{"id":3450,"date":"2023-05-27T15:47:28","date_gmt":"2023-05-27T14:47:28","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=3450"},"modified":"2023-06-08T09:59:08","modified_gmt":"2023-06-08T08:59:08","slug":"armida-v-praze-podruhe-a-naposled","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2023\/05\/27\/armida-v-praze-podruhe-a-naposled\/","title":{"rendered":"Armida v Praze."},"content":{"rendered":"\n

Patetick\u00e1, upocen\u00e1 a p\u0159epl\u00e1can\u00e1. <\/p>\n\n\n\n

Takov\u00e1 je nejnov\u011bj\u0161\u00ed inscenace Dvo\u0159\u00e1kovy z\u0159\u00eddka uv\u00e1d\u011bn\u00e9 opery Armida v N\u00e1rodn\u00edm divadle v Praze. <\/p>\n\n\n\n

\u010cesk\u00e9 opern\u00ed domy se z nepochopiteln\u00fdch d\u016fvod\u016f rozhodly vr\u00e1tit tuto operu na jevi\u0161t\u011b. Nic nedbaje toho, \u017ee Armidu prov\u00e1z\u00ed nedobr\u00e1 pov\u011bst u\u017e od po\u010d\u00e1tku. Na vin\u011b nen\u00ed ani tak Dvo\u0159\u00e1kova hudba, kter\u00e1 naopak umn\u011b vytv\u00e1\u0159\u00ed orient\u00e1ln\u00ed kouzlo a hraje si s lyrikou, ale sp\u00ed\u0161e p\u0159\u00edb\u011bh a nesrozumiteln\u00e9 libreto Jaroslava Vrchlick\u00e9ho. <\/p>\n\n\n\n

Po katastrof\u011b v Plzni jsem myslel, \u017ee u\u017e t\u00e9hle ope\u0159e ned\u00e1m \u0161anci. P\u0159ed p\u00e1r dny mi ale volala kamar\u00e1dka cel\u00e1 rozho\u0159\u010den\u00e1 z nov\u00e9 pra\u017esk\u00e9 inscenace. D\u016fvodem byla sc\u00e9na zn\u00e1siln\u011bn\u00ed, kter\u00e1 je pr\u00fd v tomhle nastudov\u00e1n\u00ed dost naturalisticky zobrazena. Diskutovali jsme, nakolik to je, nebo nen\u00ed opr\u00e1vn\u011bn\u00e9 a jak to m\u016f\u017ee b\u00fdt zra\u0148uj\u00edc\u00ed. Bavit jsme se mohli ale jen obecn\u011b, pra\u017eskou Armidu jsem nevid\u011bl. A m\u011blo u toho z\u016fstat. <\/p>\n\n\n\n

Jen\u017ee t\u00e9ma vzbudilo z\u00e1jem. A pak, d\u011bl\u00e1 to brn\u011bnsk\u00fd t\u00fdm hv\u011bzdn\u00e9ho re\u017eis\u00e9ra He\u0159mana. T\u0159eba prolom\u00ed smutn\u00fd osud t\u00e9hle Dvo\u0159\u00e1kovy opery a najde zp\u016fsob, jak se vypo\u0159\u00e1dat se v\u0161emi t\u011bmi nev\u00fdhodami, kter\u00e9 Armida dostala do v\u00ednku. <\/p>\n\n\n\n

