{"id":3345,"date":"2022-12-03T14:55:31","date_gmt":"2022-12-03T13:55:31","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3345"},"modified":"2022-12-03T15:15:01","modified_gmt":"2022-12-03T14:15:01","slug":"barocktage-berlin-2022","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2022\/12\/03\/barocktage-berlin-2022\/","title":{"rendered":"Barocktage Berlin 2022"},"content":{"rendered":"\n

Dv\u011b naprosto odli\u0161n\u00e1 nastudov\u00e1n\u00ed.<\/p>\n\n\n\n

Dv\u011b naprosto v\u00fdjime\u010dn\u00e1 nastudov\u00e1n\u00ed.<\/p>\n\n\n\n

Berliner Barocktage 2022 – opern\u00ed ochutn\u00e1vka z dn\u00ed pln\u00fdch skv\u011bl\u00e9 muziky a mimo\u0159\u00e1dn\u00fdch interpret\u016f. Staatsoper unter den Linden | Berl\u00edn.<\/p>\n\n\n\n

Lep\u0161\u00ed vstup do adventn\u00edho \u010dasu jsem si nemohl p\u0159\u00e1t.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n\n\n\n\n

Kr\u00e1sn\u00e1 hudba, k\u0159iv\u00e9 charaktery aneb Nen\u00ed v\u0161echno zlato, co se t\u0159pyt\u00ed.<\/h2>\n\n\n\n

M\u016f\u017ee b\u00fdt sc\u00e9na pr\u00e1zdn\u00e1? Samoz\u0159ejm\u011b. Berl\u00ednsk\u00e1 inscenace Korunovace Poppey (L’Incoronazione di Poppea) se hraje na t\u00e9m\u011b\u0159 pr\u00e1zdn\u00e9 sc\u00e9n\u011b. A funguje to i p\u0159es pom\u011brn\u011b zna\u010dnou d\u00e9lku d\u00edla – opera m\u00e1 t\u00e9m\u011b\u0159 t\u0159i hodiny!<\/p>\n\n\n\n

Ctnost, \u0160t\u011bst\u011bna a Amor vedou spor, kdo z nich je mocn\u011bj\u0161\u00ed. Podobn\u011b jako u pravoslavn\u00fdch ikon, i v Berl\u00edn\u011b je sc\u00e9na tvo\u0159ena zlatem v\u011b\u010dnosti, zlatem, kter\u00e9 je vyhrazeno pouze Bohu nebo, v tomto p\u0159\u00edpad\u011b, bo\u017estv\u016fm\u2026 a ov\u0161em tak\u00e9 Neronovi (ten si to alespo\u0148 mysl\u00ed). Zlat\u00fd p\u00e1s vypl\u0148uje cel\u00e9 pozad\u00ed jevi\u0161t\u011b a voln\u011b plyne na sc\u00e9nu v podob\u011b \u0161ikm\u00e9 rampy, kter\u00e1 se sva\u017euje sm\u011brem k orchest\u0159i\u0161ti. V tomto zlatu se odehraje cel\u00e1 opera bez jedin\u00e9 zm\u011bny sc\u00e9ny.<\/p>\n\n\n\n

Jen\u017ee ono to zlato nen\u00ed \u00fapln\u011b bo\u017esk\u00e9, je jakoby po\u0161kr\u00e1ban\u00e9, olupuj\u00edc\u00ed se. Snad je to i symbolika toho, jak se \u00fast\u0159edn\u00ed postavy d\u00e1vn\u00e9ho antick\u00e9ho dramatu – Nero a jeho milenka a pozd\u011bj\u0161\u00ed c\u00edsa\u0159ovna Poppea – derou k moci a vl\u00e1d\u011b nad sv\u011btem, vyu\u017e\u00edvaj\u00edce k tomu v\u0161ech dostupn\u00fdch prost\u0159edk\u016f. Le\u010d v\u0161echna sl\u00e1va poln\u00ed tr\u00e1va. Mezi leskem pal\u00e1ce a b\u00eddou sv\u011bta je n\u011bkdy proklat\u011b tenk\u00e1 hranice a kr\u00e1sn\u00e9 \u0161aty nezna\u010d\u00ed nutn\u011b kr\u00e1sn\u00e9ho ducha.<\/p>\n\n\n\n

