{"id":3204,"date":"2021-12-21T15:00:02","date_gmt":"2021-12-21T14:00:02","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3204"},"modified":"2021-12-21T15:01:15","modified_gmt":"2021-12-21T14:01:15","slug":"caesar-a-kleopatra-ve-vidni","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2021\/12\/21\/caesar-a-kleopatra-ve-vidni\/","title":{"rendered":"Caesar a Kleopatra ve V\u00eddni"},"content":{"rendered":"\n

Tedy p\u0159esn\u011bji Giulio Cesare in Egitto<\/strong> je velk\u00e1 opera George Friderica Handela, kter\u00e1 pojedn\u00e1v\u00e1 klasick\u00fd p\u0159\u00edb\u011bh. Zn\u00e1te jej t\u0159eba z velkofilmu Kleopatra z \u0161edes\u00e1t\u00fdch let s Liz Taylor a Richardem\u00a0 Burtonem. Jm\u00e9no velk\u00e9ho barokn\u00edho mistra H\u00e4ndela p\u00ed\u0161u z\u00e1m\u011brn\u011b v jeho anglick\u00e9 podob\u011b, proto\u017ee opera m\u011bla premi\u00e9ru v Lond\u00fdn\u011b roku 1724. A tehdy to byl velk\u00fd sukces.<\/p>\n\n\n\n

\"\"
foto: Theater an der Wien, Monika Rittershaus<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Na\u0161e premi\u00e9ra se odehr\u00e1la ve v\u00edde\u0148sk\u00e9m Theater an der Wien (TadW) v re\u017eii Keitha Warnera<\/strong> a pod taktovkou Ivora Boltona<\/strong>. A v\u00fdprava byla velkolep\u00e1 a poveden\u00e1, jak to ostatn\u011b v TadW um\u00ed. Tentokr\u00e1t se jedn\u00e1 o p\u016fvodn\u00ed produkci divadla a v\u011b\u0159\u00edm, \u017ee se \u010dasem vyd\u00e1 na tour, proto\u017ee za to stoj\u00ed. V\u00edde\u0148sk\u00e1 v\u00fdprava um\u00edstila d\u011bj do dekadentn\u00edho filmov\u00e9ho s\u00e1lu, kde kdysi zlat\u00e9 st\u011bny trochu opr\u00fdsk\u00e1vaj\u00ed a kde Egypt p\u0159ipom\u00ednaj\u00ed jen dekorativn\u00ed \u0161tuky. Na pl\u00e1tn\u011b pak b\u011b\u017e\u00ed n\u011bm\u00fd velkofilm, p\u0159edch\u016fdce zlat\u00e9 a bly\u0161tiv\u00e9 velkolep\u00e9 Kleopatry z \u0161edes\u00e1t\u00fdch let. Ostatn\u011b tyhle filmov\u00e9 aluze se ve v\u00edde\u0148sk\u00e9m ztv\u00e1rn\u011bn\u00ed objev\u00ed je\u0161t\u011b n\u011bkolikr\u00e1t, v\u010detn\u011b nezapomenuteln\u00e9ho kost\u00fdmu tehdej\u0161\u00ed kr\u00e1sky Liz Taylor coby Kleopatry. Jen\u017ee filmov\u00e1 projekce se jaksi zasekne zrovna v moment\u011b, kdy p\u0159ich\u00e1z\u00ed velk\u00fd Caesar, aby si u\u017eil sv\u016fj egyptsk\u00fd triumf. Jak\u00fd pech. Kdy\u017e ale d\u011bj popob\u011bhne, zjist\u00edte, \u017ee z\u00e1vada v prom\u00edtac\u00ed kabin\u011b a n\u00e1sledn\u00e9 sho\u0159en\u00ed filmov\u00e9ho p\u00e1sku bylo t\u00edm nejmen\u0161\u00edm nebezpe\u010d\u00edm, kter\u00e9 na Caesara v t\u00e9hle zemi pln\u00e9 pozl\u00e1tka a zrady \u010dek\u00e1.\u00a0<\/p>\n\n\n\n

Giulio Cesare je operou, jej\u00edm\u017e hnac\u00edm motorem je touha po moci a ovl\u00e1d\u00e1n\u00ed druh\u00fdch. Je pln\u00e1 zrady, \u00faskok\u016f, zm\u011bny stran, ale tak\u00e9 okouzlen\u00ed a v\u00e1\u0161n\u011b. V\u0161e poskl\u00e1dan\u00e9 do t\u0159\u00ed hodin kr\u00e1sn\u00e9 muziky a n\u00e1ro\u010dn\u00e9ho p\u011bveck\u00e9ho obsazen\u00ed. A aby to nebylo jen v\u00e1\u017en\u00e9 a vlastn\u011b trochu nudn\u00e9 listov\u00e1n\u00ed letopisy \u0158\u00edmsk\u00e9 \u0159\u00ed\u0161e, je t\u0159eba to pat\u0159i\u010dn\u011b opep\u0159it pro div\u00e1ky. S t\u00edm po\u010d\u00edt\u00e1 i Mr. Handel.<\/p>\n\n\n\n