Inu, ani brn\u011bnsk\u00fd t\u00fdm sm\u016flu neprolomil. <\/p>\n\n\n\n

\"\"<\/a>
foto: Zden\u011bk Sokol, zdroj: N\u00e1rodn\u00ed divadlo –Armida – N\u00e1rodn\u00ed divadlo (narodni-divadlo.cz)<\/a><\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Naopak, re\u017eijn\u00ed pojet\u00ed se rozt\u0159\u00ed\u0161tilo do podivn\u00e9 sm\u011bsi v\u00fdjev\u016f, symbol\u016f a jevi\u0161tn\u00ed vete\u0161e, kter\u00e1 nedr\u017e\u00ed pohromad\u011b stejn\u011b jako kostra draka, kter\u00e1 p\u0159edstaven\u00edm \u0161n\u011bruje sem a tam, p\u0159i\u010dem\u017e se d\u00edly dra\u010d\u00edho t\u011bla rozpojuj\u00ed, to kdy\u017e tane\u010dn\u00edci nesouc\u00ed jednotliv\u00e9 dra\u010d\u00ed kosti nest\u00edhaj\u00ed. Vzpomn\u011bl jsem si p\u0159i tom na n\u00e1cvik spartaki\u00e1dy s modr\u00fdmi polystyrenov\u00fdmi bloky. Pamatujete? M\u011blo to takov\u00e9 gumi\u010dky, aby se n\u00e1m to p\u0159i pob\u00edh\u00e1n\u00ed nerozpojilo. Tak ta dra\u010d\u00ed kostra je nem\u00e1, ale zase vypou\u0161t\u00ed mlhu.<\/p>\n\n\n\n

Jednotliv\u00e9 sc\u00e9ny He\u0159manova nastudov\u00e1n\u00ed p\u0159itom vydaj\u00ed na p\u016fsobivou l\u00e1kavou fotodokumentaci. Fotografie z p\u0159edstaven\u00ed jsou p\u0159ita\u017eliv\u00e9. Celek se ale sype, bloud\u00ed a zamot\u00e1v\u00e1. Opravdu netu\u0161\u00edm, co cht\u011bl re\u017eis\u00e9r t\u00edmto p\u0159edstaven\u00edm sd\u011blit. <\/p>\n\n\n\n

K\u0159i\u017e\u00e1ci jsou bandou upocen\u00fdch str\u00e9c\u016f, kte\u0159\u00ed ani me\u010d neudr\u017e\u00ed. Motaj\u00ed se mezi kulisami neschopn\u00ed synchronizovan\u00fdch pohyb\u016f. Pr\u00e1ce s choreografi\u00ed je v\u016fbec \u0161\u00edlen\u00e1. \u00da\u010dinkuj\u00edc\u00ed by pot\u0159ebovali mapu a krou\u017eky jako d\u011bti v mate\u0159ince na vych\u00e1zce. Sbor je katastrof\u00e1ln\u00ed.<\/p>\n\n\n\n

Snad jen Bohum\u00edr p\u016fsob\u00ed jako v\u016fdce. Kn\u011bz Petr je n\u011bco mezi seversk\u00fdm Lokim a komiksov\u00fdm Jokerem. Pro\u010d? Jak do toho zapadaj\u00ed velk\u00e9 lyrick\u00e9 pas\u00e1\u017ee o Bo\u017e\u00ed velikosti a oddanosti Kristu? M\u00e1 to b\u00fdt karikatura? Co pak ale Rinaldo, kter\u00fd m\u00e1 bojovat s vnit\u0159n\u00edm rozkolem mezi n\u00e1sledov\u00e1n\u00edm Krista a l\u00e1skou k \u017een\u011b, a Armida, je\u017e se nakonec nech\u00e1 pok\u0159t\u00edt a dojde sp\u00e1sy? Ostatn\u011b tento moment re\u017eie s ob\u0159\u00edm d\u016frazem inscenuje v z\u00e1v\u011bru opery. Armidina du\u0161e s a\u017e p\u0159ehnan\u00fdm symbolismem stoup\u00e1, tolik podobn\u00e1 Kristu, k nebi. <\/p>\n\n\n\n