Korunovace Poppey je p\u0159\u00edb\u011bh dvou bezskrupul\u00f3zn\u00edch pok\u0159iven\u00fdch lidsk\u00fdch charakter\u016f, je to ov\u0161em p\u0159\u00edb\u011bh zar\u00e1movan\u00fd l\u00e1skou. Amor zde hraje snad a\u017e trochu z\u00e1ke\u0159nou hru, na jej\u00edm\u017e konci jsou zni\u010den\u00e9 \u017eivoty, ale tak\u00e9 n\u00e1dhern\u00fd dechberouc\u00ed duet dvou zamilovan\u00fdch – Pur ti miro<\/em>. Jeden by a\u017e zapomn\u011bl, jak odporn\u00ed lid\u00e9 jej zp\u00edvaj\u00ed. V berl\u00ednsk\u00e9m proveden\u00ed u\u017e ale i ta zamilovan\u00e1 a moc\u00ed posedl\u00e1 Poppea vid\u00ed, \u017ee se ocitla na vrcholu, a \u017ee odsud vede jen strm\u00e1 cesta dol\u016f. A nav\u00edc… , Neronova l\u00e1ska je jaksi velmi vrtkav\u00e1 a r\u00e1da se poohl\u00ed\u017e\u00ed i jinam. Cel\u00fd tenhle tanec moci je \u017eivotu nebezpe\u010dn\u00fdm v\u00fdstupem po kluzk\u00e9 a zr\u00e1dn\u00e9 \u0161ikm\u00e9 plo\u0161e. D\u00e1 se po n\u00ed sice, jak ukazuje sc\u00e9na Jense Kiliana<\/strong>, zkusit vydr\u00e1pat nahoru k nebes\u016fm (nebo alespo\u0148 sv\u011btovl\u00e1d\u011b), ale nakonec skon\u010d\u00edte dole v prachu. Va\u0161e bezvl\u00e1dn\u00e9 t\u011blo se skut\u00e1l\u00ed dol\u016f, bez ohledu na v\u00e1\u017eenost a pocty, a va\u0161i krev ut\u0159ou z podlahy s lhostejnou tv\u00e1\u0159\u00ed.<\/p>\n\n\n\n

Na t\u00e9 jednoduch\u00e9 sc\u00e9n\u011b se nen\u00ed kam schovat a v\u011bt\u0161ina postav ji skoro neopou\u0161t\u00ed – to je prav\u00e1 v\u00fdzva pro inscena\u010dn\u00ed t\u00fdm. V Berl\u00edn\u011b ji zvl\u00e1dli na v\u00fdbornou. Inscenaci, krom\u011b p\u016fsobiv\u00e9 minimalistick\u00e9 sc\u00e9ny, dotv\u00e1\u0159ej\u00ed kr\u00e1sn\u00e9 kost\u00fdmy Julie R\u00f6sler<\/strong>. Ty, spolu s p\u0159esuny postav na jevi\u0161ti, pe\u010dliv\u011b vystav\u011bn\u00fdmi skupinov\u00fdmi sc\u00e9nami a dokonalou prac\u00ed se sv\u011btlem p\u0159ipom\u00ednaj\u00ed ducha obraz\u016f velk\u00fdch nizozemsk\u00fdch mal\u00ed\u0159\u016f barokn\u00ed doby. <\/p>\n\n\n\n

Jedin\u00e1 Poppea od po\u010d\u00e1tku naru\u0161uje onu zd\u00e1nliv\u011b statickou scen\u00e9rii svou divokost\u00ed, nespoutanost\u00ed, v\u00e1\u0161n\u00ed a smyslnost\u00ed. A tak\u00e9 jako jedin\u00e1 m\u00e1 ryze sou\u010dasn\u00fd kost\u00fdm kontrastuj\u00edc\u00ed zvl\u00e1\u0161t\u011b s velmi noblesn\u00ed c\u00edsa\u0159ovnou Ottavi\u00ed. <\/p>\n\n\n\n

