Cel\u00fd sv\u011bt je jevi\u0161t\u011b a v\u0161ichni lid\u00e9 jsou na n\u011bm jen herci\u2026 Pocta Shakespearovi v proveden\u00ed Purcellovy Kr\u00e1lovny v\u00edl v Divadle Na V\u00edde\u0148ce.
\nKdo se t\u011b\u0161\u00ed na ta\u0161ka\u0159ici se z\u00e1m\u011bnou postav odehr\u00e1vaj\u00edc\u00ed se v magick\u00e9m lese, bude zklam\u00e1n, to ale neznamen\u00e1, \u017ee p\u0159edstaven\u00ed je \u0161patn\u00e9, pr\u00e1v\u011b naopak.<\/p>\n
Re\u017eis\u00e9rka Mariame Cl\u00e9ment se rozhodla zasadit d\u011bj do sou\u010dasnosti a do divadeln\u00edho prost\u0159ed\u00ed. Znalost obsahu Shakespearovy p\u0159edlohy je dobr\u00e1, le\u010d nikoli nezbytn\u00e1. Nep\u016fjde toti\u017e o z\u00e1m\u011bny v d\u016fsledku kouzla, vysta\u010d\u00edme si s b\u00eddou tohoto sv\u011bta. Nenapln\u011bn\u00e9 touhy, skr\u00fdvan\u00e9 city, to je p\u0159edm\u011btem cel\u00e9 z\u00e1pletky. Cel\u00fd d\u011bj se odehr\u00e1v\u00e1 jako divadlo na divadle. Kr\u00e1lovna v\u00edl je snad a\u017e dokument\u00e1rn\u011b p\u0159esn\u00e1 rekonstrukce vzniku divadeln\u00edho kusu (jak jinak ne\u017e Kr\u00e1lovny v\u00edl) v p\u0159\u00edm\u00e9m p\u0159enosu, od hodin str\u00e1ven\u00fdch ve zku\u0161ebn\u011b p\u0159es premi\u00e9rov\u00e9 jevi\u0161t\u011b a\u017e po after-party po \u00fasp\u011b\u0161n\u00e9 premi\u00e9\u0159e. Tam v\u0161ude sledujeme peripetie vztah\u016f a tu\u017eeb jednotliv\u00fdch protagonist\u016f, dialogy jsou redukov\u00e1ny na minimum, v\u0161e z\u00e1vis\u00ed na mimo\u0159\u00e1dn\u00e9m herectv\u00ed v\u0161ech \u00fa\u010dinkuj\u00edc\u00edch v\u010detn\u011b sborist\u016f. St\u011b\u017eejn\u00ed my\u0161lenky a pohnutky postav jsou prom\u00edt\u00e1ny jako texty na zadn\u00ed \u010d\u00e1st sc\u00e9ny. V t\u011bchto \u010d\u00e1stech d\u011bj spo\u010dine a tehdy je t\u0159eba dokonal\u00e9 souhry v\u0161ech postav na sc\u00e9n\u011b, proto\u017ee hovo\u0159\u00ed pouze pohledy, gesta a sv\u011btlo (Ulrik Gad). Jako p\u0159i fotografov\u00e1n\u00ed v ten kl\u00ed\u010dov\u00fd moment mus\u00ed b\u00fdt kompozice p\u0159esn\u00e1. A Na V\u00edde\u0148ce tohle um\u00ed. Bez jedin\u00e9ho \u0161kobrtnut\u00ed, s naprostou p\u0159irozenost\u00ed. Tehdy uvid\u00edte momentku mimob\u011b\u017enosti vztah\u016f. Re\u017eis\u00e9r se zamiluje do zp\u011bva\u010dky, kterou v\u0161ak miluje i asistent, mlad\u00fd herec obj\u00edm\u00e1 dramaturgyni, av\u0161ak jeho pohled pat\u0159\u00ed mlad\u00e9mu tane\u010dn\u00edkovi, dramaturgyn\u011b m\u00edsto toho tou\u017e\u00ed po re\u017eis\u00e9rovi, asistent sn\u00ed o postu re\u017eis\u00e9ra… Cel\u00fd sv\u011bt je jevi\u0161t\u011b a v\u0161ichni lid\u00e9 jsou na n\u011bm jen herci\u2026 Pocta Shakespearovi v proveden\u00ed Purcellovy Kr\u00e1lovny v\u00edl v Divadle Na V\u00edde\u0148ce. Kdo se t\u011b\u0161\u00ed na ta\u0161ka\u0159ici se z\u00e1m\u011bnou postav odehr\u00e1vaj\u00edc\u00ed se v magick\u00e9m lese, bude zklam\u00e1n, to ale neznamen\u00e1, \u017ee p\u0159edstaven\u00ed je \u0161patn\u00e9, pr\u00e1v\u011b naopak.