Vypad\u00e1 to, \u017ee i re\u017eie m\u00e1 zamotanou hlavu, a tak ka\u017ed\u00e9 pr\u00e1zdn\u00e9 m\u00edsto, ka\u017edou nelogi\u010dnost mus\u00ed zapl\u0148ovat v\u00ed\u0159\u00edc\u00ed dervi\u0161ov\u00e9, jejich\u017e suknice bohu\u017eel neust\u00e1le zachyt\u00e1vaj\u00ed o kulisy, proto\u017ee sc\u00e9na je zkr\u00e1tka p\u0159epl\u00e1can\u00e1. Vr\u0161\u00ed se tu zbyte\u010dn\u00e9 pohovky, p\u0159es kter\u00e1 mus\u00ed hlavn\u00ed postavy skoro p\u0159el\u00e9zat. V p\u0159edstaven\u00ed jsou ale nanejv\u00fd\u0161 k tomu, aby na nich odpo\u010d\u00edvali star\u0161\u00ed \u010dlenov\u00e9 sboru, kte\u0159\u00ed u\u017e nezvl\u00e1dnou st\u00e1t. O neboh\u00e9 monste\u0159e (existuje t\u00fdr\u00e1n\u00ed zv\u00ed\u0159at, pro\u010d nedefinovat i t\u00fdr\u00e1n\u00ed pokojov\u00fdch rostlin), konferen\u010dn\u00edm stolku pln\u011bn\u00e9m vodou (k\u0159est v z\u00e1v\u011bru toti\u017e vypad\u00e1, jako kdy\u017e si Rinaldo myje ruce a p\u0159esn\u011b a jenom  kv\u016fli tomu je p\u016fl d\u011bje ve stolku nalit\u00e1 voda), p\u0159ek\u00e1\u017eej\u00edc\u00edm serv\u00edrovac\u00edm stolku, zbyte\u010dn\u00fdch textili\u00edch s potisky evokuj\u00edc\u00edmi schodi\u0161t\u011b nebo suchem rozpukanou p\u016fdu snad ani nem\u00e1 cenu ps\u00e1t. Mo\u017en\u00e1 v Brn\u011b, na obrovsk\u00e9m jevi\u0161ti Jan\u00e1\u010dkova divadla by p\u0159epl\u00e1canost sc\u00e9ny byla m\u00e9n\u011b n\u00e1padn\u00e1 a na obt\u00ed\u017e, ale zlat\u00e1 kapli\u010dka je zral\u00e1 sp\u00ed\u0161 na pr\u00e1ci s vertik\u00e1lou. A pak, stejn\u011b mysl\u00edm, \u017ee by to nefungovalo, proto\u017ee tady zkr\u00e1tka nefunguje p\u0159\u00edb\u011bh, motivace postav jsou ne\u010diteln\u00e9 a re\u017eie je tla\u010d\u00ed do v\u00fdraz\u016f, kter\u00e9 ned\u00e1vaj\u00ed smysl nebo p\u016fsob\u00ed trapn\u011b. T\u0159eba to upocen\u00e9 chlap\u00e1ctv\u00ed k\u0159i\u017e\u00e1k\u016f je u\u017e za hranic\u00ed trapnosti b\u00e9\u010dkov\u00fdch seri\u00e1l\u016f a je \u00fapln\u011b zbyte\u010dn\u00e9. <\/p>\n\n\n\n

Zat\u00edmco u Dvo\u0159\u00e1kovy Rusalky v z\u00e1v\u011bre\u010dn\u00e9 sc\u00e9n\u011b pl\u00e1\u010dete dojet\u00edm s du\u0161\u00ed rozbou\u0159enou, u Armidy se prost\u011b t\u011b\u0161\u00edte na konec tr\u00e1pen\u00ed a v\u016fbec konec cel\u00e9ho toho kusu. A stejn\u011b jako Rinaldo v pod\u00e1n\u00ed Ale\u0161e Brisceina (je mi l\u00edto, \u017ee si b\u011bhem p\u0159edstaven\u00ed n\u011bco provedl s nohou – beztak kv\u016fli t\u00e9 zane\u0159\u00e1d\u011bn\u00e9 sc\u00e9n\u011b) v z\u00e1v\u011bru opery skon\u010d\u00edte bezradn\u011b hled\u00edc na mapu – rozum\u011bj re\u017eijn\u00ed z\u00e1m\u011br – a \u0159\u00edk\u00e1te si, pro\u010d to v\u0161echno?<\/p>\n\n\n\n

A o moc moud\u0159ej\u0161\u00ed nejste ani po p\u0159e\u010dten\u00ed slov o inscenaci. Op\u011bt bezradnost ztracen\u00e1 ve v\u00ed\u0159en\u00ed dervi\u0161\u016f a stesky po tom, jak si Armida zaslou\u017e\u00ed b\u00fdt uv\u00e1d\u011bna. Pro\u010d?<\/p>\n\n\n\n

