{"id":3217,"date":"2022-03-22T21:21:46","date_gmt":"2022-03-22T20:21:46","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3217"},"modified":"2022-03-22T21:34:15","modified_gmt":"2022-03-22T20:34:15","slug":"jihocesky-mefistofeles-v-praze","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2022\/03\/22\/jihocesky-mefistofeles-v-praze\/","title":{"rendered":"Jiho\u010desk\u00fd Mefistofeles v Praze"},"content":{"rendered":"\n

Po v\u0161ech str\u00e1nk\u00e1ch p\u016fsobiv\u00e9 proveden\u00ed nudn\u00e9 a nezaj\u00edmav\u00e9 opery. To je inscenace Boitovy jedin\u00e9 opery Mefistofeles v pod\u00e1n\u00ed Jiho\u010desk\u00e9ho divadla na festivalu opern\u00edho divadla v Praze. Ano, p\u0159ipou\u0161t\u00edm, vydal jsem se na velkou italskou romantickou operu, a to opravdu nen\u00ed m\u016fj \u0161\u00e1lek k\u00e1vy. Moje chyba.\u00a0 Milovn\u00edci t\u00e9to hudebn\u00ed epochy snad laskav\u011b prominou.<\/p>\n\n\n\n

\"\"
Jana \u0160rejma Ka\u010d\u00edrkov\u00e1 coby Mark\u00e9tka, foto: Martina Root, zdroj: web Jiho\u010desk\u00e9ho divadla<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Arrigo Boito<\/strong>, tento nadan\u00fd mu\u017e sv\u00e9 doby byl podle m\u00e9ho opravdu sp\u00ed\u0161e spisovatelem a p\u0159ekladatelem, ne\u017e skladatelem. Prvn\u00ed verze Mefistofela propadla p\u0159i sv\u00e9 premi\u00e9\u0159e roku 1868 \u00fapln\u011b, po p\u0159epracov\u00e1n\u00ed se pak Boito do\u010dkal \u00fasp\u011bchu v opern\u00edm sv\u011bt\u011b A t\u00edm jeho sl\u00e1va i vyvrcholila, proto\u017ee Mefistofeles z\u016fstal jeho jedin\u00fdm dokon\u010den\u00fdm d\u00edlem.\u00a0<\/p>\n\n\n\n

Z m\u00e9ho pohledu je Boitovo pod\u00e1n\u00ed Fausta nesrozumiteln\u00e9, nep\u0159esv\u011bd\u010div\u00e9 a veskrze podivn\u00e9. V cel\u00e9 ope\u0159e nenach\u00e1z\u00edm jedinou postavu, kter\u00e1 by vzbudila m\u016fj z\u00e1jem nebo sympatie. Snad jedin\u011b t\u0159et\u00ed d\u011bjstv\u00ed mne pohnulo k n\u011bjak\u00fdm emoc\u00edm. Mark\u00e9tka v tomto d\u011bjstv\u00ed v pod\u00e1n\u00ed Jany \u0160rejma Ka\u010d\u00edrkov\u00e9<\/strong> byla skvostn\u00e1 a proc\u00edt\u011bn\u00e1, dokonal\u00e1, uv\u011b\u0159iteln\u00e1, bolestn\u00e1. Tehdy a jedin\u011b tehdy jsem m\u011bl pocit, \u017ee sly\u0161\u00edm opravdovou j\u00edmavou hudbu, kter\u00e1 vyvol\u00e1v\u00e1 emoce a dokonce n\u011bco sd\u011bluje. Tehdy a jedin\u011b tehdy jsem c\u00edtil to chv\u011bn\u00ed, kter\u00e9 na ope\u0159e miluju. <\/p>\n\n\n\n

Podobn\u00e1 situace pak nastala u\u017e jen v d\u011bjstv\u00ed \u010dtvrt\u00e9m, kde byl orchestr velmi siln\u011b podpo\u0159en kr\u00e1sou a zp\u011bvem opern\u00ed bohyn\u011b Doubravky Sou\u010dkov\u00e9<\/strong>, kter\u00e1 zp\u00edvala Helenu Trojskou. Le\u010d toto antick\u00e9\/bo\u017esk\u00e9 d\u011bjstv\u00ed bylo ve srovn\u00e1n\u00ed s Mark\u00e9t\u010din\u00fdm v\u00fdkonem v d\u011bjstv\u00ed p\u0159ede\u0161l\u00e9m, jen prostou v\u00fdpln\u00ed, vatou, kter\u00e1 d\u011bj nikam neposouvala a postr\u00e1dala uv\u011b\u0159itelnou v\u00e1\u0161e\u0148. <\/p>\n\n\n\n

