{"id":3367,"date":"2023-03-14T20:18:47","date_gmt":"2023-03-14T19:18:47","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3367"},"modified":"2023-03-15T09:02:04","modified_gmt":"2023-03-15T08:02:04","slug":"znasilneny-modrovous-v-olomouci","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2023\/03\/14\/znasilneny-modrovous-v-olomouci\/","title":{"rendered":"Zn\u00e1siln\u011bn\u00fd Modrovous v Olomouci"},"content":{"rendered":"\n
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\u201cZabila pani\u010dka p\u00e1na, <\/em><\/p>\n\n\n\n

do zahrady zakopala,<\/em><\/p>\n\n\n\n

e\u0161\u010de po n\u011bm po\u0161lapala.\u201d<\/em><\/p>\n\n\n\n

lidov\u00e1 p\u00edse\u0148<\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Opera pln\u00e1 symbol\u016f, otev\u0159en\u00e1 k mnoh\u00fdm v\u00fdklad\u016fm\u2026 opera dramatick\u00e1, tajemn\u00e1, strhuj\u00edc\u00ed. Modrovous\u016fv hrad. <\/p>\n\n\n\n

Opera, kter\u00e1 je v\u00fdzvou i pro svou d\u00e9lku\u2026\u00a0 nebo sp\u00ed\u0161 provokuje t\u00edm, \u017ee je kr\u00e1tk\u00e1. Proto se mnohdy uv\u00e1d\u00ed je\u0161t\u011b s n\u011b\u010d\u00edm dal\u0161\u00edm. A tady je bu\u010f kl\u00ed\u010d k umocn\u011bn\u00ed vyzn\u011bn\u00ed tohoto kr\u00e1sn\u00e9ho a siln\u00e9ho Bart\u00f3kova kusu. Nebo k jeho zabit\u00ed.<\/p>\n\n\n\n

Plastov\u00e9 pytle na mrtvoly, kter\u00e9 se povalovaly dokonce i ve foyer Moravsk\u00e9ho divadla v Olomouci, jakoby d\u00e1valy neblaze tu\u0161it, co se re\u017eis\u00e9rka Daniela \u0160pinar<\/strong> rozhodla s touto operou prov\u00e9st\u2026<\/p>\n\n\n\n

\"\"<\/a>
B\u00e9la Bart\u00f3k: Modrovous\u016fv hrad, Moravsk\u00e9 divadlo Olomouc \u2013 Radoslava M\u00fcller (foto Tereza Hrub\u00e1), zdroj: OperaPlus<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Olomouck\u00e1 sc\u00e9na Lucie \u0160kand\u00edkov\u00e9<\/strong> se v pr\u016fb\u011bhu cel\u00e9 opery nem\u011bn\u00ed. Na sc\u00e9n\u011b je m\u00e1loco n\u00e1padit\u00e9ho, postr\u00e1d\u00e1 tajemnost a neda\u0159\u00ed se \u00fapln\u011b p\u0159esv\u011bd\u010div\u011b vytvo\u0159it odhalov\u00e1n\u00ed jednotliv\u00fdch taj\u016f Modrovousova hradu. Prom\u011bny v d\u011bji, otev\u00edr\u00e1n\u00ed komnat Modrovousova hradu vyjad\u0159uj\u00ed pouze zm\u011bny ve sv\u00edcen\u00ed (sv\u011btla: Karel \u0160imek<\/strong>), kter\u00e9 ale t\u0159eba z pohledu\u00a0 l\u00f3\u017e\u00ed nejsou p\u0159\u00edli\u0161 srozumiteln\u00e9. Drobn\u00e9 pokroky, jich\u017e Judith v Modrovousov\u011b prom\u011bn\u011b dosahuje, nejsou trvaleji z\u0159eteln\u00e9 a odezn\u00edvaj\u00ed tak rychle, jak slova miz\u00ed v tichu, jak sv\u011btlo pohlcuj\u00ed st\u00edny. Progres, kter\u00fd je v ope\u0159e obsa\u017een, nen\u00ed na sc\u00e9n\u011b vid\u011bt. Obrazy p\u0159edkl\u00e1dan\u00e9 div\u00e1kovi jsou zam\u011bniteln\u00e9 a p\u0159edv\u00eddateln\u00e9.<\/p>\n\n\n\n

