{"id":3323,"date":"2022-10-10T12:06:45","date_gmt":"2022-10-10T11:06:45","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3323"},"modified":"2022-10-10T12:06:45","modified_gmt":"2022-10-10T11:06:45","slug":"loutna-ceska-jindrichohradecka","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2022\/10\/10\/loutna-ceska-jindrichohradecka\/","title":{"rendered":"Loutna \u010desk\u00e1 jind\u0159ichohradeck\u00e1"},"content":{"rendered":"\n

\u201cV p\u00e1tek, v sv\u00e1tek, v kostele, p\u0159i stole, jak se l\u00edb\u00ed v ka\u017ed\u00e9 chv\u00edli\u2026<\/em>\u201d To\u0165 n\u00e1vod k provozov\u00e1n\u00ed Loutny \u010desk\u00e9 a tak\u00e9 k Bo\u017e\u00ed chv\u00e1le.\u00a0<\/p>\n\n\n\n

Mo\u017enost poslechnout si po letech zase na\u017eivo provozovanou Michnovu Loutnu \u010deskou, N.B. v Jind\u0159ichov\u011b Hradci, to se mus\u00ed vyu\u017e\u00edt. Inu vzh\u016fru do kaple svat\u00e9 M\u00e1\u0159\u00ed Magdaleny.<\/p>\n\n\n\n

Nastudov\u00e1n\u00ed: Ensemble In\u00e9gal <\/strong>pod veden\u00edm Adama Viktory<\/strong>. Hlasov\u00e9 party byly sv\u011b\u0159eny Gabriele Eibenov\u00e9 <\/strong>a Pet\u0159e Noskaiov\u00e9<\/strong>. Zvl\u00e1\u0161tnost\u00ed tohoto proveden\u00ed byl akcent houslov\u00fdch part\u016f, kter\u00e9 ned\u00e1vno objevil ve Slan\u00e9m muzikolog Petr Dan\u011bk<\/strong>. Houslov\u00e9 party proto p\u0159ednesly p\u0159edn\u00ed houslistky v oboru – Lenka Torgersen<\/strong> a Magdalena Mal\u00e1<\/strong>. Na violoncello je doprov\u00e1zel Petr Hamouz <\/strong>a na theorbu Jan \u010ci\u017em\u00e1\u0159<\/strong>. Cel\u00e9 proveden\u00ed \u0159\u00eddil Adam Viktora.<\/p>\n\n\n\n

\"\"<\/a>
zdroj: pixabay.com<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

A jak\u00e9 to bylo? Velmi rozpa\u010dit\u00e9. \u010clov\u011bk nev\u011bd\u011bl, zda je na koncert\u011b a zda je v hlavn\u00ed roli hudba, nebo zda je na, promi\u0148te mi ten v\u00fdraz, \u0161kolometsk\u00e9m v\u00fdchovn\u00e9m koncert\u011b, kter\u00e9 si pamatuju ze sv\u00e9ho d\u011btstv\u00ed. Rozhodn\u011b neplatila slova sv\u00e1debn\u00ed radosti<\/em> zm\u00edn\u011bn\u00e1 v Loutn\u011b sam\u00e9, toti\u017e \u017ee \u201cpauzy \u017e\u00e1dn\u00fd zde nem\u00e1me<\/em>\u201d. Pauzy byly. To, co se jindy poslucha\u010di dozv\u011bd\u00ed z programov\u00e9 bro\u017eury, v Hradci odp\u0159edn\u00e1\u0161el s\u00e1m objevitel houslov\u00e9ho partu Petr Dan\u011bk. Toho bohu\u017eel nikdo nezm\u00ednil ani v programu, ani na koncert\u011b sam\u00e9m. Ve v\u0161\u00ed \u00fact\u011b k pr\u00e1ci pana profesora Da\u0148ka a jeho z\u00e1sluh\u00e1m na pr\u00e1ci s Loutnou, takto pros\u00edm u\u017e nikdy v\u00edce. Lektorsk\u00fd \u00favod ke koncertu by b\u00fdval byl naprosto v po\u0159\u00e1dku. Je to b\u011b\u017en\u00e1, osv\u011bd\u010den\u00e1 a citliv\u00e1 praxe.\u00a0 Vstupovat opakovan\u011b slovem do ucelen\u00e9 hudebn\u00ed kompozice Loutny \u010desk\u00e9 bylo nanejv\u00fd\u0161 ru\u0161iv\u00e9 a cel\u00fd z\u00e1\u017eitek z ve\u010dera to zni\u010dilo. Kdy\u017e jsem kone\u010dn\u011b po koncert\u011b na n\u00e1m\u011bst\u00ed mohl vybuchnout roz\u010dilen\u00edm, zastavil u n\u00e1s okolo proj\u00ed\u017ed\u011bj\u00edc\u00ed p\u00e1r dal\u0161\u00edch n\u00e1v\u0161t\u011bvn\u00edk\u016f z koncertu a svorn\u011b otr\u00e1ven\u011b konstatovali, \u017ee slovn\u00ed vstupy do koncertu je vyt\u00e1\u010dely \u00fapln\u011b stejn\u011b.<\/p>\n\n\n\n