A to zn\u00e1siln\u011bn\u00ed, kter\u00e9 bylo takovou rozbu\u0161kou k n\u00e1v\u0161t\u011bv\u011b inscenace? Zbyte\u010dn\u00e9, bohu\u017eel jako cel\u00e9 nov\u00e9 nastudov\u00e1n\u00ed. <\/p>\n\n\n\n

Symbolick\u00fdm vyj\u00e1d\u0159en\u00edm He\u0159manovy Armidy bohu\u017eel nen\u00ed snad jedin\u00e1 poveden\u00e1 sc\u00e9na z p\u0159edehry, kde Bo\u017e\u00ed sv\u011btlo dopad\u00e1 na v\u0161echny a m\u00e1 dynamiku a poetiku v\u00ed\u0159en\u00ed dervi\u0161\u016f, ale drak. Kostra, kter\u00e1 nedr\u017e\u00ed pohromad\u011b, ale zvl\u00e1d\u00e1 vypou\u0161t\u011bt mlhu nenapln\u011bn\u00fdch p\u0159\u00edslib\u016f.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Anton\u00edn Dvo\u0159\u00e1k | Armida<\/strong><\/p>\n\n\n\n

libreto:<\/strong> Jaroslav Vrchlick\u00fd, inscena\u010dn\u00ed \u00faprava:<\/strong> Patricie \u010c\u00e1stkov\u00e1<\/p>\n\n\n\n

N\u00e1rodn\u00ed divadlo Praha, p\u0159edstaven\u00ed 26.5.2023<\/p>\n\n\n\n

Dirigent:<\/strong> Robert Jindra<\/p>\n\n\n\n

Re\u017eie:<\/strong> Ji\u0159\u00ed He\u0159man<\/p>\n\n\n\n

Sc\u00e9na: <\/strong>Dragan Stoj\u010devski<\/p>\n\n\n\n

Kost\u00fdmy: <\/strong>Zuzana \u0160tefunkov\u00e1 Rus\u00ednov\u00e1<\/p>\n\n\n\n

Sv\u011bteln\u00fd design:<\/strong> Daniel Tesa\u0159<\/p>\n\n\n\n

Orchestr N\u00e1rodn\u00edho divadla<\/p>\n\n\n\n

<\/div>\n\n\n\n

Armida | Al\u017eb\u011bta Pol\u00e1\u010dkov\u00e1<\/p>\n\n\n\n

Rinald | Ale\u0161 Briscein<\/p>\n\n\n\n

Ismen | Svatopluk Sem<\/p>\n\n\n\n

Bohum\u00edr | Martin B\u00e1rta<\/p>\n\n\n\n

Sbor N\u00e1rodn\u00edho divadla<\/p>\n\n\n\n

Balet Opery N\u00e1rodn\u00edho divadla<\/p>\n","protected":false},"excerpt":{"rendered":"

Patetick\u00e1, upocen\u00e1 a p\u0159epl\u00e1can\u00e1.  Takov\u00e1 je nejnov\u011bj\u0161\u00ed inscenace Dvo\u0159\u00e1kovy z\u0159\u00eddka uv\u00e1d\u011bn\u00e9 opery Armida v N\u00e1rodn\u00edm divadle v Praze.  \u010cesk\u00e9 opern\u00ed domy se z nepochopiteln\u00fdch d\u016fvod\u016f rozhodly vr\u00e1tit tuto operu na jevi\u0161t\u011b. Nic nedbaje toho, \u017ee Armidu prov\u00e1z\u00ed nedobr\u00e1 pov\u011bst u\u017e od po\u010d\u00e1tku. Na vin\u011b nen\u00ed ani tak Dvo\u0159\u00e1kova hudba, kter\u00e1 naopak umn\u011b vytv\u00e1\u0159\u00ed orient\u00e1ln\u00ed kouzlo … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Armida v Praze.“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3450"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=3450"}],"version-history":[{"count":4,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3450\/revisions"}],"predecessor-version":[{"id":3456,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/3450\/revisions\/3456"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=3450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=3450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=3450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}