Sc\u00e9nu tvo\u0159\u00ed  telefonn\u00ed budka a mnoho vak\u016f s mrtv\u00fdmi t\u011bly. Mu\u017esk\u00fd sbor a balet je stylizov\u00e1n do mu\u017e\u016f v propocen\u00fdch n\u00e1t\u011bln\u00edc\u00edch, s obvazy na rukou. Hn\u011bd\u00e9 kalhoty, k\u0161andy. Snad navr\u00e1tilci z v\u00e1lky, veter\u00e1ni poznamenan\u00ed jatky fronty. K tomu by mohlo odkazovat i p\u0159ed\u0159azen\u00ed Kod\u00e1lyho sborov\u00e9 p\u00edsn\u011b (Katonadal) o voj\u00e1kovi, kter\u00fd u\u017e nechce rukovat. Voj\u00e1kovi, kter\u00fd tou\u017e\u00ed po sv\u00e9 mil\u00e9 a po potrav\u011b pro du\u0161i<\/em> pot\u00e9, co vid\u011bl v\u0161echny hr\u016fzy\u2026 Nab\u00eddka p\u0159ich\u00e1z\u00ed pr\u00e1v\u011b z osam\u011bl\u00e9 telefonn\u00ed budky. A to u\u017e se po\u010d\u00edn\u00e1 prolog Modrovousova hradu. <\/p>\n\n\n\n

Budeme sv\u011bdky p\u0159\u00edb\u011bhu, kter\u00fd zn\u00e1me. Nebo, pro\u017eijeme p\u0159\u00edb\u011bh, kter\u00fd zn\u00e1me. Nebo to bude p\u0159\u00edb\u011bh o n\u00e1s. Kdo v\u00ed\u2026 Divadlo du\u0161e za\u010d\u00edn\u00e1.<\/p>\n\n\n\n

Judith v kr\u00e1sn\u00fdch \u0161atech a s kv\u011btov\u00fdm \u010depcem na hlav\u011b (kost\u00fdmy: Linda Bor\u00e1ros<\/strong>) vstupuje do Modrovousova h\u00e1jemstv\u00ed, aby odhalovala jeho komnaty. Aby pozn\u00e1vala jeho du\u0161i a l\u00e1skou ji prom\u011b\u0148ovala. Aby v temn\u00e9m krv\u00e1cej\u00edc\u00edm hrad\u011b hledala pod studen\u00fdm kamenem \u017eiv\u00e9 lidsk\u00e9 srdce a\u00a0 k\u0159esala jiskry nad\u011bje. Z\u00e1rove\u0148 s t\u00edm v\u0161ak odhaluje zmar, bolest a stopy krve… To \u017eivouc\u00ed Modrovousovo srdce je osam\u011bl\u00e9, bolav\u00e9, krut\u00e9, zjizven\u00e9, pln\u00e9 tajemstv\u00ed a snad obav ze sebe sam\u00e9ho\u2026 Sp\u00ed\u0161e ne\u017e ono, v rozhovorech s re\u017eis\u00e9rkou zmi\u0148ovan\u00e9, hled\u00e1n\u00ed \u017eensk\u00e9\u00a0 str\u00e1nky uvnit\u0159 Modrovouse, jsme na jevi\u0161ti nejprve sv\u011bdky neschopnosti v\u00e1le\u010dn\u00e9ho veter\u00e1na \u017e\u00edt norm\u00e1ln\u00ed \u017eivot, po kter\u00e9m tou\u017e\u00ed. Chce milovat, ale p\u016fsob\u00ed bolest. Chce vztah, ale z\u016fst\u00e1v\u00e1 osam\u011bl\u00fd.<\/p>\n\n\n\n

