{"id":3359,"date":"2023-02-27T16:20:45","date_gmt":"2023-02-27T15:20:45","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3359"},"modified":"2023-02-27T16:24:33","modified_gmt":"2023-02-27T15:24:33","slug":"mene-tekel-jako-klimaticka-vyzva","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2023\/02\/27\/mene-tekel-jako-klimaticka-vyzva\/","title":{"rendered":"„Mene tekel“ jako klimatick\u00e1 v\u00fdzva."},"content":{"rendered":"\n

Odv\u00e1\u017en\u00e9 a vizu\u00e1ln\u011b p\u016fsobiv\u00e9 nastudov\u00e1n\u00ed H\u00e4ndelova oratoria Belshazzar z doby babylonsk\u00e9ho zajet\u00ed \u017did\u016f nakonec ztroskot\u00e1. Na vin\u011b ov\u0161em nen\u00ed p\u0159\u00edli\u0161n\u00e1 odvaha re\u017eis\u00e9rky (Marie-Eve Signeyrole<\/strong>), ale naopak nedodr\u017een\u00ed sch\u00e9matu, kter\u00e9 si vytkla. Velmi netradi\u010dn\u00ed a sc\u00e9nicky n\u00e1ro\u010dn\u00e9 proveden\u00ed v MusikTheater an der Wien tak paradoxn\u011b uzav\u00edr\u00e1 velmi tradi\u010dn\u00ed „sv\u00ed\u010dkov\u00fd“ sbor a nastolen\u00e9 v\u00fdzvy nech\u00e1v\u00e1 tv\u016fr\u010d\u00ed t\u00fdm le\u017eet ladem v pou\u0161ti. \u0160koda.<\/p>\n\n\n\n

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Klima aktivist\u00e9 veden\u00ed K\u00fdrou bojuj\u00ed za vodu pro v\u0161echny. zdroj: Music Theater an der Wien, Werner Kmetitsch<\/figcaption><\/figure>\n\n\n\n

Tohle p\u0159edstaven\u00ed je toti\u017e v mnoha ohledech skv\u011bl\u00e9. Odv\u00e1\u017en\u00e1 aktualizace d\u00e1vn\u00e9ho a p\u0159itom velmi z\u00e1sadn\u00edho n\u00e1bo\u017eensk\u00e9ho t\u00e9matu do podoby, v n\u00ed\u017e kl\u00ed\u010dov\u00e9 role hraj\u00ed  klima aktivismus a vlastn\u011b i feminismus, si rozum\u00ed s p\u0159edlohou a d\u011blaj\u00ed ji srozumitelnou pro dne\u0161n\u00edho div\u00e1ka (no dob\u0159e, rakousk\u00e9ho, na \u010desk\u00e9 prost\u0159ed\u00ed jsou klima t\u00e9mata st\u00e1le dost na okraji).<\/p>\n\n\n\n\n\n\n\n

