{"id":3335,"date":"2022-11-20T18:07:34","date_gmt":"2022-11-20T17:07:34","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3335"},"modified":"2022-11-20T18:18:20","modified_gmt":"2022-11-20T17:18:20","slug":"festival-janacek-2022","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2022\/11\/20\/festival-janacek-2022\/","title":{"rendered":"Festival Jan\u00e1\u010dek 2022"},"content":{"rendered":"\n

<\/p>

„A t\u0159eba um\u0159\u00edt!“<\/em><\/p>K\u00e1\u0165a<\/cite><\/blockquote>\n\n\n\n

<\/p>\n\n\n\n

„Ve mn\u011b se \u017eivot zastavil, Je\u017e\u00ed\u0161i Kriste, a nem\u016f\u017ee d\u00e1l.“<\/em><\/p>Elina

<\/cite><\/blockquote>\n\n\n\n

Dv\u011b velk\u00e9 tragick\u00e9 Jan\u00e1\u010dkovy hrdinky, K\u00e1\u0165a a Elina na prknech brn\u011bnsk\u00e9ho Jan\u00e1\u010dkova divadla. Dva zahrani\u010dn\u00ed soubory, dv\u011b re\u017eis\u00e9rky. Dva mimo\u0159\u00e1dn\u00e9 z\u00e1\u017eitky.\u00a0<\/p>\n\n\n\n

\u017divot v kleci zvyk\u016f, star\u00fdch p\u0159edstav o n\u011bm. \u017divot na b\u0159ehu obrovsk\u00e9 \u0159eky, kter\u00e1 svobodn\u011b plyne a rozl\u00e9v\u00e1 se od obzoru k obzoru. Kr\u00e1tk\u00fd \u017eivot, jemu\u017e smrt je vysvobozen\u00edm. <\/p>\n\n\n\n

\u017divot bez hranic. Od v\u011bk\u016f do v\u011bk\u016f. Sen? \u0160t\u011bst\u00ed? Ne. \u017divot \u0159\u00eddk\u00fd, prota\u017een\u00fd. Jako kdy\u017e se m\u00e1slo nama\u017ee na p\u0159\u00edli\u0161 velk\u00fd kraj\u00edc. Omrz\u00ed zem\u011b, omrz\u00ed nebe, a \u010dlov\u011bk pozn\u00e1, \u017ee v n\u011bm um\u0159ela du\u0161e.<\/em> Smrt jako limita, kter\u00e1 napl\u0148uje \u017eivot smyslem. <\/p>\n\n\n\n

Festival Jan\u00e1\u010dek.\u00a0<\/strong><\/p>\n\n\n\n

Hudebn\u00ed sv\u00e1tek, kter\u00fd p\u0159ekro\u010dil hranice zem\u011b. Ob\u011bma sm\u011bry. V\u00ed se o n\u011bm a p\u0159itahuje svou v\u00fdjime\u010dnou sv\u011btovou \u00farovn\u00ed i zahrani\u010dn\u00ed n\u00e1v\u0161t\u011bvn\u00edky a z\u00e1rove\u0148 p\u0159iv\u00e1\u017e\u00ed i sv\u011btov\u00e9 inscenace. Prov\u00e1z\u00ed ho jedine\u010dn\u00e1 atmosf\u00e9ra. Opojn\u00e1 symbi\u00f3za mezi div\u00e1ky, inscenacemi a tv\u016fr\u010d\u00edmi t\u00fdmy. <\/p>\n\n\n\n