A nebo obecn\u011bji, komnaty (v olomouck\u00e9m nastudov\u00e1n\u00ed – tane\u010dn\u00ed v\u00fdjevy) ukazuj\u00ed zneu\u017e\u00edv\u00e1n\u00ed \u017een mu\u017ei – v libretu proch\u00e1z\u00edme mu\u010d\u00edrnou, zbrojnic\u00ed, pokladnic\u00ed\u2026 – na sc\u00e9n\u011b pak sledujeme v pod\u00e1n\u00ed tane\u010dn\u00edk\u016f choreografii, kter\u00e1 odhaluje zneu\u017e\u00edv\u00e1n\u00ed\/n\u00e1sil\u00ed a nap\u011bt\u00ed ve vztaz\u00edch mezi mu\u017ei a \u017eenami. Na to, \u017ee opera je siln\u011b ovlivn\u011bna symbolismem a impresionismem jsou tane\u010dn\u00ed sc\u00e9ny a\u017e p\u0159\u00edli\u0161 naturalistick\u00e9 a doslovn\u00e9. Judith, jako \u017eena a poselkyn\u011b milosrdenstv\u00ed, rozb\u00edje\u010dka okov\u016f, p\u0159ij\u00edm\u00e1 v\u0161echny ty zotro\u010den\u00e9 \u017eeny a ukazuje Modrovousovi cestu. Modrovous ji opakovan\u011b vyz\u00fdv\u00e1, aby jej milovala, p\u0159ij\u00edmala a t\u00edm i prom\u011b\u0148ovala. <\/p>\n\n\n\n

Potud je v\u0161e smyslupln\u00e9. <\/p>\n\n\n\n

Ov\u0161em s posledn\u00edmi komnatami se m\u011bn\u00ed chov\u00e1n\u00ed protagonist\u016f – \u017eeny zotro\u010duj\u00ed mu\u017ee, vod\u00ed si je jako dom\u00e1c\u00ed mazl\u00ed\u010dky, role se podivn\u011b ot\u00e1\u010dej\u00ed a nen\u00ed jasn\u00e9 pro\u010d. Ve fin\u00e1le se Modrovous, snad vy\u010derpan\u00fd t\u00edhou vin, hrout\u00ed a n\u00e1sledn\u011b um\u00edr\u00e1. <\/p>\n\n\n\n

Zat\u00edmco Bart\u00f3kova hudba s ka\u017edou otev\u0159enou komnatou stup\u0148uje dramati\u010dnost, navozuje n\u00e1ladu a nepostr\u00e1d\u00e1 vyvrcholen\u00ed – ano, t\u0159eba takov\u00e9, kter\u00e9 klade ot\u00e1zky t\u00edm, \u017ee nen\u00ed do\u0159e\u010den\u00e9 do posledn\u00edho detailu –\u00a0 re\u017eijn\u00ed z\u00e1m\u011br Daniely \u0160pinar se b\u011bhem p\u0159edstaven\u00ed vytr\u00e1c\u00ed a jde proti d\u00edlu samotn\u00e9mu. Re\u017eis\u00e9rka nudn\u011b a nep\u0159esv\u011bd\u010div\u011b nastavuje d\u011bn\u00ed a m\u011bln\u00ed siln\u00fd p\u0159\u00edb\u011bh opery.\u00a0\u00a0<\/p>\n\n\n\n

A co v\u00edc, sv\u00fdmi p\u0159\u00edlepky p\u0159iprav\u00ed div\u00e1ka o p\u0159\u00edle\u017eitost pro\u017e\u00edt d\u00edlo, proto\u017ee naprosto n\u00e1siln\u011b a nelogicky za\u0159ad\u00ed ihned po skon\u010den\u00ed Bart\u00f3kovy opery Kod\u00e1lyho Tance z Galanty. Pr\u00fd postr\u00e1dala v Bart\u00f3kov\u011b d\u00edle katarzi a m\u011bla pot\u0159ebu happyendu a dovysv\u011btlen\u00ed p\u0159\u00edb\u011bhu. <\/p>\n\n\n\n