H\u00e4ndel a jeho dvorn\u00ed anglick\u00fd libretista a p\u0159\u00edtel Charles Jennens si vybrali ke zpracov\u00e1n\u00ed p\u0159\u00edb\u011bh o vyveden\u00ed \u017did\u016f z babylonsk\u00e9ho zajet\u00ed. Soust\u0159ed\u00ed se na ot\u00e1zky pevnosti v\u00edry v Hospodina, kter\u00e1 je tak \u201cnaka\u017eliv\u00e1\u201d, \u017ee vlastn\u011b stoj\u00ed v pozad\u00ed p\u00e1du Babylonu. Sama Bel\u0161azarova matka p\u0159estoup\u00ed na v\u00edru Izraele, stejn\u011b tak persk\u00fd kr\u00e1l K\u00fdros, dobyvatel, chov\u00e1 Hospodina ve velik\u00e9 \u00fact\u011b. To on povol\u00ed \u017did\u016fm n\u00e1vrat do vlasti a stavbu nov\u00e9ho (druh\u00e9ho) Chr\u00e1mu. Naopak Bel\u0161azar je uk\u00e1z\u00e1n jako dekadentn\u00ed kr\u00e1l, vlada\u0159, kter\u00fd p\u0159ehl\u00ed\u017e\u00ed probl\u00e9my a \u010delit nov\u00fdm v\u00fdzv\u00e1m je to posledn\u00ed, co ho zaj\u00edm\u00e1. A to se mu stane osudn\u00fdm. Pro dne\u0161n\u00edho div\u00e1ka neznal\u00e9ho d\u00e1vn\u00fdch d\u011bjin Izraele je to t\u00e9ma obt\u00ed\u017en\u00e9 a nep\u0159\u00edli\u0161 srozumiteln\u00e9. Re\u017eis\u00e9rka Marie-Eve Signeyrole proto s\u00e1hla k aktualizaci. Inspirov\u00e1na legendou o tom, jak K\u00fdros dobyl Babyl\u00f3n d\u00edky tomu, \u017ee p\u0159elo\u017eil tok Eufratu, kter\u00fd m\u011bsto prot\u00e9kal, a vysu\u0161en\u00fdm korytem \u0159eky tak jeho vojska vstoupila do m\u011bsta, a tak\u00e9 samotnou z\u00e1sadn\u00ed rol\u00ed vody v \u017eivot\u011b pou\u0161tn\u00edch n\u00e1rod\u016f (a dnes u\u017e nejen jich), posouv\u00e1 Marie-Eve Signeyrole cel\u00e9 oratorium sm\u011brem k dystopick\u00e9 nep\u0159\u00edli\u0161 vzd\u00e1len\u00e9 budoucnosti. Babyl\u00f3n \u017eije v hojnosti, proto\u017ee kr\u00e1l Bel\u0161azar ovl\u00e1d\u00e1 v\u0161echny vodn\u00ed zdroje, v Babyl\u00f3nu byla zbudov\u00e1na ob\u0159\u00ed p\u0159ehrada, kr\u00e1l a dv\u016fr tyj\u00ed z nadbytku a zbytek sv\u011bta za hradbami str\u00e1d\u00e1 suchem. V Babyl\u00f3n\u011b p\u016fsob\u00ed mj. zn\u00e1m\u00e1 klimatolo\u017eka Daniel(a) – v p\u016fvodn\u00edm libretu a biblick\u00fdch pramenech prorok Daniel – kter\u00e1 se sna\u017e\u00ed vyvinout \u0159e\u0161en\u00ed klimatick\u00e9 krize. Jej\u00ed v\u00fdzkum zaujme Bel\u0161azarovu matku, kter\u00e1 nejen \u017ee m\u00e1 jistou slabost pro Danielu, ale hlavn\u011b j\u00ed le\u017e\u00ed na srdci budoucnost \u0159\u00ed\u0161e. Na druh\u00e9 stran\u011b za hradbami povstalci se svoj\u00ed v\u016fdkyn\u00ed K\u00fdrou (to nen\u00ed nikdo jin\u00fd ne\u017e p\u0159ezna\u010den\u00fd persk\u00fd kr\u00e1l a dobyvatel K\u00fdros) p\u0159ipravuj\u00ed sabot\u00e1\u017e na p\u0159ehrad\u011b a sna\u017e\u00ed se dostat vodu ke v\u0161em lidem. K\u00fdra dokonce formuluje z\u00e1sadn\u00ed \u201cvodn\u00ed chartu\u201d, ne nepodobnou Evropsk\u00e9 vodn\u00ed chart\u011b ze \u0160trasburku (u\u017e v roce 1968!).<\/p>\n\n\n\n