A jak\u00e9 tedy byly K\u00e1\u0165a a Elina\/Emilia? <\/p>\n\n\n\n\n\n\n\n

Op\u011bt mimo\u0159\u00e1dn\u00e9. <\/p>\n\n\n\n

K\u00e1\u0165a Kabanov\u00e1 <\/strong>z Grand Th\u00e9\u00e2tre de Gen\u00e8ve<\/strong> (re\u017eie: Tatjana G\u00fcrbaca<\/strong>) p\u0159inesla pom\u011brn\u011b jednoduchou sc\u00e9nu, vytv\u00e1\u0159ej\u00edc\u00ed pevn\u00fd a vlastn\u011b nem\u011bnn\u00fd r\u00e1mec K\u00e1tina \u017eivota na rusk\u00e9m malom\u011bst\u011b. Mezi slabo\u0161sk\u00fdm mu\u017eem, despotickou tch\u00fdn\u00ed a hloup\u00fdmi pov\u011br\u010div\u00fdmi vesni\u010dany. Vyko\u0159en\u011bn\u00e1. Odsouzen\u00e1 k utr\u00e1pen\u00ed se.\u00a0<\/p>\n\n\n\n

Dynamiku v tomto nastudov\u00e1n\u00ed maj\u00ed naprosto z\u00e1m\u011brn\u011b pouze jednaj\u00edc\u00ed postavy, zbytek b\u011b\u017e\u00ed jako zpomalen\u00fd, v posledn\u00edm d\u011bjstv\u00ed pak zcela mechanicky opakovan\u00fd, n\u011bm\u00fd film zvyk\u016f a v\u0161ednodenn\u00ed rutiny, kter\u00e1 se pram\u00e1lo star\u00e1 o K\u00e1tino tr\u00e1pen\u00ed a touhu po napln\u011bn\u00ed \u017eivota. A z toho p\u0159e\u017e\u00edv\u00e1n\u00ed nikoho nevytrhne ani K\u00e1tina smrt. <\/p>\n\n\n\n

Jen v okam\u017eiku doteku du\u0161\u00ed – ne splynut\u00ed, ale doteku, kter\u00fd je p\u0159edem odsouzen k nezdaru – a v okam\u017eiku smrti vystupuje K\u00e1\u0165a z toho v\u011bzen\u00ed zoufalstv\u00ed a beznad\u011bje. Podobn\u011b jako Jen\u016ffa v brn\u011bnsk\u00e9m nastudov\u00e1n\u00ed Jej\u00ed pastorkyn\u011b opou\u0161t\u00ed svou kom\u016frku a vystupuje z \u017eivot\u016f, kter\u00e9 se m\u00edjej\u00ed a \u017eij\u00ed se vedle sebe, nikoli spolu. <\/p>\n\n\n\n

\u017denevsk\u00e9 inscenaci v\u00e9vod\u00ed siln\u00e9 hlasy a p\u0159esv\u011bd\u010div\u00e9 hereck\u00e9 v\u00fdkony. Snad jen Kabanicha Eleny Zhidkov\u00e9<\/strong> z toho mistrovstv\u00ed vy\u010duhuje svou podivnost\u00ed. Jej\u00ed hlas je slab\u00fd, jej\u00ed herectv\u00ed p\u0159ipom\u00edn\u00e1 sp\u00ed\u0161 \u010dlov\u011bka sti\u017een\u00e9ho Parkinsonovu nemoc\u00ed, ne\u017e aby v\u011brohodn\u011b popsalo despotickou tch\u00fdni, kter\u00e1 \u0159\u00edd\u00ed pevnou rukou dom\u00e1cnost. P\u0159edstavitelka tituln\u00ed role Corinne Winters<\/strong> je excelentn\u00ed, n\u00e1dhern\u00e1 a opravdov\u00e1 K\u00e1\u0165a. Skv\u011bl\u00fdm partnerem je j\u00ed na sc\u00e9n\u011b Ale\u0161 Briscein<\/strong> jako Boris. Velmi mimo\u0159\u00e1dnou je t\u00e9\u017e Varvara Eny Pongrac<\/strong>, kter\u00e1 je siln\u00e1, pln\u00e1 sv\u011b\u017eesti a \u017eivota. Podporuj\u00edc\u00ed, ch\u00e1paj\u00edc\u00ed. Ostatn\u011b i sama re\u017eis\u00e9rka v rozhovoru pro festivalov\u00e9 noviny p\u0159izn\u00e1v\u00e1, \u017ee Varvara je pro ni p\u0159esn\u011b zt\u011blesn\u011bn\u00edm t\u011bchto kvalit.<\/p>\n\n\n\n