Do role Poppey obsadili v berl\u00ednsk\u00e9 inscenaci vynikaj\u00edc\u00ed slovenskou sopranistku Sl\u00e1vku Z\u00e1me\u010dn\u00edkovou<\/strong>. Jej\u00ed Poppea je sv\u016fdn\u00e1, smysln\u00e1, nebezpe\u010dn\u00e1. Jej\u00ed hlas je strhuj\u00edc\u00ed a kr\u00e1sn\u00fd. Tahle neodolateln\u00e1 a moc\u00ed posedl\u00e1 Poppea sv\u00e1d\u00ed Nerona, a je jasn\u00e9, \u017ee jeho man\u017eelka Ottavia nem\u016f\u017ee tuhle sout\u011b\u017e vyhr\u00e1t. Situaci se nepoda\u0159\u00ed zachr\u00e1nit ani v\u00e1\u017een\u00e9mu a snad trochu namy\u0161len\u00e9mu Senecovi. Jeho r\u016f\u017eov\u00fd (purpurov\u00fd) pl\u00e1\u0161\u0165 sen\u00e1tora brzy triumf\u00e1ln\u011b obl\u00e9kne Poppea v podob\u011b jednoduch\u00fdch kr\u00e1sn\u00fdch \u0161at\u016f, zat\u00edmco Senecovo mrtv\u00e9 t\u011blo je odvaleno z cesty a jeho krev ze zlat\u00e9 podlahy st\u00edraj\u00ed znechucen\u011b slu\u017eebn\u00e9.<\/p>\n\n\n\n

P\u016fsobiv\u00e1 pr\u00e1ce se sv\u011btlem (Olaf Freese, Irene Selka<\/strong>) umoc\u0148uje jednaj\u00edc\u00ed postavy pomoc\u00ed st\u00ednohry na zlat\u00e9m pozad\u00ed a p\u0159isp\u00edv\u00e1 t\u00edm ke skv\u011bl\u00e9mu vyzn\u011bn\u00ed cel\u00e9ho nastudov\u00e1n\u00ed coby \u017eiv\u00e9ho obrazu. V posv\u00e1tnosti l\u00e1sky, v pulsuj\u00edc\u00ed smyslnosti a erotice, i v hr\u016fzn\u00e9m jedn\u00e1n\u00ed postav tak vizu\u00e1ln\u00ed str\u00e1nka berl\u00ednsk\u00e9ho nastudov\u00e1n\u00ed umn\u011b m\u00eds\u00ed ikonick\u00e9 zlato v\u011b\u010dnosti a dokonalosti s v\u00fdjevy a poetikou, ne nepodobnou t\u0159eba t\u00e9 z Rembrandtovy Lekce anatomie dr. Tulpa.<\/p>\n\n\n\n

Krom zm\u00edn\u011bn\u00e9 Sl\u00e1vky Z\u00e1me\u010dn\u00edkov\u00e9 v sobotn\u00edm proveden\u00ed excelovali Carlo Vistoli <\/strong>(Nerone), Natalia Skrycka<\/strong> (Ottavia), Bejun Mehta<\/strong> (Ottone), Grigory Shkarupa<\/strong> (vynikaj\u00edc\u00ed Seneca) a Evelin Novak<\/strong> (Drusilla). V\u00fdte\u010dn\u00fd byl t\u00e9\u017e Thomas Walker<\/strong> v roli Arnalty.<\/p>\n\n\n\n

Trochu sporn\u00fd dojem m\u00e1m jedin\u011b z obsazen\u00ed d\u011btsk\u00fdch zp\u011bv\u00e1k\u016f do rol\u00ed Ctnosti, Amora a Fortuny. Jist\u011b je t\u0159eba ohodnotit u d\u011btsk\u00fdch hrdin\u016f odvahu vystoupit p\u0159ed vyprodanou Staatsoper, nicm\u00e9n\u011b kvalita zp\u011bvu trochu pokulh\u00e1vala za o\u010dek\u00e1v\u00e1n\u00edm a za mne byl tento prvek v p\u0159edstaven\u00ed sp\u00ed\u0161e na \u0161kodu. Z hlediska inscena\u010dn\u00edho pak jako ne\u0161\u0165astn\u00e9 vn\u00edm\u00e1m pojet\u00ed Senecovy sebevra\u017edy. S pro\u0159\u00edznut\u00fdm hrdlem zkr\u00e1tka nem\u016f\u017eete moc dlouho b\u011bhat po sc\u00e9n\u011b. Tyto v\u00fdtky jsou v\u0161ak v celkov\u00e9m pojet\u00ed jen jako ty oloupan\u00e9 pl\u00e1tky zlata na jinak bezchybn\u00e9m proveden\u00ed.<\/p>\n\n\n\n