Za mne naprosto skv\u011bl\u00e1 a funk\u010dn\u00ed aktualizace. Podtr\u017een\u00e1 nav\u00edc v\u00fdborn\u011b vystav\u011bnou sc\u00e9nou (Fabien Teign\u00e9<\/strong>), kter\u00e1 umo\u017e\u0148uje pohodlnou p\u0159estavbu b\u011bhem d\u011bje, ani\u017e by to ru\u0161ilo. Ob\u0159\u00ed betonov\u00e1 st\u011bna p\u0159ehrady se otev\u00edr\u00e1 a odhaluje \u017eivot v bohatstv\u00ed Babyl\u00f3nu, zat\u00edmco sv\u011bt \u017eivo\u0159\u00ed o \u00farove\u0148 n\u00ed\u017e a sb\u00edr\u00e1 vodu na ojedin\u011bl\u00fdch prasklin\u00e1ch ve zdi p\u0159ehrady. Z\u00e1rove\u0148 sc\u00e9na umo\u017e\u0148uje jednoduchou prom\u011bnu, kdy se druh\u00e1 polovina d\u011bje odehr\u00e1v\u00e1 ji\u017e p\u0159\u00edmo v Babyl\u00f3nu. Legend\u00e1rn\u00ed sc\u00e9na Bel\u0161azarovy opulentn\u00ed hostiny u vodn\u00ed n\u00e1dr\u017ee v ark\u00e1d\u00e1ch pal\u00e1ce je nezapomenuteln\u00e1. <\/p>\n\n\n\n

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Bel\u0161azarova hostina. zdroj: Music Theater an der Wien, Werner Kmetitsch<\/em>.<\/figcaption><\/figure>\n\n\n\n

Divadlo na V\u00edde\u0148ce nyn\u00ed hraje v prostor\u00e1ch b\u00fdval\u00fdch kon\u00edren a j\u00edzd\u00e1rny v MuseumsQuartier, proto\u017ee star\u00e1 budova divadla proch\u00e1z\u00ed rozs\u00e1hlou rekonstrukc\u00ed. Mus\u00ed se proto vyrovnat se specifikem nedivadeln\u00edho prostoru. Hledi\u0161t\u011b nen\u00ed kuk\u00e1tkov\u00e9ho typu, tak\u017ee ze zadn\u00edch \u0159ad u\u017e mus\u00ed b\u00fdt viditelnost v\u00fdkon\u016f na jevi\u0161ti velmi chab\u011b viditeln\u00e1. Tomu v p\u0159edstaven\u00ed Bel\u0161azara pom\u00e1h\u00e1 p\u0159edej\u00edt neust\u00e1l\u00e1 p\u0159\u00edtomnost kamer na jevi\u0161ti. Kameramani \u201cRoyal TV\u201d neust\u00e1le p\u0159in\u00e1\u0161ej\u00ed hl\u00e1\u0161en\u00ed a zpravodajstv\u00ed ze \u017eivota kr\u00e1lovsk\u00e9 rodiny. Je to bizarn\u00ed show, ne nepodobn\u00e1 t\u011bm, kter\u00fdmi n\u00e1s krm\u00ed komer\u010dn\u00ed televizn\u00ed stanice. Je to obraz na\u0161eho sv\u011bta, kdy v\u0161e pot\u0159ebujeme m\u00edt on-line nebo alespo\u0148 zdokumentov\u00e1no ve fotografi\u00edch ve sv\u00fdch chytr\u00fdch telefonech. Nejinak je tomu na Bel\u0161azarov\u011b dvo\u0159e. Detailn\u00ed online z\u00e1b\u011bry z kamer jsou p\u0159en\u00e1\u0161eny na velkou plochu zdi v horn\u00ed \u010d\u00e1sti sc\u00e9ny. Dotv\u00e1\u0159ej\u00ed cel\u00fd obraz, zvy\u0161uj\u00ed p\u016fsobivost sc\u00e9ny a z\u00e1rove\u0148 umo\u017e\u0148uj\u00ed i div\u00e1k\u016fm v zadn\u00edch \u0159ad\u00e1ch u\u017e\u00edt si do detailu d\u011bn\u00ed. Obdivuhodn\u00e1 je koordinace v\u0161ech pohybov\u00fdch slo\u017eek na jevi\u0161ti – s\u00f3list\u016f, sboru, dvou kameraman\u016f (Andreas Deinert <\/strong>a Georg Eisnecker<\/strong>). Ti jsou v\u017edy tam, kde maj\u00ed b\u00fdt, a jejich z\u00e1b\u011bry jsou tak p\u0159esn\u00e9, a\u017e se \u010dlov\u011bk zdr\u00e1h\u00e1 uv\u011b\u0159it, \u017ee to cel\u00e9 nen\u00ed p\u0159edto\u010den\u00e9. Za tuhle koordinaci klobouk dol\u016f.<\/p>\n\n\n\n

