{"id":2359,"date":"2020-01-22T13:19:36","date_gmt":"2020-01-22T12:19:36","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=2359"},"modified":"2020-01-22T13:19:36","modified_gmt":"2020-01-22T12:19:36","slug":"gypsy-baroque","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2020\/01\/22\/gypsy-baroque\/","title":{"rendered":"Gypsy baroque"},"content":{"rendered":"

Barokn\u00ed jam session u \u0160imona a Judy, kter\u00e1 obsahovala v\u0161echno, co m\u00e1m r\u00e1d: starou muziku (u\u017e je to skoro 300 let), folkl\u00f3r a jazzov\u00e9 prvky. \u017de si folkl\u00f3r rozum\u00ed z jazzem p\u00ed\u0161u po\u0159\u00e1d. \u017de folkl\u00f3r inspiroval u\u017e p\u0159ed stalet\u00edmi, je nasnad\u011b.<\/p>\n

Zkr\u00e1tka p\u0159ed Jan\u00e1\u010dkem lezli i jin\u00ed po hor\u00e1ch a vs\u00edch st\u0159edn\u00ed a v\u00fdchodn\u00ed Evropy, z\u00edrali na virtuozitu lidov\u00fdch muzikant\u016f nebo ko\u010dovn\u00fdch \u201ccik\u00e1n\u016f\u201d a zapisovali si n\u00e1p\u011bvy a plnili sb\u00edrky. Tak n\u011bjak asi vznikly sb\u00edrky Anny Szirmay-Keczer nebo sb\u00edrka z Uhrovce, kter\u00e9 dokumentuj\u00ed baroko v Uhr\u00e1ch. Ti kte\u0159\u00ed tuhle muziku virtuozn\u011b hr\u00e1li ji v\u011bt\u0161inou zapsat neum\u011bli, proto\u017ee neznali noty, ale na\u0161t\u011bst\u00ed se k t\u011bmhle muzikant\u016fm dostali ti, kte\u0159\u00ed notov\u00fdm z\u00e1pisem vl\u00e1dli, sami komponovali a hudb\u011b opravdu rozum\u011bli. Ti muziku zapsali, n\u011bkdy p\u0159idali n\u011bco sv\u00e9ho, jindy se nechali inspirovat. Lidov\u00e1 muzika je docela konzerva, \u010das tu nehraje moc roli, a tak se p\u0159i jej\u00edm hran\u00ed snadno vedle sebe ocitne cimb\u00e1l a viola da gamba a k tomu, rozjet p\u011bknou jam session, pot\u0159ebujete u\u017e jen virtu\u00f3zn\u00ed muzikanty.<\/p>\n

Il suonar parlante orchestra<\/a> pod veden\u00edm vynikaj\u00edc\u00edho gambisty Vittoria Ghielmiho, cimb\u00e1l rozezn\u011bl\u00fd Marcelem Comendantem a housle v rukou Stano Pal\u00facha, to je ide\u00e1ln\u00ed dispozice pro skv\u011bl\u00fd ve\u010der s barokem, jak by ho mnoz\u00ed z v\u00e1s ne\u010dekali. P\u0159id\u00e1te je\u0161t\u011b barevn\u011b kr\u00e1sn\u00fd, \u017eel trochu slab\u0161\u00ed, hlas Graciely Gibelli a je to n\u00e1dhera. Jen ty \u017eidle u \u0160imona a Judy jsou spojen\u00e9 ty\u010d\u00ed, tak\u017ee se ned\u00e1 vyklidit parket a mus\u00edte si jen podup\u00e1vat.<\/p>\n

U mne na po\u010d\u00e1tku t\u00e9hle objevitelsk\u00e9 cesty stoj\u00ed koncert Hanacco americano z \u010dervna 2018. Tam se Collegium Marianum (ano, i tehdy s vynikaj\u00edc\u00edm cimb\u00e1lem Marcela Comendanta) vydalo na objevitelskou v\u00fdpravu hudebn\u00edch inspirac\u00ed a\u017e do Ji\u017en\u00ed Ameriky. U\u017e tam zn\u011bla Telemannova Hanaquoise inspirovan\u00e1 melodiemi z Han\u00e9.<\/p>\n

Krom\u011b Ghielmiho souboru se objevov\u00e1n\u00ed poklad\u016f uhersk\u00fdch sb\u00edrek v\u011bnuje t\u0159eba i Milo\u0161 Valent s Holland baroque na albu Barbaric beauty z roku 2011, nebo potom se Solamente naturali na albech v\u011bnovan\u00fdch pr\u00e1v\u011b p\u00edsn\u00edm z Uhrovce nebo sb\u00edrce Anny Szirmay-Keczer.<\/p>\n