A v  jej\u00edm re\u017eijn\u00edm veden\u00ed a obsazen\u00ed t\u00e9to role je to zn\u00e1t a to je dob\u0159e.<\/p>\n\n\n\n

Jedin\u00e9, co mi v nastudov\u00e1n\u00ed chyb\u00ed je ta s\u00edla z\u00e1v\u011bru. Nelze jinak, vybavuji si nezapomenutelnou Carsenovu K\u00e1\u0165u. (A Carsenovu mistrovskou re\u017eii si vybav\u00edm znovu u V\u011bci Makropulos, o kter\u00e9 bude druh\u00e1 \u010d\u00e1st.) \u017denevsk\u00e1 K\u00e1\u0165a prost\u011b na jevi\u0161ti kon\u010d\u00ed trochu rozpa\u010dit\u011b. Slo\u017e\u00ed \u0161aty na b\u0159ehu Volhy a odejde davem, kter\u00fd mechanicky opakuje svou rutinu \u010dinnost\u00ed. Mimob\u011b\u017enost osud\u016f K\u00e1ti a Borise se tu n\u011bjak rozpust\u00ed v davu a mn\u011b je to zkr\u00e1tka l\u00edto.<\/p>\n\n\n\n

\"\"
K\u00e1\u0165a Kabanov\u00e1, zdroj: ND Brno – Festival Jan\u00e1\u010dek<\/figcaption><\/figure>\n\n\n\n

V\u011bc Makropulos<\/strong>, moje opera z nejobl\u00edben\u011bj\u0161\u00edch, tentokr\u00e1t v nastudov\u00e1n\u00ed Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery<\/strong> a re\u017eis\u00e9rky Olivie Fuchs.<\/strong> Velmi klasick\u00e9 a p\u0159esto velmi poveden\u00e9 proveden\u00ed. S v\u00fdborn\u00fdm druh\u00fdm d\u011bjstv\u00edm. Sc\u00e9na ze \u0161atny pln\u00e9 rud\u00fdch kv\u011btin, kter\u00e9 se po d\u011bkova\u010dce doslova musej\u00ed zametat je nesm\u00edrn\u011b siln\u00e1. Ona to nemus\u00ed b\u00fdt \u0161atna, on to m\u016f\u017ee b\u00fdt tak\u00e9 hrob. Je tu kr\u00e1sn\u00e1 pr\u00e1ce se sv\u011btly (Robbie Buttler<\/strong>).\u00a0<\/p>\n\n\n\n

V\u00fdm\u011bnu sc\u00e9ny nam\u00edsto p\u0159est\u00e1vky mezi prvn\u00edm a druh\u00fdm d\u011bjstv\u00edm vyplnil Marc LeBrocq<\/strong>, p\u0159edstavitel V\u00edtka, vpravd\u011b vtipn\u00fdm britsk\u00fdm (vel\u0161sk\u00fdm nebo snad jerseysk\u00fdm) humorem. Pravda, obe\u0161el bych se bez n\u011bj, ale mus\u00edm p\u0159iznat, \u017ee se mu to povedlo d\u016fstojn\u011b a nebylo to na \u00fajmu p\u0159edstaven\u00ed. V tomhle intermezzu LeBrocq p\u0159iznal, \u017ee \u010de\u0161tina je na zp\u011bv pro Vel\u0161any obt\u00ed\u017en\u00e1. To se nediv\u00edm, ona si na n\u00ed trochu vyl\u00e1mala zuby i p\u0159edstavitelka Eliny, \u0161pan\u011blsk\u00e1 zp\u011bva\u010dka Angeles Blancas Gulin<\/strong>. I p\u0159es ty vyl\u00e1man\u00e9 zuby v\u0161ak byla vel\u0161sk\u00e1 V\u011bc Makropulos mimo\u0159\u00e1dn\u00e1, mimo\u0159\u00e1dn\u00e1 herectv\u00edm. O tom si snad mohou nechat zd\u00e1t i n\u011bkter\u00e9 \u010dinohern\u00ed soubory.\u00a0<\/p>\n\n\n\n