S\u00e1m dr. Faust p\u016fsob\u00ed v cel\u00e9 ope\u0159e jako nezaj\u00edmav\u00e1 postava s nep\u0159esv\u011bd\u010div\u00fdmi motivy. Jeho touha po pozn\u00e1n\u00ed, stejn\u011b tak jako jeho proz\u0159en\u00ed ve fin\u00e1le, ano to legend\u00e1rn\u00ed Faustovo zvol\u00e1n\u00ed \u201cJsi tolik kr\u00e1sn\u00fd! prodli jen!<\/em>\u201d,\u00a0 p\u016fsob\u00ed \u00fapln\u011b vytr\u017een\u011b, bez souvislosti, nal\u00e9havosti a p\u016fsobivosti.\u00a0 <\/p>\n\n\n\n

Tituln\u00ed Mefistofeles je pak v cel\u00e9 ope\u0159e sice st\u00e1le p\u0159\u00edtomen, ale je naprosto nev\u00fdrazn\u00fd a to i p\u011bveck\u00fdmi party, kter\u00e9 pro n\u011bj Boito a bud\u011bjovick\u00e1 re\u017eie t\u00e9to opery vyhradily (opera je nastudov\u00e1na ve verzi s n\u011bkolika re\u017eijn\u00edmi \u0161krty).\u00a0 <\/p>\n\n\n\n

Boit\u016fv Mefistofeles na velk\u00e9 plo\u0161e sv\u00fdch 4 d\u011bjstv\u00ed, prologu a epilogu t\u00e9m\u011b\u0159 postr\u00e1d\u00e1 d\u011bj. D\u011bjstv\u00ed jsou sp\u00ed\u0161e coby obrazy, propojen\u00e9 snad jedin\u011b osobou Mefistofela, kter\u00fd zde ale t\u00e9m\u011b\u0159 nevystupuje jako skute\u010dn\u011b hybn\u00e1 s\u00edla. Ono taky nen\u00ed moc \u010d\u00edm h\u00fdbat. Boitova hudba je sice mocn\u00e1, bur\u00e1civ\u00e1 ve velk\u00fdch ploch\u00e1ch, le\u010d za mne postr\u00e1d\u00e1 emoce a sm\u011b\u0159ov\u00e1n\u00ed, chyb\u00ed j\u00ed hravost, proc\u00edt\u011bnost, melodi\u010dnost. Nechytla mne za srdce a nudila t\u00e9m\u011b\u0159 cel\u00fd ve\u010der. Samoz\u0159ejmost\u00ed t\u00e9to opery jsou velk\u00e9 sbory, kter\u00e9 ale ani na po\u010d\u00e1tku ani na konci nedosahuj\u00ed rajsk\u00e9 kr\u00e1sy, o kter\u00e9 by m\u011bly zp\u00edvat a op\u011bt mi p\u0159ipadaj\u00ed sp\u00ed\u0161e jako vatov\u00e1 v\u00fdpl\u0148 tam, kde se nedost\u00e1v\u00e1 d\u011bje.\u00a0<\/p>\n\n\n\n

P\u0159es v\u0161echno tohle m\u00e9 m\u00edjen\u00ed se s touto operou je t\u0159eba \u0159\u00edct, \u017ee nastudov\u00e1n\u00ed Jiho\u010desk\u00e9ho divadla je mimo\u0159\u00e1dn\u00e9. Vizu\u00e1ln\u011b nesm\u00edrn\u011b p\u016fsobiv\u00e9 a na proveden\u00ed ve St\u00e1tn\u00ed ope\u0159e v Praze i v\u00fdborn\u011b p\u011bvecky obsazen\u00e9. <\/p>\n\n\n\n

Sc\u00e9na Petra V\u00edtka <\/strong>se v podstat\u011b nem\u011bn\u00ed, ostatn\u011b nen\u00ed to t\u0159eba. Pr\u016fhled z pekla do nebe p\u0159es v\u0161echny zemsk\u00e9 i nezemsk\u00e9 sf\u00e9ry m\u016f\u017ee obs\u00e1hnout v\u0161e. Ot\u00e1zkou je, nakolik bylo u\u017eite\u010dn\u00e9 pou\u017eit\u00ed model\u016f mot\u00fdl\u016f, kte\u0159\u00ed v jedn\u00e9 \u010d\u00e1sti dokonce p\u0159ek\u00e1\u017eely postav\u00e1m v pohybu. Snad estetika sc\u00e9ny evokuj\u00edc\u00ed hravost a bezstarostnost a z\u00e1rove\u0148 pom\u00edjivost \u010dlov\u011bka jako zemsk\u00e9ho \u010derva. Kuka\u010dky pak byly zcela mimo a zbyte\u010dn\u00e9, stejn\u011b jako podivn\u00e9 a\u017e ru\u0161iv\u00e9 hr\u00e1tky s nehod\u00edc\u00ed se \u017eidl\u00ed. Le\u010d v celkov\u00e9m vyzn\u011bn\u00ed jsou to drobnosti. <\/p>\n\n\n\n