<\/div>\n\n\n\n

\u201eRozhodla jsem se, \u017ee vytvo\u0159\u00edm dovysv\u011btlen\u00ed Modrovouse, jeliko\u017e nekon\u010d\u00ed \u00fapln\u011b katarzn\u011b, ale sp\u00ed\u0161e depresivn\u011b. P\u0159idala jsem Tance z Galanty, patn\u00e1ctiminutovou orchestr\u00e1ln\u00ed skladbu od Kod\u00e1lyho, a vytvo\u0159ila jak\u00e9si vzk\u0159\u00ed\u0161en\u00ed, a t\u00edm i odleh\u010den\u011bj\u0161\u00ed konec, kter\u00fd tak\u00e9 l\u00e9pe dokresluje mou ideu, \u017ee kdy\u017e mu\u017e ve sv\u00e9m hrad\u011b, ve sv\u00e9m srdci a mysli, p\u0159ijme \u017eenu, je to sv\u00fdm zp\u016fsobem happyend,\u201c<\/em> vysv\u011btlila sv\u016fj re\u017eijn\u00ed z\u00e1m\u011br Daniela \u0160pinar<\/p>zdroj: OperaPlus, Olomouck\u00e1 opera uvede Modrovous\u016fv p\u0159\u00edb\u011bh o vnit\u0159n\u00edm sv\u00e1ru a hled\u00e1n\u00ed identity<\/cite><\/blockquote>\n\n\n\n

<\/div>\n\n\n\n

Ka\u0161leme na sd\u011blnost hudby, ka\u0161leme na vy\u00fast\u011bn\u00ed d\u011bje a v neposledn\u00ed \u0159ad\u011b ka\u0161leme i na div\u00e1ka a jeho fantazii a p\u0159\u00edle\u017eitost ke kladen\u00ed ot\u00e1zek a k hled\u00e1n\u00ed odpov\u011bd\u00ed. Na sc\u00e9nu, kde Judith dr\u017e\u00ed t\u011blo sv\u00e9ho mrtv\u00e9ho Modrovouse, vtrhnou tane\u010dn\u00edci a za\u010dnou jako pod\u011bsov\u00e9 k\u0159ep\u010dit na Kod\u00e1lyho hudbu Tanc\u016f z Galanty. Je to takov\u00e1 p\u0159ehl\u00eddka toho, co v\u0161echno se m\u00edstn\u00ed balet nau\u010dil. I pt\u00e1\u010dka\/drona si p\u0159inesou. To se p\u0159ece bude l\u00edbit, lidi maj\u00ed tyhle novinky r\u00e1di! Vrchol trapnosti jen proto, \u017ee re\u017eis\u00e9rce d\u00edlo p\u0159ipad\u00e1 depresivn\u00ed.\u00a0\u00a0<\/p>\n\n\n\n

Judith s o\u017eiven\u00fdm\/o\u017eivl\u00fdm (neptejte se m\u011b pro\u010d a jak – snad aby to m\u011blo ten happyend) Modrovousem hledaj\u00ed \u00fato\u010di\u0161t\u011b p\u0159ed zb\u011bsil\u00fdmi \u201ctane\u010dn\u00edky z Galanty\u201d pr\u00e1v\u011b v telefonn\u00ed budce, kter\u00e1 kone\u010dn\u011b na\u0161la svou pravou funkci. Co (\u00fadajn\u011b) nezvl\u00e1dl Bart\u00f3k, s t\u00edm mu \u0160pinar \u201cpomohla\u201d.  P\u0159izn\u00e1m se, \u017ee u tanc\u016f (jakkoli je Kod\u00e1lyho hudba skv\u011bl\u00e1) se u\u017e jen modl\u00edm, aby konec p\u0159edstaven\u00ed p\u0159i\u0161el rychle, proto\u017ee \u017e\u00e1dnou telefonn\u00ed budku, kter\u00e1 by m\u011b uchr\u00e1nila p\u0159ed t\u00edm, co se d\u011bje na sc\u00e9n\u011b, nem\u00e1m.<\/p>\n\n\n\n

