvl\u00e1dne oh\u0159\u00e1t vzduch na kr\u00e1sn\u00fdch dvacet stup\u0148\u016f, odpoledn\u00ed a ve\u010dern\u00ed sv\u011btlo m\u00e1 zvl\u00e1\u0161tn\u00ed zlatou hebkost, ale noc u\u017e kou\u0161e zimou v p\u0159edzv\u011bsti chladn\u00fdch m\u011bs\u00edc\u016f pl\u00edskanic, to je ten prav\u00fd \u010das vypravit se do m\u00e9ho obl\u00edben\u00e9ho Divadla na V\u00edde\u0148ce (Theater an der Wien) na Rusalku.<\/p>\n<p>\u00davodem mus\u00edm p\u0159iznat, \u017ee jsem se proveden\u00edm Rusalky, a\u010d pat\u0159\u00ed k m\u00fdm nejobl\u00edben\u011bj\u0161\u00edm oper\u00e1m, sp\u00ed\u0161e vyh\u00fdbal. Hlavn\u011b asi z obavy, \u017ee m\u011b nastudov\u00e1n\u00ed zklame, proto\u017ee bude p\u0159\u00edli\u0161 poh\u00e1dkov\u00e9 a m\u00e1lo uv\u011b\u0159iteln\u00e9. Rusalka toti\u017e u mnoha lid\u00ed st\u00e1le vyvol\u00e1v\u00e1 ty poetick\u00e9 p\u0159edstavy &#8211; kr\u00e1sn\u00e9 \u0161aty, m\u011bs\u00ed\u010dek nad jezerem\u2026\u00a0 &#8211; a to a\u017e do t\u00e9 m\u00edry, \u017ee dramatick\u00e1 linka p\u0159\u00edb\u011bhu se v p\u0159em\u00ed\u0159e poh\u00e1dkovosti utop\u00ed.<!--more--><\/p>\n<p>Inu ve V\u00eddni na tohle zapome\u0148te. Rusalka, a to v\u00edme u\u017e z jin\u00fdch zahrani\u010dn\u00edch sc\u00e9n, se d\u00e1 ud\u011blat velmi sou\u010dasn\u011b a velmi syrov\u011b.<\/p>\n<p>V\u00edde\u0148sk\u00e1 Rusalka m\u00e1 v\u00fdbornou sc\u00e9nu! Jak\u00fdsi m\u00edrn\u011b odosobn\u011bn\u00fd prostor domu snad kdesi u jezera, mo\u017en\u00e1 je v\u0161echna ta voda na sc\u00e9n\u011b jen symbolick\u00e1. Schodi\u0161t\u011b, m\u00edstnost v pat\u0159e, gar\u00e1\u017e a vlhk\u00fd pr\u016fchod kamsi, kter\u00fd m\u016f\u017ee b\u00fdt cestou na voln\u00e9 jezero, ale tak\u00e9 cestou do stoky pln\u00e9 nebezpe\u010d\u00ed. S touhle perfektn\u011b vystav\u011bnou jednoduchou sc\u00e9nou zvl\u00e1dnete prom\u011bny mezi d\u011bjstv\u00edmi bez nutnosti n\u00e1ro\u010dn\u00fdch a ru\u0161iv\u00fdch p\u0159estaveb. Kdy\u017e k tomu p\u0159ipoj\u00edte v\u00fdborn\u00e1 sv\u011btla, p\u011bkn\u011b vylad\u011bn\u00e9 naprosto sou\u010dasn\u00e9 kost\u00fdmy, m\u00e1te z\u00e1klad v\u00fdborn\u00e9 inscenace. A tou v\u00edde\u0148sk\u00e1 Rusalka v re\u017eii <strong>Am\u00e9lie Niermeyer<\/strong> bezesporu je, navzdory n\u011bkolika v\u00fdhrad\u00e1m.<\/p>\n<p>D\u016fle\u017eitou roli na sc\u00e9n\u011b <strong>Christiana Schmidta<\/strong> hraje, jak jinak, voda, rozd\u00edlnost sv\u011bt\u016f, kter\u00e9 se sice dot\u00fdkaj\u00ed, ale nemohou se spojit. Na po\u010d\u00e1tku \u010dist\u00e1 a hrav\u00e1, pozd\u011bji p\u011bn\u00edc\u00ed v\u00e1\u0161n\u00ed, kter\u00e1 v\u0161ak pom\u00edj\u00ed a je prchav\u00e1 jako <em>kv\u011btiny b\u00edl\u00e9 po cest\u011b<\/em>, a nakonec&#8230;\u00a0 Voda zmiz\u00ed. D\u016fm zpustne, v\u00e1\u0161e\u0148 vychladne a zbudou jen such\u00e9 podzimn\u00ed r\u00e1kosiny v promrzl\u00e9m bahn\u011b zarostl\u00e9ho kan\u00e1lu. Kde jste kouzla letn\u00edch noc\u00ed? P\u0159\u00edroda jakoby pohlcovala st\u00e1le v\u00edc prostoru. Pozl\u00e1tko miz\u00ed. Z\u016fst\u00e1v\u00e1 bloud\u00edc\u00ed zavr\u017een\u00e1 osam\u011bl\u00e1 \u017eena, vysm\u00edvan\u00e1, ne\u0161\u0165astn\u00e1 a p\u0159ece siln\u00e1 a p\u0159ipraven\u00e1 odpustit.