Cel\u00fd koncept funguje a\u017e po zlomov\u00fd okam\u017eik. T\u00edm je, jak v H\u00e4ndelov\u011b oratoriu, tak v jeho v\u00edde\u0148sk\u00e9m nastudov\u00e1n\u00ed pr\u00e1v\u011b Bel\u0161azarova hostina. Tady se objev\u00ed tajemn\u00e9 znaky a varov\u00e1n\u00ed – \u201cmene tekel<\/em>\u201d. Nikoli na zdi pal\u00e1ce, ale p\u0159\u00edmo na Bel\u0161azarov\u011b t\u011ble. Vzbou\u0159enci veden\u00ed K\u00fdrou n\u00e1sledn\u011b dobudou pal\u00e1c. V t\u011bchto kl\u00ed\u010dov\u00fdch momentech jakoby re\u017eii do\u0161el dech. Nic z pe\u010dliv\u011b vystav\u011bn\u00e9ho klimatick\u00e9ho dramatu ji\u017e nen\u00ed pou\u017eito. \u010cekal jsem spojen\u00ed K\u00fdry a Daniely v budov\u00e1n\u00ed nov\u00e9ho lep\u0161\u00edho klimaticky spravedliv\u00e9ho sv\u011bta, nic takov\u00e9ho se nestane. Otroci jsou sice propu\u0161t\u011bni, Bel\u0161azar je zabit a svoboda je tu, ale d\u011bn\u00ed na jevi\u0161ti u\u017e je rozpa\u010dit\u00e9, nep\u0159esv\u011bd\u010div\u00e9 a ztr\u00e1c\u00ed drajv. Fin\u00e1ln\u00ed sc\u00e9na je u\u017e \u010dist\u011b konven\u010dn\u00ed a typick\u00e1 pro prov\u00e1d\u011bn\u00ed oratori\u00ed s n\u00e1bo\u017eensk\u00fdm obsahem – sbor se sv\u00ed\u010dkami. V kostele jist\u011b p\u016fsobiv\u00e9, ale na vystav\u011bn\u00e9m p\u016fdorysu klimatick\u00e9ho dramatu, kde sv\u011bt k\u0159i\u010d\u00ed su\u017eov\u00e1n suchem a vedrem a lid vol\u00e1 po spravedlnosti, je to prost\u011b rezignace na p\u016fvodn\u00ed my\u0161lenku. \u010cekal jsem pl\u00e1n na zelenou planetu, vodu v\u0161em\u2026 ostatn\u011b na tom snad pracovali klimatologov\u00e9 v laborato\u0159\u00edch. <\/p>\n\n\n\n

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Daniela a kr\u00e1lovna Nitocris. zdroj: Music Theater an der Wien, Werner Kmetitsch<\/em><\/figcaption><\/figure>\n\n\n\n