Nejlep\u0161\u00ed je ale sly\u0161et to na\u017eivo, proto\u017ee na alba se \u010dasto nedostanou ty v\u00fdte\u010dn\u00e9 improvizace z koncertu a tak\u00e9 p\u0159i poslechu neuvid\u00edte to nad\u0161en\u00ed a radost s jakou muzikanti (spolu)hraj\u00ed, jak si p\u0159ehazuj\u00ed melodii, jak st\u0159\u00eddaj\u00ed autentickou melodii s improvizac\u00ed.<\/p>\n

 <\/p>\n

Gypsy baroque | Il suonar parlante orchestra | Kostel sv. \u0160imona a Judy, 21.1.2020<\/strong>
\nVittorio Ghielmi – um\u011bleck\u00fd vedouc\u00ed
\nMarcel Comendant – cimb\u00e1l
\nStano Pal\u00fach – lidov\u00e9 housle
\nAlessandro Tampieri, Flavio Losco – housle
\nLaurent Galliano – viola
\nRiccardo Coelati Rama – kontrabas
\nShalev Ad-El – cembalo
\nGraciela Gibelli – zp\u011bv<\/p>\n

 <\/p>\n

*******<\/p>\n

Ozv\u011bny Hanacco americano | T\u00e1borsk\u00fd triptych 2018<\/strong><\/p>\n

Hudba je Bo\u017e\u00ed dar. M\u00e1 \u00fa\u017easnou vlastnost. Spojuje. Nap\u0159\u00ed\u010d \u010dasy i m\u00edsty. Ne nadarmo se v kr\u00e1sn\u00e9 Smetanov\u011b p\u00edsni na slova V\u00edt\u011bzslava H\u00e1lka zp\u00edv\u00e1, \u017ee nejstra\u0161n\u011bj\u0161\u00ed kletbou jest, kdy\u017e B\u016fh odejme lidem zp\u011bv. Na rozd\u00edl od sportu, jeho\u017e spojov\u00e1n\u00ed m\u00e1 sv\u00e9 limity v soupe\u0159en\u00ed, kter\u00e9 p\u0159in\u00e1\u0161\u00ed, hudba je v\u0161eobj\u00edmaj\u00edc\u00ed, m\u016f\u017ee spojit i velmi rozd\u00edln\u00e9 a hoj\u00ed bolesti.<\/p>\n

Mysl\u00edm, \u017ee v\u010derej\u0161\u00ed koncert Hanacco americano v T\u00e1bo\u0159e byl toho d\u016fkazem. Collegium Marianum dok\u00e1zalo propojit Moravu s Ji\u017en\u00ed Amerikou, vne\u0161en\u00e9 n\u00e1bo\u017eensk\u00e9 hymny s prostotou lidov\u00e9 p\u00edsn\u011b. Zn\u011bla hudba p\u0159edev\u0161\u00edm barokn\u00ed ze 17. a po\u010d\u00e1tku 18. stolet\u00ed. Baroko v hudb\u011b Ji\u017en\u00ed Ameriky je v posledn\u00edch letech hojn\u011b objevov\u00e1no a hr\u00e1no na koncertech star\u00e9 hudby. Je spojeno zejm\u00e9na s p\u016fsoben\u00edm jezuitsk\u00e9ho \u0159\u00e1du, s dobou tzv. redukc\u00ed, s dobou rozs\u00e1hl\u00e9 evangelizace jihoamerick\u00e9ho kontinentu. A jakkoli ta doba nebyla jist\u011b harmonick\u00e1, hudba tady prost\u0159edkovala jednot\u00edc\u00ed prvek, v n\u011bm\u017e m\u011bly sv\u00e9 m\u00edsto i radost, tanec a vesel\u00ed. Podobn\u011b, jako jsem ned\u00e1vno psal o hudb\u011b vznikl\u00e9 v Terez\u00edn\u011b za doby ghetta, hudb\u011b navzdory.<\/p>\n

Prvky indi\u00e1nsk\u00e9 kultury pronikaly do ryze evropsk\u00fdch barokn\u00edch melodi\u00ed a zanechaly v nich nesmazateln\u00e9 stopy. Stejn\u011b tak han\u00e1ck\u00e1 lidov\u00e1 muzika u\u017e v 17. a 18. stolet\u00ed otiskovala sv\u00e9 stopy do d\u011bl takov\u00fdch klasik\u016f, jak\u00fdmi byli Georg Philipp Telemann.<\/p>\n