A jak to zn\u011blo? Dob\u0159e, ale p\u0159izn\u00e1m se, \u017ee n\u011bkdy mi nesed\u011blo tempo, zejm\u00e9na ve Smutku bl\u00e1zniv\u00fdch panen, kde mi chyb\u011bl ten tane\u010dn\u00ed z\u00e1pal, upom\u00ednaj\u00edc\u00ed na tanec smrti, kter\u00fd zn\u00e1m z interpretace Michaela Posp\u00ed\u0161ila a jeho Ritornella. Ta z\u016fst\u00e1v\u00e1 st\u00e1le moj\u00ed nejmilej\u0161\u00ed a to i p\u0159esto, \u017ee nov\u011b objeven\u00fd z\u00e1pis Loutny ze Slan\u00e9ho m\u016f\u017ee \u0159\u00edkat n\u011bco jin\u00e9ho.\u00a0\u00a0<\/p>\n\n\n\n

To, co v\u00fdtvarn\u00e9 um\u011bn\u00ed zobrazovalo na st\u011bn\u00e1ch a stropech, v soch\u00e1ch a obrazech, Michna vt\u011blil do hudby a slov. Michnova hudba i text popisuj\u00ed realitu tehdej\u0161\u00edho \u010dlov\u011bka, lid\u00e9 j\u00edm p\u0159edest\u0159en\u00e9 obrazy znali, setk\u00e1vali se s nimi, byly sou\u010d\u00e1st\u00ed jejich sv\u011bta a jejich n\u00e1bo\u017eensk\u00fdch p\u0159edstav o n\u011bm. Michna byl v tomto univerz\u00e1ln\u00ed, proto velmi pochybuji, \u017ee by obrazy p\u0159\u00edmo z Jind\u0159ichova Hradce popisoval Michna v textu Loutny, jak zmi\u0148oval profesor Dan\u011bk v jednom ze sv\u00fdch t\u0159\u00ed vstup\u016f. C\u00edtil jsem v tom sp\u00ed\u0161e velkou radost z p\u00e1n\u011b profesorova proch\u00e1zen\u00ed se po m\u00edstech Michnova p\u016fsoben\u00ed.\u00a0 Michna zkr\u00e1tka prom\u00edtnul p\u0159edstavy a v\u00edru sv\u00e9 doby do hudby a textu, stejn\u011b jako architekti a v\u00fdtvarn\u00ed um\u011blci prom\u00edtali tyt\u00e9\u017e p\u0159edstavy do v\u00fdzdoby kostel\u016f, i proto mohla a m\u016f\u017ee b\u00fdt Loutna srozumiteln\u00e1 i mimo Jind\u0159ich\u016fv Hradec. V\u00fdtvarn\u00e1 slo\u017eka v\u00fdzdoby hradeck\u00fdch chr\u00e1m\u016f je tak mnohem sp\u00ed\u0161e soub\u011b\u017en\u00fdm dobov\u00fdm projevem pro\u017eitku a c\u00edt\u011bn\u00ed, kter\u00fd je, na rozd\u00edl o textu Michnova, vyj\u00e1d\u0159en jin\u00fdmi um\u011bleck\u00fdmi prost\u0159edky, ale nepodmi\u0148uje text Loutny.<\/p>\n\n\n\n