Nep\u0159esv\u011bd\u010divosti K\u00fdry jist\u011b nahr\u00e1v\u00e1 i hereck\u00e1 neschopnost jej\u00ed p\u0159edstavitelky (Vivica Genaux<\/strong>). T\u011b\u017eko si p\u0159edstavit, \u017ee za takovou zmatenou l\u00eddryn\u00ed by \u0161li vzbou\u0159enci, \u017ee takov\u00e1 l\u00eddryn\u011b by dos\u00e1hla \u00fasp\u011bchu. Vivica Genaux by do Babyl\u00f3nu ani netrefila. Za mne byla nejv\u011bt\u0161\u00edm zklam\u00e1n\u00edm cel\u00e9ho obsazen\u00ed a to, bohu\u017eel, v\u010detn\u011b p\u011bveck\u00e9ho projevu. Pamatuji si ji d\u00e1vno p\u0159ed l\u00e9ty na koncert\u011b, byla v\u00fdborn\u00e1. Jej\u00ed v\u00fdkon Na V\u00edde\u0148ce byl ale vpravd\u011b uboh\u00fd po v\u0161ech str\u00e1nk\u00e1ch a tohoto opern\u00edho domu ned\u016fstojn\u00fd. Po pravd\u011b, \u017e\u00e1dn\u00fd z p\u011bveck\u00fdch v\u00fdkon\u016f nebyl, k m\u00e9mu velk\u00e9mu zklam\u00e1n\u00ed, hv\u011bzdn\u00fd. V tomhle divadle jsem zvykl\u00fd na ona\u010dej\u0161\u00ed pt\u00e1\u010dky zp\u011bv\u00e1\u010dky, la\u0165ku tady maj\u00ed tradi\u010dn\u011b velmi vysoko. Nitocris (Jeanine De Bique<\/strong>) se rozezp\u00edvala a\u017e ve druh\u00e9 polovin\u011b p\u0159edstaven\u00ed, Bel\u0161azar (Robert Murray<\/strong>) naopak sp\u00ed\u0161e hlas ztratil, tak\u017ee dekadentn\u00ed show zh\u00fdral\u00e9ho panovn\u00edka ve sc\u00e9n\u011b hostiny st\u00e1la jen na jeho herectv\u00ed – hlas byl daleko daleko\u2026 Herecky byl ale Murray bezchybn\u00fd a viditeln\u011b si roli u\u017e\u00edval. Asi nejlep\u0161\u00ed p\u011bveck\u00fd v\u00fdkon p\u0159edvedla jako prorokyn\u011b\/klimatolo\u017eka Daniela (Eva Za\u00efcik<\/strong>).<\/p>\n\n\n\n

Neuv\u011b\u0159iteln\u00fd byl Gobrias, jeho\u017e role musela b\u00fdt ze zdravotn\u00edch d\u016fvod\u016f rozd\u011blena mezi hereck\u00fd a p\u011bveck\u00fd part. P\u016fvodn\u011b avizovan\u00fd Michael Nagl bohu\u017eel ve \u010dtvrtek onemocn\u011bl a inscena\u010dn\u00ed t\u00fdm byl necel\u00fdch 24 hodin p\u0159ed p\u0159edstaven\u00edm postaven p\u0159ed nez\u00e1vid\u011bn\u00edhodnou volbu – zru\u0161it p\u0159edstaven\u00ed, nebo sehnat n\u00e1hradu.  To, \u017ee p\u00ed\u0161u dojmologii sv\u011bd\u010d\u00ed o tom, \u017ee zv\u00edt\u011bzil pl\u00e1n B. Nov\u00fd p\u011bveck\u00fd p\u0159edstavitel role Klemens Sander <\/strong>dorazil v p\u00e1tek r\u00e1no do V\u00eddn\u011b, dopoledne nastudoval roli, odpoledne m\u011bli jednu zkou\u0161ku a ve\u010der u\u017e jeli na ostro. A v\u00fdborn\u011b. Na sc\u00e9n\u011b jej herecky zastoupil asistent re\u017eie Taro Morikawa<\/strong>, proto\u017ee nastudovat roli komplexn\u011b za jeden den nen\u00ed mo\u017en\u00e9.<\/p>\n\n\n\n

Po p\u011bveck\u00e9 str\u00e1nce je v\u00edde\u0148skou hv\u011bzdnou st\u00e1lic\u00ed Arnold Schoenberg Chor <\/strong>– jsou neuv\u011b\u0159iteln\u00ed a skv\u011bl\u00ed. V\u017edy. <\/p>\n\n\n\n