<\/p>\n<p>Sc\u00e9nu a pocity z n\u00ed v\u00fdborn\u011b dotv\u00e1\u0159\u00ed sv\u011bteln\u00fd design <strong>Reinharda Trauba<\/strong> v kombinaci s videem <strong>Jana Speckenbacha<\/strong>. Zde jsou ov\u0161em ukryta i \u00faskal\u00ed, proto\u017ee jsou tu momenty, kdy video d\u011bl\u00e1 z div\u00e1k\u016f pitomce, to kdy\u017e m\u00e1 pot\u0159ebu p\u0159\u00edli\u0161 explicitn\u011b se vyjad\u0159ovat a strh\u00e1vat ve\u0161kerou pozornost na sebe, t\u0159eba v obrazu prom\u011bny Rusalky v \u010dlov\u011bka. Tady je videoprojekce naprosto zbyte\u010dn\u011b konkr\u00e9tn\u00ed a ru\u0161\u00ed linku vypr\u00e1v\u011bn\u00ed. Naopak ve sc\u00e9n\u00e1ch sborov\u00fdch, na kter\u00e9 je Rusalka jako opera chud\u00e1, pom\u00e1h\u00e1 videoprojekce k dynamice a zvl\u00e1dne zcela suplovat povinnou mezihru s baletem. Ov\u0161em tady je t\u0159eba zm\u00ednit d\u016fle\u017eit\u00fd p\u0159edpoklad &#8211; mus\u00edte m\u00edt v\u00fdborn\u00fd <strong>Arnold Schoenberg Chor<\/strong>, tedy sbor s v\u00fdborn\u00fdm zvukem a hereck\u00fdm projevem. Tak vytvo\u0159\u00edte tane\u010dn\u00ed p\u00e1rty, kterou si b\u00e1je\u010dn\u011b u\u017eijete, i kdy\u017e v\u00edte, \u017ee kocovina druh\u00fd den bude hrozn\u00e1.<\/p>\n<p>\u0160v\u00e9dsk\u00e1 sopranistka <strong>Maria Bengtsson<\/strong> zvl\u00e1d\u00e1 roli Rusalky na v\u00fdbornou. Je mnohotv\u00e1rn\u00e1, kdy\u017e proch\u00e1z\u00ed \u017eivotn\u00edmi zvraty. Dovede b\u00fdt n\u011b\u017en\u00e1 a k\u0159ehk\u00e1, siln\u00e1 a pln\u00e1 touhy, ne\u0161\u0165astn\u00e1 i milosrdn\u00e1, \u017ee a\u017e vh\u00e1n\u00ed slzy do o\u010d\u00ed. To p\u0159i kone\u010dn\u00e9m sm\u00ed\u0159en\u00ed a odpu\u0161t\u011bn\u00ed. A to nemluv\u00edm jen o kr\u00e1sn\u00e9m hlase, ale i bravurn\u00edm hereck\u00e9m projevu.<\/p>\n<p><strong>G\u00fcnther Groissb\u00f6ck<\/strong> se v roli Vodn\u00edka p\u0159edstavuje v TaW poprv\u00e9 a mysl\u00edm, \u017ee jej zde ur\u010dit\u011b usly\u0161\u00edme znovu, je toti\u017e vynikaj\u00edc\u00ed. Precizn\u00ed v\u00fdslovnost, v\u00fdte\u010dn\u00e9 herectv\u00ed, n\u00e1dhern\u00fd zvu\u010dn\u00fd bass.<\/p>\n<p><strong>Natascha Petrinsky<\/strong> jako Je\u017eibaba je j\u00edzliv\u00e1\u00a0 a sebev\u011bdom\u00e1. P\u0159ipom\u00edn\u00e1 vy\u017eilou a p\u0159esto ope\u010dov\u00e1vanou bordelmam\u00e1, s nak\u0159\u00e1pl\u00fdm hlasem ku\u0159a\u010dky a alkoholi\u010dky. Nesly\u0161el jsem ji jinde, tak\u017ee nemohu posoudit ne\u017e tuhle roli, ale sem jej\u00ed hlas sedne a stejn\u011b jako jej\u00ed hereck\u00fd projev \u00fapln\u011b p\u0159esn\u011b vystihuje charakteristiku postavy.<\/p>\n<p>Poveden\u00e1 je i Ciz\u00ed kn\u011b\u017ena v pod\u00e1n\u00ed debutuj\u00edc\u00ed <b>Kate Aldrich<\/b>, kter\u00e1 si s mladi\u010dk\u00fdm v\u00e1\u0161niv\u00fdm a tak trochu zaj\u00ed\u010dkovsk\u00fdm princem vylo\u017een\u011b pohr\u00e1v\u00e1 a o nic jin\u00e9ho j\u00ed v podstat\u011b ani nejde.