V hudebn\u00ed slo\u017ece hradeck\u00e9ho proveden\u00ed Loutny dominovaly virtu\u00f3zn\u00ed houslov\u00e9 party, kter\u00e9 jako p\u0159ebohat\u00e9 a rafinovan\u00e9 kytice r\u00e1movaly jednotliv\u00e9 p\u00edsn\u011b Loutny. Lenka Torgersen i Magdalena Mal\u00e1 dost\u00e1ly sv\u00e9 v\u00fdte\u010dn\u00e9 interpreta\u010dn\u00ed pov\u011bsti. P\u011bveck\u00e1 \u010d\u00e1st byla oproti tomu trochu slab\u0161\u00ed a to zejm\u00e9na v hloubk\u00e1ch, ve kter\u00fdch bohu\u017eel naprosto utonula Petra Noskaiov\u00e1, kter\u00e1 nebyla t\u00e9m\u011b\u0159 sly\u0161et ani v druh\u00e9 \u0159ad\u011b.<\/p>\n\n\n\n

Celkov\u011b bylo hradeck\u00e9 proveden\u00ed jist\u011b radostn\u00e9 a nad\u011bjn\u00e9, proto\u017ee Loutna takov\u00e1 je. P\u0159edstavit Loutnu v houslov\u00e9 sl\u00e1v\u011b se v Jind\u0159ichov\u011b Hradci poda\u0159ilo, by\u0165 ne na v\u00fdbornou. Rozhodn\u011b ale pros\u00edm provozovat\u00a0 nap\u0159\u00ed\u0161t\u011b v duchu sv\u00e1debn\u00ed radosti<\/em>, tedy bez nucen\u00fdch pauz vypln\u011bn\u00fdch pou\u010dov\u00e1n\u00edm poslucha\u010d\u016f. To se m\u00e1 d\u00edt citliv\u011b, jinak a jinde, z \u00facty k d\u00edlu, mistru Michnovi a vlastn\u011b i poslucha\u010d\u016fm.\u00a0<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Adam V\u00e1clav Michna | Loutna \u010desk\u00e1 – L.P. 1653 <\/strong><\/p>\n\n\n\n

Kaple sv. M\u00e1\u0159\u00ed Magdaleny, Jind\u0159ich\u016fv Hradec, 8.10.2022<\/strong><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

Ensemble In\u00e9gal za \u0159\u00edzen\u00ed Adama Viktory<\/p>\n\n\n\n

Gabriela Eibenov\u00e1 a Petra Noskaiov\u00e1 | zp\u011bv<\/p>\n\n\n\n

Lenka Torgersen a Magdalena Mal\u00e1 | housle<\/p>\n\n\n\n

Petr Hamouz | violoncello<\/p>\n\n\n\n

Jan \u010ci\u017em\u00e1\u0159 | theorba<\/p>\n\n\n\n

Adam Viktora | um\u011bleck\u00fd vedouc\u00ed souboru, varhany<\/p>\n\n\n\n

Petr Dan\u011bk | slovn\u00ed doprovod<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cV p\u00e1tek, v sv\u00e1tek, v kostele, p\u0159i stole, jak se l\u00edb\u00ed v ka\u017ed\u00e9 chv\u00edli\u2026\u201d To\u0165 n\u00e1vod k provozov\u00e1n\u00ed Loutny \u010desk\u00e9 a tak\u00e9 k Bo\u017e\u00ed chv\u00e1le.\u00a0 Mo\u017enost poslechnout si po letech zase na\u017eivo provozovanou Michnovu Loutnu \u010deskou, N.B. v Jind\u0159ichov\u011b Hradci, to se mus\u00ed vyu\u017e\u00edt. Inu vzh\u016fru do kaple svat\u00e9 M\u00e1\u0159\u00ed Magdaleny. Nastudov\u00e1n\u00ed: Ensemble In\u00e9gal pod … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Loutna \u010desk\u00e1 jind\u0159ichohradeck\u00e1“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52,51,50],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3323"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3323"}],"version-history":[{"count":1,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3323\/revisions"}],"predecessor-version":[{"id":3325,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3323\/revisions\/3325"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}