Sc\u00e9na fungovala dob\u0159e a\u017e do posledn\u00edho d\u011bjstv\u00ed. Tam mi p\u0159ipadalo, \u017ee do\u0161la invence. Neuv\u011b\u0159iteln\u00e1 s\u00edla posledn\u00edch moment\u016f opery kon\u010d\u00ed v re\u017eii Olivie Fuchs tak n\u011bjak oby\u010dejn\u011b. To tam je v\u00fdborn\u00e9 sv\u00edcen\u00ed, herectv\u00ed, siln\u00e1 v\u00fdpov\u011b\u010f, sc\u00e9nick\u00fd n\u00e1pad. Carsenova Elina odch\u00e1zela na sc\u00e9nu do sv\u011btla, Elina Olivie Fuchs se prost\u011b jen zhrout\u00ed mrtv\u00e1 do pe\u0159in. Ano, smrt je \u010dasto velmi prost\u00e1 vzne\u0161enosti a patosu, ale tohle cht\u011blo zkr\u00e1tka n\u00e1pad a ten nep\u0159i\u0161el.<\/p>\n\n\n\n

P\u0159izn\u00e1m se, \u017ee na rozd\u00edl od kritik\u016f, jsem nebyl \u00fapln\u011b nad\u0161en\u00fd zvukem orchestru. Ale zase srovn\u00e1v\u00e1m \u0161pi\u010dkov\u00e1 proveden\u00ed. M\u011bl jsem ned\u00e1vno mo\u017enost sly\u0161et V\u011bc Makropulos v pod\u00e1n\u00ed Staatskapelle Berlin<\/strong>, kterou \u0159\u00eddil Sir Simon Rattle<\/strong> a to byl pane\u010dku zvuk (ve v\u0161\u00ed \u00fact\u011b k p\u00e1te\u010dn\u00edmu proveden\u00ed pod taktovkou Tom\u00e1\u0161e Hanuse <\/strong>a Orchestru Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery<\/strong>).<\/p>\n\n\n\n

\"\"
V\u011bc Makropulos, zdroj: ND Brno – Festival Jan\u00e1\u010dek<\/em><\/figcaption><\/figure>\n\n\n\n

Nicm\u00e9n\u011b p\u0159es v\u0161echny v\u00fdtky Jan\u00e1\u010dkova opera (by\u0165 ob\u011b p\u0159edstaven\u00ed byla zahrani\u010dn\u00ed) op\u011bt potvrzuje, \u017ee na \u0161pi\u010dkovou operu se jezd\u00ed do Brna a mysl\u00edm, \u017ee Jan\u00e1\u010dek by byl na hudebn\u00ed Brno hrd\u00fd. Pro jeho odkaz tu d\u011blaj\u00ed maximum. Za zm\u00ednku stoj\u00ed i skv\u011bl\u00e1 atmosf\u00e9ra b\u011bhem Festivalu Jan\u00e1\u010dek. V\u0159elost a nad\u0161en\u00ed. Je to vid\u011bt jak v publiku, tak na sc\u00e9n\u011b. A tak to m\u00e1 b\u00fdt. <\/p>\n\n\n\n

Bravi tutti!<\/p>\n\n\n\n

<\/p>\n\n\n\n

Festival Jan\u00e1\u010dek Brno 2022<\/h2>\n\n\n\n

K\u00e1\u0165a Kabanov\u00e1 | Leo\u0161 Jan\u00e1\u010dek | proveden\u00ed 13.11.2022 <\/strong><\/p>\n\n\n\n