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,1],"tags":[40,20],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/360"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=360"}],"version-history":[{"count":2,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/360\/revisions"}],"predecessor-version":[{"id":525,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/360\/revisions\/525"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBez\u00fat\u011b\u0161nost v pr\u016fb\u011bhu hry mu\u010div\u011b nar\u016fst\u00e1, a p\u0159esto\u017ee ona inscenovan\u00e1 hra ve h\u0159e sp\u011bje k velk\u00e9mu \u00fasp\u011bchu, t\u011b\u017eko se ubr\u00e1n\u00edte \u00fazkosti a nesm\u00edrn\u00e9mu smutku. V\u0161ichni lid\u00e9 jsou jen herci, plni skr\u00fdvan\u00fdch cit\u016f a tu\u017eeb, kter\u00e9 nedojdou napln\u011bn\u00ed a nebo p\u0159i sv\u00e9m napl\u0148ov\u00e1n\u00ed zra\u0148uj\u00ed. A navzdory tomu v\u0161emu je t\u0159eba vypadat \u0161\u0165astn\u011b. Na after-party se v\u0161ichni b\u00e1je\u010dn\u011b bav\u00ed, sklenice cinkaj\u00ed a \u0161ampa\u0148sk\u00e9 te\u010de proudem a p\u0159esto nedok\u00e1\u017ee ten ruch skr\u00fdt bolest zran\u011bn\u00e9ho srdce, \u00fazkost, zoufalstv\u00ed a pl\u00e1\u010d. Jen je t\u0159eba v prav\u00fd moment nasadit masku a hr\u00e1t si na \u0161t\u011bst\u00ed, nebo se op\u00edt a zapomenout, sn\u00edt sv\u016fj Sen svatojansk\u00e9 noci. S\u00edla cel\u00e9ho pojet\u00ed tkv\u00ed v tom, \u017ee je o n\u00e1s, m\u00edsto opony tam sm\u011ble mohlo b\u00fdt zrcadlo\u2026. Na konci se sc\u00e9na vyklid\u00ed a zku\u0161ebna je p\u0159ipravena na nov\u00fd kus, je tu jen klav\u00edr, pianista a…pad\u00e1 opona. K touhle d\u011bjstv\u00ed jsme u\u017e zv\u00e1ni sami.
\nV\u00edde\u0148ka tedy op\u011bt p\u0159edv\u00e1d\u00ed, \u017ee lze naprosto trefn\u011b, funk\u010dn\u011b a brilantn\u011b aktualizovat t\u0159i stolet\u00ed starou l\u00e1tku ani\u017e by utrp\u011bla. Vy\u017eaduje to ov\u0161em zku\u0161enou re\u017eis\u00e9rku, dokonalou souhru a vynikaj\u00edc\u00ed zp\u011bv\u00e1ky, kte\u0159\u00ed jsou v\u0161ak i herci. Fl\u00e9tnov\u00e9 preludium z po\u010d\u00e1tku druh\u00e9ho jedn\u00e1n\u00ed uk\u00e1zalo naplno vpravd\u011b hv\u011bzdn\u00e9 herectv\u00ed sborist\u016f z Arnold Schoenberg Chor! P\u0159edstavil jsem si, jak by asi v\u011bt\u0161ina na\u0161ich sbor\u016f v t\u00e9to sc\u00e9n\u011b poho\u0159ela. Utvo\u0159te kruh a p\u0159edstavte si, \u017ee mezi v\u00e1mi poletuje pt\u00e1\u010dek a sed\u00e1 tu na prst, tu na rameno, tu se objev\u00ed pod \u010depic\u00ed…
\nNa jin\u00e9m m\u00edst\u011b d\u011bje zvl\u00e1dne re\u017eis\u00e9rka v postav\u011b opern\u00ed primadony, kter\u00e1 m\u00e1 p\u016fvodn\u011b hr\u00e1t roli Titanie, s gr\u00e1ci\u00ed a vtipem karikovat snobismus a jakousi opern\u00ed pompu.
\nV hlavn\u00edch rol\u00edch excelovali Anna Prohaska a Marie-Claude Chappuis (u n\u00e1s jsme ji mohli sly\u0161et t\u0159eba jako v\u00fdbornou Dido v koncertn\u00edm proveden\u00ed jin\u00e9 Purcellovy opery Dido a Aeneas v Rudolfinu), Rupert Charlesworth a v\u00fdborn\u00fd Florian Boesch. Trochu slab\u0161\u00ed mi p\u0159ipadal p\u011bveck\u00fd projev Kurta Streita v roli re\u017eis\u00e9ra, by\u0165 herecky byl skv\u011bl\u00fd. O velmi dobr\u00e9 hudebn\u00ed proveden\u00ed se postarali Les Talens Lyriques.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"