Kleopatra je zpo\u010d\u00e1tku vlastn\u011b jen marnivou celebritou, kter\u00e1 se sna\u017e\u00ed sv\u00e9st \u0159\u00edmsk\u00e9ho imper\u00e1tora, aby z\u00edskala moc na \u00fakor sv\u00e9ho bratra. Jej\u00edm hlavn\u00edm n\u00e1strojem je p\u0159edev\u0161\u00edm sv\u016fdn\u00e1 kr\u00e1sa a v pod\u00e1n\u00ed britsk\u00e9 sopranistky Louise Adler<\/strong> i p\u0159ekr\u00e1sn\u00fd hlas. Vyu\u017eije k tomu obl\u00edbenou lest , kdy se vyd\u00e1v\u00e1 za svou slu\u017eebnou. <\/p>\n\n\n\n

Kleopat\u0159in nep\u0159\u00edli\u0161 p\u0159ita\u017eliv\u00fd bratr Tolomeo (Ptolemaius), ve V\u00eddni ne nepodobn\u00fd mafi\u00e1novi z divok\u00fdch devades\u00e1t\u00fdch let, se pokou\u0161\u00ed vyu\u017e\u00edt zcela jin\u00fdch prost\u0159edk\u016f k uchopen\u00ed a pos\u00edlen\u00ed sv\u00e9ho pod\u00edlu na moci v Egypt\u011b. Je sice mocn\u00fd a \u00fasko\u010dn\u00fd, ale z\u00e1rove\u0148 je tak\u00e9 sm\u011b\u0161n\u00fd a jeho \u00fasil\u00ed je nakonec ne\u00fasp\u011b\u0161n\u00e9, navzdory krvi, kterou prolije. I v pr\u016fb\u011bhu d\u011bje je postava Tolomea n\u011bkolikr\u00e1te zesm\u011b\u0161n\u011bna samotn\u00fdm Caesarem. T\u0159eba v n\u00e1dhern\u00e9m a vtipn\u00e9m badmintonov\u00e9m ma\u010di. Ano, \u010dtete spr\u00e1vn\u011b, jsme ve sv\u011bt\u011b smet\u00e1nky nikoli barokn\u00ed, ale tak trochu dne\u0161n\u00ed. Hraje se hazard, badminton a ne\u00fasp\u011bch se l\u00e9\u010d\u00ed p\u011bknou d\u00e1vkou n\u011b\u010deho po\u0159\u00e1dn\u00e9ho do \u017eil, proto\u017ee pak je sv\u011bt barevn\u011bj\u0161\u00ed a v\u0161e vypad\u00e1 veseleji\u2026tedy aspo\u0148 do ur\u010dit\u00e9ho momentu, ne\u017e se v\u0161e zlom\u00ed a sen se stane no\u010dn\u00ed m\u016frou.<\/p>\n\n\n\n

Te\u010f je ten moment, kdy si mus\u00edte \u0159\u00edct, \u017ee se ve V\u00eddni \u00fapln\u011b zbl\u00e1znili a \u017ee cel\u00e9 tohle \u0161\u00edlenstv\u00ed nem\u016f\u017ee fungovat. Omyl. M\u016f\u017ee. V\u0161echno na sc\u00e9n\u011b, kter\u00e1 rozhodn\u011b nen\u00ed jednoduch\u00e1, klape jako hodinky. Cel\u00e1 velkolep\u00e1 v\u00fdprava je rozd\u011blena do dvou \u010d\u00e1st\u00ed, jejich prom\u011bna se ud\u00e1 pouh\u00fdm oto\u010den\u00edm to\u010dny. Obrazy se m\u011bn\u00ed pr\u016fb\u011b\u017en\u011b, dynamicky a div\u00e1k nic nepozn\u00e1, v\u0161e plyne jako skv\u011ble sest\u0159\u00edhan\u00fd velkofilm.\u00a0<\/p>\n\n\n\n