Velk\u00fdm l\u00e1kadlem tohoto nastudov\u00e1n\u00ed byla hudebn\u00ed slo\u017eka. Ve V\u00eddni jsme zvykl\u00ed na \u0161pi\u010dku. L\u2019Arpeggiata <\/strong>pod veden\u00edm Christiny Pluhar<\/strong> mezi ni pat\u0159\u00ed. Nav\u00edc slibuje netradi\u010dn\u00ed zvuk, proto\u017ee Christina Pluhar je velk\u00e1 aran\u017e\u00e9rka a improviz\u00e1torka. K nov\u011b a nav\u00fdsost aktu\u00e1ln\u011b pojat\u00e9mu p\u0159edstaven\u00ed se sv\u011b\u017e\u00ed a nov\u00fd (by\u0165 na star\u00e9 n\u00e1stroje) zvuk souboru L\u2019Arpeggiata naprosto hodil.<\/p>\n\n\n\n

Celkov\u011b nen\u00ed v\u00edde\u0148sk\u00e9 nastudov\u00e1n\u00ed Bel\u0161azara \u017e\u00e1dnou trag\u00e9di\u00ed, sp\u00ed\u0161e jen re\u017eijn\u011b a taky p\u011bvecky ne \u00fapln\u011b dob\u0159e zvl\u00e1dnutou v\u00fdzvou. Dlu\u017eno ale \u0159\u00edct, \u017ee v\u00fdzvou velkou, odv\u00e1\u017enou a dobrou. Prvn\u00edm \u00faskal\u00edm je sama povaha d\u00edla – je to oratorium, nikoli opera. Sc\u00e9nick\u00e1 slo\u017eka tedy p\u016fvodn\u011b nebyla zam\u00fd\u0161lena a u\u017e na tom si m\u016f\u017ee leckdo vyl\u00e1mat zuby. Ud\u011blat oratorium sc\u00e9nicky, nav\u00edc s naprosto nov\u00fdm obsahem, vy\u017eaduje i soust\u0159ed\u011bn\u00ed div\u00e1ck\u00e9 a tak\u00e9, mysl\u00edm, jistou pou\u010denost a otev\u0159enost pr\u00e1v\u011b na stran\u011b div\u00e1ka. Znalost origin\u00e1lu a jeho historick\u00e9ho pozad\u00ed m\u016f\u017ee velmi napomoci neztratit se v tom, \u017ee d\u011bn\u00ed na sc\u00e9n\u011b nekoresponduje s doslovn\u00fdm textem \u00e1ri\u00ed, ale \u017ee je t\u0159eba aplikovat jist\u00fd v\u00fdkladov\u00fd kl\u00ed\u010d. Mno\u017estv\u00ed d\u011bn\u00ed na sc\u00e9n\u011b pak m\u016f\u017ee odv\u00e1d\u011bt div\u00e1ckou pozornost (ta p\u016fvodn\u011b m\u011bla pat\u0159it pouze hudb\u011b a textu). S\u00e1m jsem se n\u011bkolikr\u00e1t p\u0159istihl, \u017ee jsem pro p\u0159\u00edli\u0161n\u00e9 soust\u0159ed\u011bn\u00ed se na sc\u00e9nu zapomn\u011bl vn\u00edmat hudbu, jindy jsem zase p\u0159\u00edli\u0161 zaujat\u011b sledoval video p\u0159enos z on-line kamer a nevn\u00edmal jsem skute\u010dn\u00e9 d\u011bn\u00ed na sc\u00e9n\u011b (jak p\u0159\u00edzna\u010dn\u00e9 pro dne\u0161n\u00ed dobu).<\/p>\n\n\n\n

Se\u010dteno podtr\u017eeno (mene tekel<\/em>, cht\u011blo by se zvolat) je to p\u0159edstaven\u00ed dobr\u00e9. Aktualizace d\u00e1v\u00e1 cel\u00e9mu oratoriu jiskru a smysl i pro nen\u00e1bo\u017eensky zalo\u017een\u00e9ho \u010dlov\u011bka, ani\u017e by nutn\u011b muselo doj\u00edt k umen\u0161en\u00ed toho n\u00e1bo\u017eensk\u00e9ho vyzn\u011bn\u00ed jako oslavy Hospodina a jeho podivuhodn\u00e9ho d\u00edla. V\u0161ak odpov\u011bdnost za d\u00edlo stvo\u0159en\u00ed a tedy tu odpov\u011bdnost ekologickou najdeme zakotvenou i v Bibli. <\/p>\n\n\n\n