O kr\u00e1sn\u00fd hudebn\u00ed z\u00e1\u017eitek se postarala Akademie f\u00fcr alte Musik Berlin<\/strong> za \u0159\u00edzen\u00ed Jeana-Christopha Spinosiho<\/strong>. Hr\u00e1la velmi sv\u011b\u017ee a citliv\u011b, p\u0159esn\u011b tak, aby vystihla ka\u017edou emoci na sc\u00e9n\u011b.\u00a0<\/p>\n\n\n\n

Bravi tutti.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

L’incoronazione di Poppea | Staatsoper unter den Linden Berlin<\/strong><\/p>\n\n\n\n

Claudio Monteverdi, Francesco Cavalli, Filiberto Laurenzi,Francesco Sacrati, Benedetto Ferrari a dal\u0161\u00ed.<\/p>\n\n\n\n

Proveden\u00ed v r\u00e1mci Barocktage 2022 v sobotu 26.11.2022, nastudov\u00e1n\u00ed z roku 2017<\/p>\n\n\n\n

Akademie f\u00fcr alte Musik Berlin, \u0159\u00eddil Jean-Christophe Spinosi<\/p>\n\n\n\n

re\u017eie: <\/strong>Eva-Maria H\u00f6ckmayr<\/p>\n\n\n\n

sc\u00e9na:<\/strong> Jens Kilian<\/p>\n\n\n\n

kost\u00fdmy: <\/strong>Julia R\u00f6sler<\/p>\n\n\n\n

sv\u011btla:<\/strong> Olaf Freese, Irene Selka<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Poppea:<\/strong> Sl\u00e1vka Z\u00e1me\u010dn\u00edkov\u00e1<\/p>\n\n\n\n

Nerone:<\/strong> Carlo Vistoli<\/p>\n\n\n\n

\"\"<\/a>
zdroj: Staatsoper unter den Linden, foto: Bernd Uhlig<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Co je \u0161t\u011bst\u00ed?<\/h2>\n\n\n\n

Opakem pr\u00e1zdn\u00e9 sc\u00e9ny ze soboty byla ned\u011bln\u00ed sc\u00e9na Thilo Ullricha<\/strong> pro Vivaldiho operu Il Giustino v re\u017eii Barbory Hor\u00e1kov\u00e9<\/strong>. Jedna z nejkomplikovan\u011bj\u0161\u00edch sc\u00e9n, kter\u00e9 jsem vid\u011bl. P\u0159esto v\u0161ak funk\u010dn\u00ed a bezchybn\u00e1. Jestli\u017ee u Monteverdiho byl \u00fast\u0159edn\u00edm bo\u017estvem Amor, v p\u0159\u00edpad\u011b Giustina je t\u00edm hlavn\u00edm hybatelem \u0160t\u011bst\u011bna.I kdy\u017e i tady si Amor p\u0159ijde na sv\u00e9.<\/p>\n\n\n\n

Velk\u00e9 kolo \u0161t\u011bst\u011bny jak z masopustn\u00edho v\u00fdjevu, sotva jsi naho\u0159e u\u017e pad\u00e1\u0161 hlavou dol\u016f. To je \u00fast\u0159edn\u00ed motiv Ullrichovy sc\u00e9ny. <\/p>\n\n\n\n