P\u016fsobiv\u00e1 pr\u00e1ce se sv\u011btly (Daniel Tesa\u0159<\/strong>). Kr\u00e1sn\u00e9 kost\u00fdmy (Ale\u0161 Val\u00e1\u0161ek<\/strong>). N\u00e1padit\u00fd a sexy balet (choreografie Martin \u0160int\u00e1k<\/strong>). To v\u0161e mi pom\u00e1halo zapomenout na hudebn\u00ed nudu p\u0159edlohy. Kdy\u017e \u010dlov\u011bk uv\u00e1\u017e\u00ed, v jak\u00fdch minimalistick\u00fdch podm\u00ednk\u00e1ch jiho\u010desk\u00e1 opera pracuje, je cel\u00fd jej\u00ed v\u00fdkon o to hv\u011bzdn\u011bj\u0161\u00ed. Bravi tutti.<\/p>\n\n\n\n

Z p\u011bveck\u00fdch part\u016f byly nejsiln\u011bj\u0161\u00ed ty \u017eensk\u00e9 – <\/strong>Jana \u0160rejma Ka\u010d\u00edrkov\u00e1 (Mark\u00e9ta) a Doubravka Sou\u010dkov\u00e1 (Helena Trojsk\u00e1), zdatn\u011b jim v men\u0161\u00ed roli Marthy\/Panthalis sekundovala Mark\u00e9ta Cukrov\u00e1<\/strong>. Italsk\u00fd rod\u00e1k Paolo Lardizzone<\/strong> coby Faust vl\u00e1dne p\u0159\u00edjemn\u00fdm a dostate\u010dn\u011b siln\u00fdm hlasem. Mefistofeles Franti\u0161ka Zahradn\u00ed\u010dka<\/strong> byl trochu problemati\u010dt\u011bj\u0161\u00ed a v n\u011bkter\u00fdch partech u\u017e prost\u011b hlasov\u011b nesta\u010dil, nicm\u00e9n\u011b celkov\u011b to bylo po\u0159\u00e1d dobr\u00e9. Nav\u00edc postava Mefistofela v ope\u0159e opravdu ostrouhala, tak\u017ee se ani nem\u00e1 kde bl\u00fdsknout.<\/p>\n\n\n\n

Re\u017eis\u00e9r Tom\u00e1\u0161 Ond\u0159ej Pila\u0159<\/strong> se s p\u0159edlohou popral dob\u0159e a vyt\u011b\u017eil z n\u00ed obdivuhodn\u00e9 maximum. Zn\u00e1m jej (a vlastn\u011b cel\u00fd t\u00fdm – choreografie, kost\u00fdmy) t\u0159eba z v\u00fdborn\u00fdch plze\u0148sk\u00fdch inscenac\u00ed Monteverdiho oper a t\u011b\u0161\u00edm se, a\u017e si zase budu moci vychutnat jeho re\u017eijn\u00ed um\u011bn\u00ed u jin\u00e9 p\u0159edlohy. Jak jsem u\u017e zm\u00ednil, krom sc\u00e9ny a re\u017eie, byla p\u016fsobiv\u00e1 i tane\u010dn\u00ed choreografie Martina \u0160int\u00e1ka a kost\u00fdmy Ale\u0161e Val\u00e1\u0161ka.\u00a0<\/p>\n\n\n\n

Zkr\u00e1tka a dob\u0159e, bud\u011bj\u010dt\u00ed se s v\u00edcem\u00e9n\u011b s \u00fasp\u011bchem vypo\u0159\u00e1dali s Boitov\u00fdm hudebn\u00edm odkazem. Publikum St\u00e1tn\u00ed opery v Praze miluj\u00edc\u00ed velkou italskou romantickou operu pak Jiho\u010desk\u00e9 divadlo ocenilo bou\u0159liv\u00fdmi ovacemi a mo\u017en\u00e1 jej po\u0161le i mezi favority cel\u00e9 opern\u00ed p\u0159ehl\u00eddky Opera 2022.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Arrigo Boito | Mefistofeles<\/strong><\/p>\n\n\n\n

