{"id":3353,"date":"2022-12-14T20:31:59","date_gmt":"2022-12-14T19:31:59","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3353"},"modified":"2022-12-14T20:33:02","modified_gmt":"2022-12-14T19:33:02","slug":"larbore-di-diana-jako-sexualni-vychova","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2022\/12\/14\/larbore-di-diana-jako-sexualni-vychova\/","title":{"rendered":"L\u2019arbore di Diana jako Sexu\u00e1ln\u00ed v\u00fdchova"},"content":{"rendered":"\n

\u201cErotick\u00e1 komedie, kter\u00e1 je smysln\u00e1, ale nen\u00ed chl\u00edpn\u00e1<\/em>,\u201d \u0159ekl pr\u00fd o sv\u00e9m d\u00edle Dianin strom\u00a0 (L\u2019arbore di Diana) slavn\u00fd libretista Lorenzo da Ponte.\u00a0<\/p>\n\n\n\n

Oproti tomu nejeden v\u00edde\u0148sk\u00fd kritik reagoval na premi\u00e9ru t\u00e9to opery velmi rozho\u0159\u010den „nemravnost\u00ed“, kterou v ope\u0159e rozpoznal: \u201eohavn\u00e1 sl\u00e1tanina nejasnost\u00ed, obsc\u00e9nnost\u00ed a hr\u016fz<\/em>\u201c \u010di \u201enechvaln\u011b proslul\u00e9 orgie<\/em>\u201d. <\/p>\n\n\n\n

\"\"<\/a>
zdroj: Theater an der Wien, foto: Herwig Prammer<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Ano, i takov\u00fdmi slovy ne\u0161et\u0159ila kritika tento mimo\u0159\u00e1dn\u011b nevhodn\u00fd svatebn\u00ed dar. Opera byla, podobn\u011b jako Mozart\u016fv Don Giovanni, komponov\u00e1na ke svatb\u011b Anton\u00edna Sask\u00e9ho a Marie Terezie Josefy Habsbursko-Lotrinsk\u00e9. A ano, ob\u011b opery nespojuje jen prostop\u00e1\u0161nost a kr\u00e1lovsk\u00e1 svatba, ale tak\u00e9 sama osoba libretisty. Lorenzo Da Ponte<\/strong> ostatn\u011b ihned po premi\u00e9\u0159e opery Dianin strom (1.10.1787) odcestoval do Prahy na premi\u00e9ru Dona Giovanniho. Mozart a Mart\u00edn y Soler byli sou\u010dasn\u00edci a vz\u00e1jemn\u011b se inspirovali. Natolik, \u017ee si i vyp\u016fj\u010dovali, jak bylo tehdy obvykl\u00e9, p\u011bkn\u00e9 melodie.<\/p>\n\n\n\n

Jen\u017ee zat\u00edmco Mozarta zn\u00e1 ka\u017ed\u00fd, jm\u00e9no Vincente Mart\u00edn y Soler<\/strong> jsem sly\u0161el letos na podzim poprv\u00e9, kdy\u017e jsem si v programu m\u00e9 milovan\u00e9 V\u00edde\u0148ky (Theater an der Wien) p\u0159e\u010detl, \u017ee se chyst\u00e1 premi\u00e9ra Dianina stromu. A p\u0159itom Mart\u00edn y Soler pat\u0159il k nejv\u00fdznamn\u011bj\u0161\u00edm skladatel\u016fm sv\u00e9 doby a sama opera Dianin strom byla se sv\u00fdmi 66 repr\u00edzami jednou z nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edch oper tehdej\u0161\u00ed V\u00eddn\u011b.<\/p>\n\n\n\n

Na\u0161t\u011bst\u00ed \u0160pan\u011bl\u00e9 nezapom\u00ednaj\u00ed na sv\u00e9ho slavn\u00e9ho rod\u00e1ka z Valencie. Pr\u00e1v\u011b \u0161pan\u011blsk\u00fd opern\u00ed re\u017eis\u00e9r Rafael L. Villalobos<\/strong> spole\u010dn\u011b s ans\u00e1mblem v\u00edde\u0148sk\u00e9 Kammeroper <\/strong>provozovan\u00e9 Theater an der Wien<\/strong> o\u017eivili pro leto\u0161n\u00ed advent a V\u00e1noce tu smyslnou kr\u00e1su hudby a erotick\u00fd jisk\u0159iv\u00fd d\u011bj opery Dianin strom.<\/p>\n\n\n\n