Pros\u0165\u00e1\u010dek Giustino sn\u00ed o lep\u0161\u00edm \u017eivot\u011b. Daleko od sv\u00fdch st\u00e1d a pluhu. A to je\u0161t\u011b v\u016fbec netu\u0161\u00ed, \u017ee se mu jeho sen spln\u00ed, \u017ee zat\u0159ese tr\u016fny mocn\u00fdch, \u017ee se zaplete do Amorov\u00fdch s\u00edt\u00ed a vystav\u00ed se tak hn\u011bvu panovn\u00edk\u016f, p\u0159ed kter\u00fdm jej zachr\u00e1n\u00ed a\u017e\u2026 a\u017e Deus ex machina, prav\u00fd barokn\u00ed z\u00e1sah sh\u016fry. B\u016fh si ve sv\u00e9 Rauchpause <\/em>odsko\u010d\u00ed z nebes zachr\u00e1nit dobr\u00e1ka Giustina, kter\u00fd je p\u0159\u00edm\u00fd, odv\u00e1\u017en\u00fd a siln\u00fd. A pr\u00e1v\u011b t\u011bmito vlastnostmi nastavuje pros\u0165\u00e1\u010dek Giustino zrcadlo slabo\u0161sk\u00fdm vl\u00e1dc\u016fm – konstantinopolsk\u00e9mu c\u00edsa\u0159i Anastasiovi a jeho sokovi, tyransk\u00e9mu rebeluj\u00edc\u00edmu Vitalianovi, kter\u00fd oblehne Konstantinopol a douf\u00e1 ve v\u00edt\u011bzstv\u00ed a tak\u00e9 v uchv\u00e1cen\u00ed cenn\u00e9 ko\u0159isti, c\u00edsa\u0159ovny Arianny. Moc je d\u00edky Giustinovi zahanbena a h\u0159\u00ed\u0161n\u00e1 touha po sv\u011btovl\u00e1d\u011b dostane co proto.<\/p>\n\n\n\n

D\u011bj opery je, jak se na baroko slu\u0161\u00ed, pln\u00fd d\u00edl\u010d\u00edch z\u00e1pletek a tak\u00e9 \u00faklad\u016f, zrady, ale i chrabr\u00fdch souboj\u016f Giustina s netvory. \u00dast\u0159edn\u00edm motivem je \u0161t\u011bst\u00ed. \u0160t\u011bst\u00ed, kter\u00e9 si Giustino vysnil jako vrchol bla\u017eenosti, ale nedohl\u00e9dl, \u017ee m\u016f\u017ee b\u00fdt tak\u00e9 po\u0159\u00e1dn\u00fdm b\u0159emenem. Vypointovan\u00e9 komick\u00e9 sc\u00e9ny st\u0159\u00eddaj\u00ed milostn\u00e9 duety i \u00e1rie pln\u00e9 emoc\u00ed, kter\u00e9 Il prete rosso<\/em> tak ovl\u00e1dal.\u00a0<\/p>\n\n\n\n

Il Giustino je ob\u0159\u00ed opern\u00ed kus, ve kter\u00e9m Vivaldi, v souladu s dobovou prax\u00ed, vyu\u017e\u00edval i \u010d\u00e1sti sv\u00fdch d\u0159\u00edv\u011bj\u0161\u00edch d\u011bl. Zde asi nejv\u00edce zaujme jeho nejzn\u00e1m\u011bj\u0161\u00ed kus, a sice \u010ctvero ro\u010dn\u00edch dob. Mimochodem v r\u00e1mci opery zazn\u00ed n\u011bkolikr\u00e1t velmi p\u016fsobiv\u011b a k\u0159ehce zahran\u00fd na psalterium (Franziska Fleischanderl<\/strong>). P\u016fvodn\u011b pr\u00fd opera m\u011bla n\u011bco kolem 5 hodin, berl\u00ednsk\u00e9 proveden\u00ed trv\u00e1 zhruba t\u0159i hodiny, a i p\u0159es tuto \u00factyhodnou d\u00e9lku se nenud\u00edte ani chv\u00edli. A kdy\u017e u\u017e m\u00e1te pocit, \u017ee se z\u00e1pletka za\u0161modrchala do uzlu vpravd\u011b gordick\u00e9ho a opera nikdy neskon\u010d\u00ed, snese se B\u016fh na sv\u00e9m obl\u00e1\u010dku a stejn\u011b jako zadr\u017eel ruku Abrah\u00e1movu, zadr\u017e\u00ed i ruce Giustinov\u00fdch vrah\u016f, aby odhalil, \u017ee\u2026 <\/p>\n\n\n\n