Jako o \u201cma\u010farsk\u00e9m ve\u010deru\u201d mluvil o olomouck\u00e9m nastudov\u00e1n\u00ed dirigent Petr \u0160umn\u00edk<\/strong>. Necht\u011bn\u011b tak vystihnul absenci p\u0159esv\u011bd\u010div\u00fdch re\u017eijn\u00edch d\u016fvod\u016f pro spojen\u00ed Bart\u00f3kova Modrovousova hradu a Kod\u00e1lyho Tanc\u016f z Galanty. Jedin\u00fdm poj\u00edtkem se zd\u00e1 b\u00fdt n\u00e1rodnost pou\u017eit\u00fdch autor\u016f a snad skute\u010dnost, \u017ee Kod\u00e1ly byl p\u016fvodn\u00edm adres\u00e1tem Bal\u00e1szova libreta Modrovousova hradu. Zat\u00edmco ale Petr \u0160umn\u00edk sv\u00e9mu hudebn\u00edmu nastudov\u00e1n\u00ed dost\u00e1l, re\u017eis\u00e9rka \u0160pinar Bart\u00f3kovu jedinou operu zn\u00e1silnila, zabila a s ohledem na nepochopiteln\u00e9 za\u0159azen\u00ed Kod\u00e1lyho tanc\u016f, lze obrazn\u011b \u0159\u00edci, \u017ee na Modrovousov\u011b\/Bart\u00f3kov\u011b hrob\u011b je\u0161t\u011b zatan\u010dila. <\/p>\n\n\n\n

\u201cMa\u010farsk\u00fd ve\u010der\u201d nicm\u00e9n\u011b uk\u00e1zal i olomouck\u00e1 pozitiva. Palec nahoru pat\u0159\u00ed Moravsk\u00e9mu divadlu za to, \u017ee zvolilo do reperto\u00e1ru tuto nelehkou, ale silnou operu. Ostatn\u011b v Olomouci se Modrovous\u016fv hrad v na\u0161ich kon\u010din\u00e1ch hr\u00e1l v\u016fbec poprv\u00e9, to se psal rok 1960. Obdiv pat\u0159\u00ed i ob\u011bma p\u011bveck\u00fdm p\u0159edstavitel\u016fm –\u00a0 David Szendiuch <\/strong>(Modrovous) a Radoslava M\u00fcller<\/strong> (Judith) zvl\u00e1dli sv\u00e9 nelehk\u00e9 party p\u0159esv\u011bd\u010div\u011b. Stejn\u011b tak p\u0159esv\u011bd\u010div\u011b a dob\u0159e hr\u00e1l i orchestr Moravsk\u00e9ho divadla Olomouc <\/strong>za \u0159\u00edzen\u00ed pr\u00e1v\u011b ji\u017e zm\u00edn\u011bn\u00e9ho dirigenta Petra \u0160umn\u00edka. Mu\u017esk\u00e9 sbory byly slab\u0161\u00ed a toporn\u00e9, ale to b\u00fdv\u00e1 bohu\u017eel bolest i v\u011bt\u0161\u00edch divadel.<\/p>\n\n\n\n