Legend\u00e1rn\u00ed p\u0159\u00edb\u011bh o panensk\u00e9 ctnosti str\u00e1\u017een\u00e9 v zahrad\u011b bohyn\u011b Diany a pravideln\u011b testovan\u00e9 zkou\u0161kou se zlat\u00fdm ovocem ov\u0161em \u0161pan\u011blsk\u00e1 re\u017eie posunula bl\u00ed\u017ee sou\u010dasn\u00e9mu publiku. Na \u0161koln\u00ed z\u00e1chodky. Ne, nen\u00ed to v\u016fbec obsc\u00e9nn\u00ed, je to stejn\u011b peprn\u00e9, jako to bylo pro spole\u010dnost konce 18. stolet\u00ed, je to stejn\u011b kritick\u00e9 a z\u00e1rove\u0148 vtipn\u00e9 a sou\u010dasn\u00e9. A ano, i v dne\u0161n\u00ed V\u00eddni se najdou tac\u00ed, kte\u0159\u00ed na divadle bu\u010deli pohor\u0161eni (stalo se pr\u00fd o t\u00fdden d\u0159\u00edve) a kte\u0159\u00ed netleskali a ode\u0161li. A mo\u017en\u00e1 by tak\u00e9 napsali, \u017ee je to \u201csl\u00e1tanina pln\u00e1 orgi\u00ed<\/em>\u201d. Jen\u017ee takov\u00fdch bylo jen p\u00e1r. Zbytek publika operu nad\u0161en\u011b p\u0159ijal za svou. Z\u00e1sluhu na tom m\u00e1 skv\u011bl\u00e1 re\u017eie i sc\u00e9na, ale i vynikaj\u00edc\u00ed hereck\u00e9 i p\u011bveck\u00e9 v\u00fdkony mlad\u00fdch interpret\u016f. Na 66 repr\u00edz to nebude, proto\u017ee V\u00edde\u0148ka m\u00e1 jinou strategii, ale pokud v\u00e1m vyjde \u010das aspo\u0148 na jednu prosincovou repr\u00edzu, tak nev\u00e1hejte.<\/p>\n\n\n\n

Z\u00e1chodky jsou toti\u017e, jak v\u00edme t\u0159eba ze seri\u00e1lu Sexu\u00e1ln\u00ed v\u00fdchova, m\u00edstem, kde se \u0159e\u0161\u00ed z\u00e1sadn\u00ed ot\u00e1zky \u017eivota a v\u016fbec. Ano, je to o sexu, ale je to hlavn\u011b o l\u00e1sce a hled\u00e1n\u00ed sama sebe. Je to i o pozn\u00e1n\u00ed sama sebe. Je to o toleranci a pochopen\u00ed. Diana tu nen\u00ed bohyn\u00ed, ale zap\u0161klou u\u010ditelkou, kter\u00e1 pron\u00e1sleduje by\u0165 jen n\u00e1znak jak\u00e9koli n\u00e1klonnosti a jisk\u0159en\u00ed mezi studenty, je tou pravou str\u00e1\u017ekyn\u00ed \u201ctradi\u010dn\u00edch\u201d hodnot, \u0159ekli bychom. A cel\u00e1 opera ukazuje, jako ukazovala ostatn\u011b u\u017e v roce 1787, \u017ee tenhle sv\u011bt konzervativn\u00edch pokrytc\u016f je sm\u011b\u0161n\u00fd a smy\u0161len\u00fd a \u017ee co je bez chv\u011bn\u00ed, nen\u00ed pevn\u00e9.<\/p>\n\n\n\n

Stejn\u011b jako neobst\u00e1la bohyn\u011b ve vlastn\u00ed zkou\u0161ce se zlat\u00fdm jablkem, neobstoj\u00ed ani ob\u00e1van\u00e1 a vysm\u00edvan\u00e1 \u201csou\u0161ka u\u010ditelka\u201d. Proto\u017ee, l\u00e1ska je zkr\u00e1tka l\u00e1ska, i kdy\u017e „chod\u011bj kluci s klukama a holky s holkama\u2026<\/em>“ A v\u011bk je jen \u010d\u00edslo. <\/p>\n\n\n\n

Z tohoto v\u00fd\u010dtu\u00a0je ji\u017e konzervativc\u016fm jasn\u00e9, \u017ee propuknou proslul\u00e9 orgie, homosexu\u00e1lov\u00e9 zni\u010d\u00ed pam\u00e1tn\u00fd institut man\u017eelstv\u00ed, budou kup\u010dit s d\u011btmi a v\u016fbec nastane v\u0161eobecn\u00e1 apokalypsa nebo\u2026?\u00a0<\/p>\n\n\n\n