No zkr\u00e1tka nechte se p\u0159ekvapit.\u00a0<\/p>\n\n\n\n

Il Giustino je komedi\u00e1ln\u00ed opera, ov\u0161em jako ka\u017ed\u00e1 spr\u00e1vn\u00e1 komedie nastavuje zrcadlo a d\u00e1v\u00e1 ponau\u010den\u00ed. Barbora Hor\u00e1kov\u00e1 si toho byla v\u011bdoma, a tak jej\u00ed nastudov\u00e1n\u00ed velmi p\u0159esn\u011b d\u00e1vkuje oboj\u00ed. P\u0159\u00edli\u0161n\u00fd patos je sr\u00e1\u017een vtipn\u00fdmi glosami a hereckou komikou, p\u0159\u00edli\u0161n\u00e9 vesel\u00ed je rozptylov\u00e1no zv\u00eddav\u00fdmi ot\u00e1zkami. A stejn\u011b jako v masopustu jsou zde sil\u00e1ci a mocn\u00ed sp\u00ed\u0161e k sm\u00edchu, zat\u00edmco pros\u0165\u00e1\u010dci triumfuj\u00ed. Kost\u00fdmy upom\u00ednaj\u00ed barokn\u00ed p\u0159epych, ale z\u00e1rove\u0148 nesou mnoho soudob\u00fdch prvk\u016f v\u010detn\u011b kr\u00e1sn\u00fdch modro b\u00edl\u00fdch tenisek s vysok\u00fdmi pono\u017ekami, ve kter\u00fdch Konstantinopoli vl\u00e1dne lehce queer c\u00edsa\u0159 Anastasio. Kdy\u017e m\u00e1 b\u00fdt sc\u00e9na pln\u00e1 sladk\u00e9ho cukrov\u00e1n\u00ed, jsou i kost\u00fdmy doslova jako od rafinovan\u00e9ho cukr\u00e1\u0159e nebo, v tomto p\u0159\u00edpad\u011b, cukr\u00e1\u0159ky. Stoj\u00ed za nimi toti\u017e Eva-Maria Van Acker<\/strong>.<\/p>\n\n\n\n

Opera Il Gustino je n\u00e1ro\u010dn\u00e1 nejen p\u011bvecky, ale s ohledem na celou sc\u00e9nu a re\u017eijn\u00ed pojet\u00ed klade i nemal\u00e9 n\u00e1roky na hereck\u00e9 kvality p\u011bvc\u016f. A tady se pat\u0159\u00ed smeknout p\u0159ed v\u00fdkony cel\u00e9ho ans\u00e1mblu. V\u0161ichni, tentokr\u00e1t opravdu v\u0161ichni, v\u010detn\u011b d\u011btsk\u00fdch rol\u00ed, hraj\u00ed dokonale. Nejenom, \u017ee se nikdo neztratil, nespadl kamsi do propadla nebo do orchestru (sc\u00e9na je prota\u017een\u00e1 formou rampy mezi orchest\u0159i\u0161t\u011b a hledi\u0161t\u011b), ale je\u0161t\u011b k tomu v\u0161emu zvl\u00e1dli v\u0161ichni p\u0159esv\u011bd\u010div\u011b ztv\u00e1rnit sv\u00e9 role a v neposledn\u00ed \u0159ad\u011b uchv\u00e1tit brilantn\u00edm zp\u011bvem, v\u010detn\u011b rafinovan\u00fdch hrav\u00fdch fines ve virtu\u00f3zn\u00edch \u00e1ri\u00edch hlavn\u00edch postav.<\/p>\n\n\n\n