Modrovous\u016fv hrad v Olomouci je pro mne velk\u00fdm zklam\u00e1n\u00edm a p\u0159\u00edstup k l\u00e1tce pova\u017euji za p\u0159inejmen\u0161\u00edm nepokorn\u00fd a n\u00e1siln\u00fd a to jak ve vztahu k Bart\u00f3kovi a jeho ope\u0159e, tak k div\u00e1kovi. Ego re\u017eis\u00e9rky zv\u00edt\u011bzilo v tomto p\u0159\u00edpad\u011b nad d\u00edlem sam\u00fdm a nepova\u017euji to za p\u0159\u00ednos, jakkoli se sna\u017e\u00edm pochopit jej\u00ed pocity a pro\u017eitky spojen\u00e9 s tranzic\u00ed, j\u00ed\u017e proch\u00e1z\u00ed. <\/p>\n\n\n\n

Jsem proto nesm\u00edrn\u011b r\u00e1d, \u017ee jsem mohl za\u017e\u00edt citliv\u00e9, siln\u00e9 a velmi p\u016fsobiv\u00e9 uchopen\u00ed Modrovousova hradu Davidem Radokem<\/a> v roce 2016 v Brn\u011b. To byl vpravd\u011b sv\u011btov\u00fd kus nastudovan\u00fd s pokorou a p\u0159itom velmi abstraktn\u011b a bez pot\u0159eby jak\u00e9hokoliv dopl\u0148uj\u00edc\u00edho vysv\u011btlov\u00e1n\u00ed \u010di nem\u00edstn\u00e9ho a rozporupln\u00e9ho happyendu.<\/p>\n\n\n\n

\"\"<\/a>
B\u00e9la Bart\u00f3k: Modrovous\u016fv hrad \u2013 Ji\u0159\u00ed P\u0159ibyl, Barbora \u0158e\u0159ichov\u00e1 (foto Tereza Hrub\u00e1), zdroj: OperaPlus<\/figcaption><\/figure>\n\n\n\n
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B\u00e9la Bart\u00f3k | Modrovous\u016fv hrad<\/strong><\/p>\n\n\n\n

Zolt\u00e1n Kod\u00e1ly | Tance z Galanty a Sbory pro mu\u017esk\u00e9 hlasy<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Moravsk\u00e9 divadlo Olomouc | proveden\u00ed 13.3.2023<\/p>\n\n\n\n

re\u017eie: Daniela \u0160pinar<\/p>\n\n\n\n

Orchestr Moravsk\u00e9ho divadla Olomouc \u0159\u00eddil Petr \u0160umn\u00edk<\/p>\n\n\n\n

choreografie: Daniela \u0160pinar a Tono Ferriol<\/p>\n\n\n\n

sc\u00e9na: Lucia \u0160kand\u00edkov\u00e1<\/p>\n\n\n\n

dramaturgie: Vilma Bo\u0159kovec<\/p>\n\n\n\n

Modrovous: David Szendiuch<\/p>\n\n\n\n

Judith: Radoslava M\u00fcller<\/p>\n\n\n\n

Mu\u017esk\u00fd sbor a balet Moravsk\u00e9ho divadla Olomouc<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cZabila pani\u010dka p\u00e1na, do zahrady zakopala, e\u0161\u010de po n\u011bm po\u0161lapala.\u201d lidov\u00e1 p\u00edse\u0148 Opera pln\u00e1 symbol\u016f, otev\u0159en\u00e1 k mnoh\u00fdm v\u00fdklad\u016fm\u2026 opera dramatick\u00e1, tajemn\u00e1, strhuj\u00edc\u00ed. Modrovous\u016fv hrad.  Opera, kter\u00e1 je v\u00fdzvou i pro svou d\u00e9lku\u2026\u00a0 nebo sp\u00ed\u0161 provokuje t\u00edm, \u017ee je kr\u00e1tk\u00e1. Proto se mnohdy uv\u00e1d\u00ed je\u0161t\u011b s n\u011b\u010d\u00edm dal\u0161\u00edm. A tady je bu\u010f kl\u00ed\u010d k umocn\u011bn\u00ed … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Zn\u00e1siln\u011bn\u00fd Modrovous v Olomouci“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3367"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3367"}],"version-history":[{"count":9,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3367\/revisions"}],"predecessor-version":[{"id":3380,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3367\/revisions\/3380"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}