<\/p>\n<p>Paradoxn\u011b asi nejslab\u0161\u00ed z hlavn\u00edch postav je vychvalovan\u00fd \u010desk\u00fd tenorista <strong>Ladislav Elgr<\/strong>. Postavou je kr\u00e1sn\u00fdm princem, to bezesporu, hlasov\u011b to je v\u0161ak velk\u00e9 zklam\u00e1n\u00ed. V n\u011b\u017en\u00fdch partech je jeho projev kr\u00e1sn\u00fd, vskutku n\u011b\u017en\u00fd a\u017e snov\u00fd, ov\u0161em pak nezvl\u00e1dne nabrat pat\u0159i\u010dn\u011b na s\u00edle a ve velk\u00fdch momentech je slab\u00fd a nep\u0159esv\u011bd\u010div\u00fd. V t\u0159et\u00edm d\u011bjstv\u00ed mu hlas dokonce tak trochu selhal. Problematick\u00e1 je bohu\u017eel i z\u0159etelnost jeho projevu. Navzdory tomu \u017ee je \u010cech, byla jeho \u010de\u0161tina skoro nejslab\u0161\u00ed. Sna\u017eil jsem se b\u00fdt nad v\u011bc\u00ed, ale v n\u011bkter\u00fdch momentech to vylo\u017een\u011b vadilo, \u0159e\u010dov\u00e1 vada p\u0159i zp\u011bvu je zkr\u00e1tka hendikep.<\/p>\n<p>Hudebn\u00ed str\u00e1nku \u010dist\u011b a precizn\u011b provedl Symfonick\u00fd orchestr ORF (<strong>ORF Radio-Symphonieorchester Wien<\/strong>) za premi\u00e9rov\u00e9ho \u0159\u00edzen\u00ed <strong>Davida Afkhama<\/strong> a sklidil za to zaslou\u017een\u00fd potlesk.<\/p>\n<p>Shrnuto podtr\u017eeno, v\u00fdte\u010dn\u00e9 a v\u00fdjime\u010dn\u00e9 nastudov\u00e1n\u00ed pro sou\u010dasnou dobu, kter\u00e9 p\u0159edstavuje Rusalku jinak ne\u017e jako poetickou poh\u00e1dku a p\u0159esto je v\u011brn\u00e9 hudebn\u00edmu odkazu Dvo\u0159\u00e1kovu.<\/p>\n<p><i>\u00a0<\/i><\/p>\n<p>Theater an der Wien | Anton\u00edn Dvo\u0159\u00e1k: Rusalka | 21.9.2019<br \/>\nre\u017eie: Am\u00e9lie Niermeyer<\/p>\n<p><i><br \/>\n<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cKde jste kouzla letn\u00edch noc\u00ed nad kalichy lekn\u00edn\u016f\u2026\u201d Na prahu podzimu, kdy letn\u00ed slunce je\u0161t\u011b zvl\u00e1dne oh\u0159\u00e1t vzduch na kr\u00e1sn\u00fdch dvacet stup\u0148\u016f, odpoledn\u00ed a ve\u010dern\u00ed sv\u011btlo m\u00e1 zvl\u00e1\u0161tn\u00ed zlatou hebkost, ale noc u\u017e kou\u0161e zimou v p\u0159edzv\u011bsti chladn\u00fdch m\u011bs\u00edc\u016f pl\u00edskanic, to je ten prav\u00fd \u010das vypravit se do m\u00e9ho obl\u00edben\u00e9ho Divadla na V\u00edde\u0148ce (Theater an &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.cozynotes.cz\/index.php\/2019\/09\/23\/rusalka-theater-an-der-wien\/\" class=\"more-link\">Pokra\u010dovat ve \u010dten\u00ed<span class=\"screen-reader-text\"> &#8222;Rusalka | Theater an der Wien&#8220;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,50],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2294"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=2294"}],"version-history":[{"count":6,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2294\/revisions"}],"predecessor-version":[{"id":2301,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2294\/revisions\/2301"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=2294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=2294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=2294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}