Grand Th\u00e9\u00e2tre de Gen\u00e8ve<\/p>\n\n\n\n

Orchestre de la Suisse Romande | Tom\u00e1\u0161 Netopil<\/p>\n\n\n\n

Re\u017eie: Tatjana G\u00fcrbaca<\/p>\n\n\n\n

Sc\u00e9na: Henrik Ahr<\/p>\n\n\n\n

Sv\u011bteln\u00fd design: Stefan Bolliger<\/p>\n\n\n\n

Kost\u00fdmy: Barbara Drosihn<\/p>\n\n\n\n

<\/p>\n\n\n\n

Kate\u0159ina: Corinne Winters<\/p>\n\n\n\n

Tichon Ivany\u010d Kabanov: Magnus Vigilius<\/p>\n\n\n\n

Savjol Prokofjevi\u010d Dikoj: Tomas Tomasson<\/p>\n\n\n\n

Boris Grigorjevi\u010d: Ale\u0161 Briscein<\/p>\n\n\n\n

Marfa Ignat\u011bvna Kabanov\u00e1: Elena Zhidkova<\/p>\n\n\n\n

V\u00e1\u0148a Kudrj\u00e1\u0161: Sam Furness<\/p>\n\n\n\n

Varvara: Ena Pongrac<\/p>\n\n\n\n

<\/p>\n\n\n\n

V\u011bc Makropulos | Leo\u0161 Jan\u00e1\u010dek | proveden\u00ed 18.11.2022<\/strong><\/p>\n\n\n\n

Vel\u0161sk\u00e1 n\u00e1rodn\u00ed opera <\/p>\n\n\n\n

Orchestr Vel\u0161sk\u00e9 n\u00e1rodn\u00ed opery | Tom\u00e1\u0161 Hanus<\/p>\n\n\n\n

Re\u017eie: Olivia Fuchs<\/p>\n\n\n\n

Dirigent: Tom\u00e1\u0161 Hanus<\/p>\n\n\n\n

Sc\u00e9na: Nicola Turner<\/p>\n\n\n\n

Sv\u011bteln\u00fd design: Robbie Butler<\/p>\n\n\n\n

Video design: Sam Sharples<\/p>\n\n\n\n

<\/p>\n\n\n\n

Emilia Marty:  Angeles Blancas Gulin<\/p>\n\n\n\n

Albert Gregor: Nicky Spence<\/p>\n\n\n\n

Dr. Kolenat\u00fd: Gustav Bel\u00e1\u010dek<\/p>\n\n\n\n

V\u00edtek: Mark Le Brocq<\/p>\n\n\n\n

Krista: Harriet Eyley<\/p>\n\n\n\n

Janek: Alexander Sprague<\/p>\n\n\n\n

Baron Jaroslav Prus: David Stout<\/p>\n\n\n\n

Hrab\u011b Hauk-\u0160endorf: Alan Oke<\/p>\n","protected":false},"excerpt":{"rendered":"

„A t\u0159eba um\u0159\u00edt!“ K\u00e1\u0165a „Ve mn\u011b se \u017eivot zastavil, Je\u017e\u00ed\u0161i Kriste, a nem\u016f\u017ee d\u00e1l.“ Elina Dv\u011b velk\u00e9 tragick\u00e9 Jan\u00e1\u010dkovy hrdinky, K\u00e1\u0165a a Elina na prknech brn\u011bnsk\u00e9ho Jan\u00e1\u010dkova divadla. Dva zahrani\u010dn\u00ed soubory, dv\u011b re\u017eis\u00e9rky. Dva mimo\u0159\u00e1dn\u00e9 z\u00e1\u017eitky.\u00a0 \u017divot v kleci zvyk\u016f, star\u00fdch p\u0159edstav o n\u011bm. \u017divot na b\u0159ehu obrovsk\u00e9 \u0159eky, kter\u00e1 svobodn\u011b plyne a rozl\u00e9v\u00e1 se … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Festival Jan\u00e1\u010dek 2022“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3335"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3335"}],"version-history":[{"count":7,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3335\/revisions"}],"predecessor-version":[{"id":3344,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3335\/revisions\/3344"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}