V hlavn\u00edch rol\u00edch excelovali vynikaj\u00edc\u00ed francouzsk\u00fd kontratenor Christophe Dumaux<\/strong> (Giustino), ukrajinsk\u00e1 sopranistka Kateryna Kasper<\/strong> (Arianna), herecky nenapodobiteln\u00fd a hlasov\u011b skv\u011bl\u00fd italsk\u00fd kontratenor Raffaele Pe<\/strong> (Anastasio) a k popuk\u00e1n\u00ed vtipn\u00e1 nizozemsk\u00e1 altistka Helena Rasker<\/strong> (Andronico). Role Vitaliana musela b\u00fdt pro hlasovou indispozici na posledn\u00ed chv\u00edli p\u0159eobsazena, tak\u017ee Emiliano Gonzales Toro <\/strong>zp\u00edval v orchest\u0159i\u0161ti a na jevi\u0161ti zaskakoval pouze herecky Derek Gimpel<\/strong>. Dlu\u017eno \u0159\u00edct, \u017ee to nevadilo, ba naopak, Emiliano Gonzales Toro vl\u00e1dne kr\u00e1sn\u00fdm hlasem, kter\u00fd je tak milo poslouchat, by\u0165 Vitaliano nen\u00ed zrovna z t\u011bch charaktern\u00edch rol\u00ed.\u00a0\u00a0<\/p>\n\n\n\n

Akademii pro starou hudbu<\/strong> \u0159\u00eddil k radosti n\u00e1s v\u0161ech legend\u00e1rn\u00ed Ren\u00e9 Jacobs<\/strong>.<\/p>\n\n\n\n

Berl\u00ednsk\u00fd Il Gustino je dokonal\u00e1 a vtipn\u00e1 pod\u00edvan\u00e1. U\u017e\u00edvali si jej jak div\u00e1ci v hledi\u0161ti, tak zp\u011bv\u00e1ci na sc\u00e9n\u011b, kter\u00fdm, stejn\u011b jako cel\u00e9mu ans\u00e1mblu, pat\u0159il na z\u00e1v\u011br bou\u0159liv\u00fd potlesk ve stoje.<\/p>\n\n\n\n

Bravi tutti!<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Il Giustino | Staatsoper unter den Linden Berlin<\/strong><\/p>\n\n\n\n

Antonio Vivaldi<\/p>\n\n\n\n

nov\u00e9 nastudov\u00e1n\u00ed Staatsoper unter den Linden, proveden\u00ed v r\u00e1mci Barocktage 2022 v ned\u011bli 27.11.2022<\/p>\n\n\n\n

Akademie f\u00fcr alte Musik Berlin, \u0159\u00eddil Ren\u00e9 Jacobs<\/p>\n\n\n\n

re\u017eie: <\/strong>Barbora Hor\u00e1kov\u00e1<\/p>\n\n\n\n

sc\u00e9na:<\/strong> Thilo Ullrich<\/p>\n\n\n\n

kost\u00fdmy:<\/strong> Eva-Maria Van Acker<\/p>\n\n\n\n

sv\u011btla: <\/strong>Sascha Zauner<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Anastasio:<\/strong> Raffaele Pe<\/p>\n\n\n\n

Arianna:<\/strong> Kateryna Kasper<\/p>\n\n\n\n

Giustino:<\/strong> Christophe Dumaux<\/p>\n\n\n\n

Leocasta: <\/strong>Robin Johannsen<\/p>\n\n\n\n

Vitaliano: <\/strong>Emiliano Gonzales Toro<\/p>\n\n\n\n

Andronico:<\/strong> Helena Rasker<\/p>\n\n\n\n

\"\"<\/a>
zdroj: Staatsoper unter den Linden, foto: Matthias Baus<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Dv\u011b naprosto odli\u0161n\u00e1 nastudov\u00e1n\u00ed. Dv\u011b naprosto v\u00fdjime\u010dn\u00e1 nastudov\u00e1n\u00ed. Berliner Barocktage 2022 – opern\u00ed ochutn\u00e1vka z dn\u00ed pln\u00fdch skv\u011bl\u00e9 muziky a mimo\u0159\u00e1dn\u00fdch interpret\u016f. Staatsoper unter den Linden | Berl\u00edn. Lep\u0161\u00ed vstup do adventn\u00edho \u010dasu jsem si nemohl p\u0159\u00e1t.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,83],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3345"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3345"}],"version-history":[{"count":3,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3345\/revisions"}],"predecessor-version":[{"id":3352,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3345\/revisions\/3352"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3345"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3345"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}