Jiho\u010desk\u00e9 divadlo v \u010cesk\u00fdch Bud\u011bjovic\u00edch, Festival hudebn\u00edho divadla Opera 2022 – p\u0159edstaven\u00ed ve St\u00e1tn\u00ed ope\u0159e Praha, 19.3.2022<\/p>\n\n\n\n

re\u017eie: <\/strong>Tom\u00e1\u0161 Ond\u0159ej Pila\u0159<\/p>\n\n\n\n

sc\u00e9na:<\/strong> Petr V\u00edtek<\/p>\n\n\n\n

kost\u00fdmy:<\/strong> Ale\u0161 Val\u00e1\u0161ek<\/p>\n\n\n\n

hudebn\u00ed nastudov\u00e1n\u00ed:<\/strong> Mario De Rose <\/p>\n\n\n\n

Sbor, balet a orchestr Jiho\u010desk\u00e9ho divadla a D\u011btsk\u00fd p\u011bveck\u00fd sbor Jit\u0159enka<\/p>\n\n\n\n

<\/p>\n\n\n\n

Giuseppe Verdi Mefistofela sly\u0161el poprv\u00e9 a\u017e v b\u0159eznu 1879, kdy nav\u0161t\u00edvil p\u0159edstaven\u00ed v Janov\u011b. \u201e\u2026 Chyb\u00ed mu spont\u00e1nnost a melodi\u010dnost\u2026,\u201c prohl\u00e1sil. \u201eJen st\u011b\u017e\u00ed se d\u00e1 odhadnout, zda Boito obohat\u00ed It\u00e1lii o skute\u010dn\u011b mistrovsk\u00e1 d\u00edla. M\u00e1 zna\u010dnou d\u00e1vku talentu, usiluje o originalitu, v\u00fdsledek v\u0161ak zn\u00ed podivn\u011b. P\u0159esto ov\u0161em u n\u011bho nal\u00e9z\u00e1me spoustu hudebn\u00edch kvalit. Vezmeme-li tedy v \u00favahu sm\u011b\u0159ov\u00e1n\u00ed jeho \u00fasil\u00ed, d\u00e1 se \u0159\u00edci, \u017ee se m\u016f\u017ee v\u00edcem\u00e9n\u011b s \u00fasp\u011bchem vypo\u0159\u00e1dat s natolik bizarn\u00edm a pov\u00fdtce divadeln\u00edm t\u00e9matem, jak\u00fdm je Mefistofele.\u201c<\/em><\/p>\n\n\n\n

Eduard Hanslick, nejvlivn\u011bj\u0161\u00ed hudebn\u00ed kritik V\u00eddn\u011b druh\u00e9 poloviny devaten\u00e1ct\u00e9ho stolet\u00ed, v\u011bnoval v Neue freie Presse 22. b\u0159ezna 1882 prvn\u00edmu proveden\u00ed Boitovy opery ve V\u00eddni (18. b\u0159ezna) rozs\u00e1hlou a podrobnou kritiku, v n\u00ed\u017e zd\u016fraz\u0148uje, \u017ee si cel\u00e9 d\u00edlo d\u016fkladn\u011b prostudoval i z klav\u00edrn\u00edho v\u00fdtahu. \u201e\u2026 Pot\u00e9 co jsem ho te\u010f sly\u0161el z jevi\u0161t\u011b, a to ve v\u00fdte\u010dn\u00e9m proveden\u00ed, mohu pouze opakovat sv\u016fj v\u00fdrok, \u017ee mi Boitova hudba p\u0159ipad\u00e1 d\u00edlem pr\u016fm\u011brn\u00e1, d\u00edlem je mi protivn\u00e1, ale jako p\u0159etvo\u0159en\u00ed Goetheho Fausta p\u0159\u00edmo sm\u011b\u0161n\u00e1\u2026\u201c<\/em><\/p>\n\n\n\n

zdroj citac\u00ed: Jitka Slav\u00edkov\u00e1 | Boit\u016fv solit\u00e9r Mefistofeles | 22.1.2015 Opera+ <\/p>\n","protected":false},"excerpt":{"rendered":"

Po v\u0161ech str\u00e1nk\u00e1ch p\u016fsobiv\u00e9 proveden\u00ed nudn\u00e9 a nezaj\u00edmav\u00e9 opery. To je inscenace Boitovy jedin\u00e9 opery Mefistofeles v pod\u00e1n\u00ed Jiho\u010desk\u00e9ho divadla na festivalu opern\u00edho divadla v Praze. Ano, p\u0159ipou\u0161t\u00edm, vydal jsem se na velkou italskou romantickou operu, a to opravdu nen\u00ed m\u016fj \u0161\u00e1lek k\u00e1vy. Moje chyba.\u00a0 Milovn\u00edci t\u00e9to hudebn\u00ed epochy snad laskav\u011b prominou.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3217"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3217"}],"version-history":[{"count":2,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3217\/revisions"}],"predecessor-version":[{"id":3220,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3217\/revisions\/3220"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}