V\u00edde\u0148sk\u00e9mu Bel\u0161azarovi by v\u0161ak rozhodn\u011b prosp\u011blo lep\u0161\u00ed p\u011bveck\u00e9 obsazen\u00ed a v\u011bt\u0161\u00ed v\u011brnost vyt\u010den\u00e9mu c\u00edli ve druh\u00e9 polovin\u011b d\u00edla. P\u0159esto je to nastudov\u00e1n\u00ed, kter\u00e9 m\u00e1, i p\u0159es \u010detn\u00e9 v\u00fdhrady, smysl vid\u011bt a d\u00e1 se doporu\u010dit.<\/p>\n\n\n\n

\"\"<\/a>
zdroj: Music Theater an der Wien, Werner Kmetitsch<\/em><\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

Georg Frideric Handel | Belshazzar | Music Theater an der Wien<\/strong><\/p>\n\n\n\n

proveden\u00ed 24.2.2023<\/p>\n\n\n\n

<\/p>\n\n\n\n

Hudebn\u00ed nastudov\u00e1n\u00ed:<\/strong> Christina Pluhar a L\u2019Arpeggiata<\/p>\n\n\n\n

Re\u017eie:<\/strong> Marie-Eve Signeyrole<\/p>\n\n\n\n

Sc\u00e9na:<\/strong> Fabien Teign\u00e9<\/p>\n\n\n\n

Kost\u00fdmy:<\/strong> Yashi<\/p>\n\n\n\n

Sv\u011btlo: <\/strong>Sascha Zauner<\/p>\n\n\n\n

Video:<\/strong> C\u00e9line Baril<\/p>\n\n\n\n

Dramaturgie: <\/strong>Leyli Daryoush<\/p>\n\n\n\n

<\/p>\n\n\n\n

Belshazzar:<\/strong> Robert Murray<\/p>\n\n\n\n

Nitocris: <\/strong>Jeanine De Bique<\/p>\n\n\n\n

Cyrus: <\/strong>Vivica Genaux<\/p>\n\n\n\n

Gobrias: <\/strong>Klemens Sander<\/p>\n\n\n\n

Daniel: <\/strong>Eva Za\u00efcik<\/p>\n\n\n\n

Arnold Schoenberg Chor \u0159\u00eddil Ervin Ortner<\/p>\n","protected":false},"excerpt":{"rendered":"

Odv\u00e1\u017en\u00e9 a vizu\u00e1ln\u011b p\u016fsobiv\u00e9 nastudov\u00e1n\u00ed H\u00e4ndelova oratoria Belshazzar z doby babylonsk\u00e9ho zajet\u00ed \u017did\u016f nakonec ztroskot\u00e1. Na vin\u011b ov\u0161em nen\u00ed p\u0159\u00edli\u0161n\u00e1 odvaha re\u017eis\u00e9rky (Marie-Eve Signeyrole), ale naopak nedodr\u017een\u00ed sch\u00e9matu, kter\u00e9 si vytkla. Velmi netradi\u010dn\u00ed a sc\u00e9nicky n\u00e1ro\u010dn\u00e9 proveden\u00ed v MusikTheater an der Wien tak paradoxn\u011b uzav\u00edr\u00e1 velmi tradi\u010dn\u00ed „sv\u00ed\u010dkov\u00fd“ sbor a nastolen\u00e9 v\u00fdzvy nech\u00e1v\u00e1 tv\u016fr\u010d\u00ed t\u00fdm … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „„Mene tekel“ jako klimatick\u00e1 v\u00fdzva.“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3359"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3359"}],"version-history":[{"count":3,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3359\/revisions"}],"predecessor-version":[{"id":3366,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3359\/revisions\/3366"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}