D\u011bj je rozd\u011blen do dvou \u010d\u00e1st\u00ed – m\u00edr a v\u00e1lka. P\u0159i\u010dem\u017e v prvn\u00edm jsme sv\u011bdky rozd\u00e1n\u00ed karet a prvn\u00edch tah\u016f mocensk\u00e9 partie, v druh\u00e9m, m\u00e9n\u011b filmov\u00e9m d\u011bjstv\u00ed se p\u0159eneseme kamsi za pozl\u00e1tko biografu do syrov\u00e9ho sv\u011bta boje o moc. \u00dast\u0159edn\u00ed roli zde pak nehraje s\u00e1l biografu, ale dusot vojensk\u00fdch bot a ploty, kter\u00e9 je t\u0159eba p\u0159ekonat.<\/p>\n\n\n\n

Je a\u017e neuv\u011b\u0159iteln\u00e9, \u017ee v\u0161echny p\u0159ek\u00e1\u017eky a nesn\u00e1ze, kter\u00e9 vypl\u00fdvaj\u00ed z u\u017eit\u00ed tak komplexn\u00ed a slo\u017eit\u00e9 sc\u00e9ny, p\u0159ekon\u00e1vaj\u00ed v\u0161ichni zp\u011bv\u00e1ci a cel\u00fd divadeln\u00ed ans\u00e1mbl s naprostou samoz\u0159ejmost\u00ed a lehkost\u00ed. B\u011bhem cel\u00e9 premi\u00e9ry nedo\u0161lo k jedin\u00e9m \u0161kobrtnut\u00ed, v\u0161e m\u011blo sv\u00e9 m\u00edsto a sv\u016fj \u010das. Bezchybn\u011b.<\/p>\n\n\n\n

P\u011bveck\u00e9 obsazen\u00ed t\u00e9hle opery nab\u00edz\u00ed pouze dv\u011b \u017eeny – Kleopatru a Kornelii, vdovu po zavra\u017ed\u011bn\u00e9m Caesarov\u011b sokovi Pompeovi. Zbytek tvo\u0159\u00ed mu\u017ei a co v\u00edc – kontrateno\u0159i. By\u0165 samoz\u0159ejm\u011b existuj\u00ed i varianty s jin\u00fdm obsazen\u00edm.\u00a0 Nap\u0159\u00edklad v legend\u00e1rn\u00ed inscenaci Davida McVicara z Glyndebourne roli Caesara v\u00fdte\u010dn\u011b zp\u00edv\u00e1 Sarah Conolly a naopak roli Sesta Angelika Kirchschlager.<\/p>\n\n\n\n

Ale vra\u0165me se ke Kleopat\u0159e. Tu ve V\u00eddni brilantn\u011b ztv\u00e1rnila Louise Adler. Prvn\u00ed recenze na p\u00e1te\u010dn\u00ed premi\u00e9ru pr\u00fd v\u00fdkon Louise Adler strhala. Nene, p\u0159\u00e1tel\u00e9, nev\u011b\u0159te tomu, ten hlas je kr\u00e1sn\u00fd, barevn\u00fd, smysln\u00fd a v\u00e1\u0161niv\u00fd! Louise Adler tak\u00e9 sklidila na premi\u00e9\u0159e zaslou\u017een\u011b nejhalasn\u011bj\u0161\u00ed potlesk a \u010detn\u00e9 vol\u00e1n\u00ed \u201cbravo\u201d. Roli Kornelie zp\u00edv\u00e1 ve V\u00eddni zn\u00e1m\u00e1 Patricia Bardon<\/strong> a je skv\u011bl\u00e1. Zbytek rol\u00ed je ji\u017e mu\u017esk\u00fd. Caesara se zhostil s \u00fasp\u011bchem Bejun Mehta<\/strong>. Tady si neodpust\u00edm jednu osobn\u00ed pozn\u00e1mku. S Mehtou se Uroboros m\u00fdch n\u00e1v\u0161t\u011bv Na V\u00edde\u0148ce zakousl do vlastn\u00edho ocasu. Pr\u00e1v\u011b hlas Bejuna Mehty m\u011b p\u0159ed lety p\u0159im\u011bl hledat, kdepak lze tento kr\u00e1sn\u00fd hlas sly\u0161et co nejbl\u00ed\u017ee na\u0161im kon\u010din\u00e1m. I nab\u00eddl mi tehdy internet Theater an der Wien. Divadlo, tehdy pro mne nezn\u00e1m\u00e9, le\u010d po prvn\u00ed n\u00e1v\u0161t\u011bv\u011b zamilovan\u00e9. Bejun Mehta tentokr\u00e1t nebyl zpo\u010d\u00e1tku tak perfektn\u00ed, jak jsem o\u010dek\u00e1val, ale v pr\u016fb\u011bhu ve\u010dera se z prvotn\u00edho oslaben\u00ed rychle vzpamatoval a brzy u\u017e pod\u00e1val standardn\u011b \u0161pi\u010dkov\u00fd v\u00fdkon. Jeho sok Tolomeo Christopha Dumauxe<\/strong> mu byl skv\u011bl\u00fdm protivn\u00edkem. My\u0161leno ov\u0161em pouze d\u011bjov\u011b. Hlasov\u011b mu byl Christophe Dumaux naprosto vyrovnan\u00fdm p\u011bveck\u00fdm partnerem.<\/p>\n\n\n\n