A tady u\u017e se za\u010d\u00ednaj\u00ed spl\u00e9tat nitky do kr\u00e1sn\u00e9ho gobel\u00ednu, kter\u00fd utkal soubor Collegium Marianum pro prvn\u00ed koncert dal\u0161\u00edho ro\u010dn\u00edku T\u00e1borsk\u00e9ho triptychu. Vezmete nit jihoamerickou, vezmete nit han\u00e1ckou, nech\u00e1te se inspirovat zvukomalebnost\u00ed ke\u010du\u00e1n\u0161tiny v mari\u00e1nsk\u00e9m hymnu HANACpachap cassicuinin a osnova je na sv\u011bt\u011b. Pak u\u017e nic nebr\u00e1n\u00ed tomu, abyste vpletli han\u00e1ck\u00e9 inspirace z d\u00edla P. Kristiana Gottfrieda Hirschmentzela nebo samotn\u00e9ho velk\u00e9ho Georga Philippa Telemanna. P\u0159\u00edpadn\u011b melodi\u00ed zn\u00e1m\u00e9 p\u00edsn\u011b \u201cVylet\u011bla holubi\u010dka ze sk\u00e1ly\u201d vy\u0161ili v\u00e1no\u010dn\u00ed pastorelu Martina Schmida, \u0161v\u00fdcarsk\u00e9ho jezuity p\u016fsob\u00edc\u00edho v Bol\u00edvii. Zda byla d\u0159\u00edv holubi\u010dka nebo pastorela u\u017e m\u016f\u017eeme jen spekulovat. A Schmid nen\u00ed jedin\u00fd, kdo holubi\u010dku pou\u017eil. Je t\u0159eba i ve sb\u00edrce Hungarici Saltus a Dionisio z roku 1730. Je to podobn\u00e9 jako se Smetanovou Vltavou, jej\u00ed\u017e melodie je prokazateln\u011b patrn\u00e1 t\u0159eba ve star\u00e9 italsk\u00e9 p\u00edsni La Mantovana.<\/p>\n

Nitky gobel\u00ednu mohou samostatn\u011b p\u016fsobit nesourod\u011b a jen skute\u010dn\u00fd mistr z nich dok\u00e1\u017ee utkat spr\u00e1vn\u00fd vzor, j\u00edm\u017e se pak oko m\u016f\u017ee t\u011b\u0161it. Stejn\u011b to plat\u00ed i v hudb\u011b. Pro mne je mistrem tohoto \u017e\u00e1nru Jordi Savall, kter\u00fd z hudby rozli\u010dn\u00e9ho p\u016fvodu dok\u00e1\u017ee vytvo\u0159it p\u016fsobivou kompozici s poselstv\u00edm.<\/p>\n

V\u010derej\u0161\u00ed koncert v T\u00e1bo\u0159e byl vpravd\u011b Savallovsk\u00fd. Collegiu Marianu se poda\u0159ilo vtipn\u011b a s gr\u00e1ci\u00ed propojit zd\u00e1nliv\u011b nepropojiteln\u00e9, p\u0159in\u00e9st momenty dojet\u00ed (t\u0159eba u kr\u00e1sn\u00e9 mari\u00e1nsk\u00e9 lidovky o Kopeck\u00e9 a Hostensk\u00e9 Pann\u011b Marii), ale i t\u00e9m\u011b\u0159 roztan\u010dit kostel p\u0159i peru\u00e1nsk\u00e9 melodii Cachua serranita nebo p\u0159i menuetu z Concerta IV. Jana Josefa Ign\u00e1ce Brentnera, jeho\u017e hudba se sice hr\u00e1la i v Ji\u017en\u00ed Americe, ale on s\u00e1m nikdy nevyt\u00e1hl paty z \u010cech. Z\u00e1v\u011bre\u010dn\u00e1 p\u00edse\u0148 koncertu nav\u00edc uk\u00e1zala, jak dob\u0159e si \u017e\u00e1nr klasiky a lidovky rozum\u00ed s jazzov\u00fdmi inspiracemi.<\/p>\n

 <\/p>\n

Collegium Marianum | Hanacco americano<\/strong><\/p>\n

Jana Semer\u00e1dov\u00e1, fl\u00e9tny
\nVojt\u011bch Semer\u00e1d, barokn\u00ed housle a zp\u011bv
\nJi\u0159\u00ed Sycha, barokn\u00ed housle
\nMarcel Comendant, cimb\u00e1l
\nJ\u00e1n Prievoznik – violon<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Barokn\u00ed jam session u \u0160imona a Judy, kter\u00e1 obsahovala v\u0161echno, co m\u00e1m r\u00e1d: starou muziku (u\u017e je to skoro 300 let), folkl\u00f3r a jazzov\u00e9 prvky. \u017de si folkl\u00f3r rozum\u00ed z jazzem p\u00ed\u0161u po\u0159\u00e1d. \u017de folkl\u00f3r inspiroval u\u017e p\u0159ed stalet\u00edmi, je nasnad\u011b.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52,50],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2359"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=2359"}],"version-history":[{"count":2,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2359\/revisions"}],"predecessor-version":[{"id":2361,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/2359\/revisions\/2361"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=2359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=2359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=2359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}