\u201cI met God, she\u00b4s black\u201d<\/strong><\/p>\n\n\n\n

V\u00edde\u0148sk\u00e9 proveden\u00ed Dianina stromu je queer a cool. M\u00e1 \u0161mrnc a p\u0159itom je dojemn\u00e9. Je z\u00e1bavn\u00e9 a mysl\u00edm (ale pozor, jsem star\u00e1 konzerva), \u017ee m\u016f\u017ee b\u00fdt skv\u011bl\u00e9 a srozumiteln\u00e9 i pro mladou generaci nebo pro lidi, kte\u0159\u00ed si mysl\u00ed, \u017ee opera je nuda a p\u0159e\u017eitek a nikdy na \u017e\u00e1dn\u00e9 nebyli (ehm… tedy krom Aidy nebo Nabucca, proto\u017ee sloni a sbor \u017eid\u016f, \u017ee jo).<\/p>\n\n\n\n

A co je je\u0161t\u011b skv\u011bl\u00e9? \u017de je to cel\u00e9 v\u00fdborn\u011b zahran\u00e9 a zazp\u00edvan\u00e9. Kammeroper je sice \u201cmladou sc\u00e9nou\u201d slavn\u00e9 V\u00edde\u0148ky, ale to neznamen\u00e1, \u017ee tu zp\u00edvaj\u00ed n\u011bjak\u00e1 b\u00e9\u010dka. Nejv\u011bt\u0161\u00edmi hv\u011bzdami jsou argentinsk\u00e1 sopranistka Ver\u00f3nica Cangemi<\/strong> (nem\u016f\u017eu uv\u011b\u0159it, kolik j\u00ed je\u2026 pardon) – je skv\u011blou Dianou – a \u017eiveln\u00fd a naprosto opravdov\u00fd Amor v pod\u00e1n\u00ed mlad\u00e9ho izraelsk\u00e9ho kontratenoristy Maayana Lichta<\/strong>. Licht je bo\u017esk\u00fd, skv\u011bl\u00fd jako Amor (on) i Amor (ona). A vrhn\u011bte se na mne, transfobov\u00e9! Jen\u017ee\u2026 on ten Amor m\u011bn\u00ed pohlav\u00ed u\u017e v tom 300 let star\u00e9m origin\u00e1le.Proto\u017ee jak jinak se dostat do Dianiny zahrady, \u017ee. Je to Amor, kter\u00fd sv\u00e1d\u00ed, ale i miluje, je to Amor, kter\u00fd v\u00e1s provede coming outem. Je to Amor, kter\u00e9ho chcete m\u00edt za kamar\u00e1da.Je to Amor se zlatem v hrdle a s velk\u00fdm srdcem.\u00a0<\/p>\n\n\n\n

V dal\u0161\u00edch rol\u00edch exceluj\u00ed Jan Petryka<\/strong> jako Endiminione, Gyula Rab<\/strong> (Silvio) a studentky (ano opravdov\u00e9 studentky\u00a0 Kunstuniversit\u00e4t Graz a Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien) Jerilyn Chou, Arielle Jeon<\/strong> a Bernarda Klinar<\/strong> v rol\u00edch Dianin\u00fdch nymf.<\/p>\n\n\n\n

Doba respira\u010dn\u00edch onemocn\u011bn\u00ed bohu\u017eel nep\u0159eje zp\u011bv\u00e1k\u016fm. Roli Dorista, toho, kter\u00fd nem\u00e1 probl\u00e9m milovat t\u0159i nymfy z\u00e1rove\u0148<\/em>, tedy na posledn\u00ed chv\u00edli museli inscen\u00e1to\u0159i prom\u011bnit v roli trojjedinou (a p\u0159itom \u0159\u00edmsk\u00e1 Dea trivia, tedy trojjedin\u00e1 bohyn\u011b byla pr\u00e1v\u011b Diana – Lovkyn\u011b, Bohyn\u011b M\u011bs\u00edce a Kr\u00e1lovna podsv\u011bt\u00ed). Ach ty symbolick\u00e9 prom\u011bny. Nemocn\u00fd Christoph Filler <\/strong>nakonec \u201cpouze\u201d v\u00fdborn\u011b hr\u00e1l, p\u011bvecky jej zastoupil Timothy Conor <\/strong>v \u00e1ri\u00edch a Gianni Fabbrini<\/strong> v recitativech. Ten u toho zvl\u00e1dl i mistrn\u011b prov\u00e9st sv\u016fj part na hammerklav\u00edr. Proto\u017ee je Kammeroper skute\u010dn\u011b komorn\u00edch rozm\u011br\u016f – b\u00fdval\u00fd tane\u010dn\u00ed s\u00e1l hotelu – musel st\u00e1t hammerklav\u00edr, tajemn\u00fd \u201cvyhynul\u00fd\u201d typ piana z 18. stolet\u00ed p\u0159\u00edmo na p\u00f3diu. Do orchest\u0159i\u0161t\u011b by se zkr\u00e1tka neve\u0161el. Nicm\u00e9n\u011b ve\u0161el se tam Bach Consort Wien<\/strong>, kter\u00fd \u0159\u00eddil Rub\u00e9n Dubrovsky<\/strong>. A ti v\u0161ichni se postarali o kr\u00e1snou a sv\u011b\u017e\u00ed muziku. <\/p>\n\n\n\n