Vynikaj\u00edc\u00ed byl rovn\u011b\u017e Jake Arditti<\/strong>. Nad jeho hlasem jsem plesal u\u017e v roce 2016, kdy\u017e zaskakoval ve skv\u011bl\u00e9 Agrippin\u011b (tehdy t\u00e9\u017e po boku Patricie Bardon a v re\u017eii Roberta Carsena), a nep\u0159est\u00e1v\u00e1m se z n\u011bj radovat. Je to v\u00fdte\u010dn\u00fd hlas! Navzdory tomu, \u017ee jeho role Sesta v Caesarovi je sp\u00ed\u0161e komick\u00e1, by\u0165 nakonec\u2026 no ale nebudu prozrazovat. Snad jedin\u00fd slab\u0161\u00ed kontratenor byl Nireno Konstantina Derriho<\/strong>, jeho role je ov\u0161em velmi okrajov\u00e1, tak\u017ee celkov\u00fd dojem v z\u00e1sad\u011b neovlivnil. Jedin\u00fd z\u00e1stupce hlubok\u00fdch hlas\u016f byl basbaryton Simona Baileyho<\/strong> coby Tolomeova r\u00e1dce Achilly. Nen\u00ed to sice ani trochu kladn\u00e1 postava, ale to nic nem\u011bn\u00ed na tom, \u017ee Baileyho hlas je par\u00e1dn\u00ed.<\/p>\n\n\n\n

Hudebn\u011b je pod v\u00edde\u0148skou inscenac\u00ed podeps\u00e1n Concentus Musicus Wien<\/strong> za \u0159\u00edzen\u00ed skv\u011bl\u00e9ho Ivora Boltona. Sbory se nekonaj\u00ed, na t\u0159i hodiny kr\u00e1sn\u00e9 muziky si mus\u00edte, a tak\u00e9 vysta\u010d\u00edte, s hv\u011bzdn\u00fdmi interprety a skv\u011blou sc\u00e9nou.<\/p>\n\n\n\n

Z\u00e1v\u011br? P\u0159i\u0161el jsem, vid\u011bl jsem, u\u017eil jsem si! <\/p>\n\n\n\n

Giulio Cesare in Egitto | George Frideric Handel<\/strong><\/p>\n\n\n\n

Theater an der Wien, 17.12.2021, premi\u00e9ra<\/strong><\/p>\n\n\n\n

re\u017eie:<\/strong> Keith Warner<\/p>\n\n\n\n

dirigent:<\/strong> Ivor Bolton<\/p>\n\n\n\n

Giulio Cesare<\/strong> | Bejun Mehta<\/p>\n\n\n\n

Cleopatra<\/strong> | Louise Adler<\/p>\n\n\n\n

Tolomeo<\/strong> | Christophe Dumaux<\/p>\n\n\n\n

Cornelia<\/strong> | Patricia Bardon<\/p>\n\n\n\n

Sesto<\/strong> | Jake Arditti<\/p>\n\n\n\n

Achilla<\/strong> | Simon Bailey<\/p>\n\n\n\n

Nireno<\/strong> | Konstantin Derri<\/p>\n\n\n\n

Pompeo<\/strong> | Joni \u00d6sterlund<\/p>\n\n\n\n

Concentus Musicus Wien<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tedy p\u0159esn\u011bji Giulio Cesare in Egitto je velk\u00e1 opera George Friderica Handela, kter\u00e1 pojedn\u00e1v\u00e1 klasick\u00fd p\u0159\u00edb\u011bh. Zn\u00e1te jej t\u0159eba z velkofilmu Kleopatra z \u0161edes\u00e1t\u00fdch let s Liz Taylor a Richardem\u00a0 Burtonem. Jm\u00e9no velk\u00e9ho barokn\u00edho mistra H\u00e4ndela p\u00ed\u0161u z\u00e1m\u011brn\u011b v jeho anglick\u00e9 podob\u011b, proto\u017ee opera m\u011bla premi\u00e9ru v Lond\u00fdn\u011b roku 1724. A tehdy to byl velk\u00fd … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Caesar a Kleopatra ve V\u00eddni“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3204"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3204"}],"version-history":[{"count":1,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3204\/revisions"}],"predecessor-version":[{"id":3206,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3204\/revisions\/3206"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}