Mimochodem, v\u00edde\u0148sk\u00e9 proveden\u00ed v Kammeroper je novodobou sv\u011btovou premi\u00e9rou Dianina stromu na dobov\u00e9 n\u00e1stroje. <\/p>\n\n\n\n

No zkr\u00e1tka gesamtkunstwerk v p\u0159\u00edjemn\u011b komorn\u00ed atmosf\u00e9\u0159e \u0161koln\u00edch z\u00e1chodk\u016f. Opravdov\u00fd Adventszauber.\u00a0<\/p>\n\n\n\n

Tak na co je\u0161t\u011b \u010dek\u00e1te? Hrajou to jen do Silvestra.<\/p>\n\n\n\n

\"\"<\/a>
zdroj: Theater an der Wien, foto: Herwig Prammer<\/em><\/figcaption><\/figure>\n\n\n\n

L\u2019arbore di Diana | Vincente Mart\u00edn y Soler<\/strong><\/p>\n\n\n\n

libreto: <\/strong>Lorenzo da Ponte<\/p>\n\n\n\n

Theater an der Wien | Kammeroper<\/p>\n\n\n\n

re\u017eie a kost\u00fdmy:<\/strong> Rafael R. Villalobos<\/p>\n\n\n\n

sc\u00e9na: <\/strong>Emanuele Sinisi<\/p>\n\n\n\n

sv\u011btla:<\/strong> Franz Tscheck<\/p>\n\n\n\n

dramaturgie:<\/strong> Kai We\u00dfler<\/p>\n\n\n\n

Diana:<\/strong> Ver\u00f3nica Cangemi<\/p>\n\n\n\n

Amore: <\/strong>Maayan Licht<\/p>\n\n\n\n

Britomarte: <\/strong>Jerilyn Chou<\/p>\n\n\n\n

Clizia:<\/strong> Arielle Jeon<\/p>\n\n\n\n

Cloe:<\/strong> Bernarda Klinar<\/p>\n\n\n\n

Silvio:<\/strong> Gyula Rab<\/p>\n\n\n\n

Endimione:<\/strong> Jan Petryka<\/p>\n\n\n\n

Doristo:<\/strong> Christoph Filler | Timothy Connor | Gianni Fabbrini (hammerklav\u00edr)<\/p>\n\n\n\n

Bach Consort Wien \u0159\u00eddil Rub\u00e9n Dubrovsky<\/p>\n\n\n\n

proveden\u00ed: 10.12.2022  <\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cErotick\u00e1 komedie, kter\u00e1 je smysln\u00e1, ale nen\u00ed chl\u00edpn\u00e1,\u201d \u0159ekl pr\u00fd o sv\u00e9m d\u00edle Dianin strom\u00a0 (L\u2019arbore di Diana) slavn\u00fd libretista Lorenzo da Ponte.\u00a0 Oproti tomu nejeden v\u00edde\u0148sk\u00fd kritik reagoval na premi\u00e9ru t\u00e9to opery velmi rozho\u0159\u010den „nemravnost\u00ed“, kterou v ope\u0159e rozpoznal: \u201eohavn\u00e1 sl\u00e1tanina nejasnost\u00ed, obsc\u00e9nnost\u00ed a hr\u016fz\u201c \u010di \u201enechvaln\u011b proslul\u00e9 orgie\u201d.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3353"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3353"}],"version-history":[{"count":1,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3353\/revisions"}],"predecessor-version":[{"id":3356,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3353\/revisions\/3356"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3353"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3353"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}