{"id":362,"date":"2016-05-16T21:29:02","date_gmt":"2016-05-16T21:29:02","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=362"},"modified":"2017-11-27T18:18:15","modified_gmt":"2017-11-27T17:18:15","slug":"gilgames-a-dido-v-nd-brno","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2016\/05\/16\/gilgames-a-dido-v-nd-brno\/","title":{"rendered":"Gilgame\u0161 a Dido v ND Brno"},"content":{"rendered":"<p>\u00d3 jak radostn\u00e9 je ps\u00e1t o n\u011b\u010dem tak v\u00fdte\u010dn\u00e9m, jako je brn\u011bnsk\u00e1 opern\u00ed dvojinscenace Epos o Gilgame\u0161ovi \/ Dido a Aeneas. Brno pro mne op\u011bt potvrzuje, \u017ee je prvn\u00ed a nejprogresivn\u011bj\u0161\u00ed opern\u00ed sc\u00e9nou v na\u0161\u00ed kotlin\u011b, kter\u00e1 hluboko za sebou zanech\u00e1v\u00e1 celou zlatou Prahu. To, \u017ee re\u017eis\u00e9r a um\u011bleck\u00fd \u0161\u00e9f opery Ji\u0159\u00ed He\u0159man s\u00e1hnul po Martin\u016f z\u0159\u00eddka hran\u00e9m kuse z prad\u00e1vn\u00e9 Mezopot\u00e1mie, kter\u00fd nav\u00edc nebyl nikdy uved<span class=\"text_exposed_show\">en sc\u00e9nicky, a propojil jej s kr\u00e1tkou barokn\u00ed operou Purcellovou, nebyla v\u016fbec s\u00e1zka na jistotu, ale odv\u00e1\u017en\u00fd skok do zatuchl\u00fdch \u010desk\u00fdch vod. D\u00edky tomu se ov\u0161em z vln vyno\u0159ila b\u00e1jn\u00e1 Atlantida, o kter\u00e9 v \u010cech\u00e1ch jen tu a tam sl\u00fdch\u00e1me, a na kterou jezd\u00edme za hranice. P\u0159esto\u017ee oba kusy d\u011bl\u00ed stalet\u00ed (Dido a Aeneas je z po\u010d\u00e1tku 18 stolet\u00ed, oproti tomu Gilgame\u0161 m\u011bl premi\u00e9ru a\u017e roku 1958), jejich nad\u010dasov\u00e9 poselstv\u00ed v Brn\u011b zn\u00ed harmonicky a nal\u00e9hav\u011b pr\u00e1v\u011b do dne\u0161n\u00ed doby a pro v\u0161echny. Smysl \u017eivota, smrtelnost \u010dlov\u011bka, pom\u00edjivost vztah\u016f.<\/span><!--more--><\/p>\n<p>Smrtelnost lidsk\u00e1, kter\u00e1 je hlavn\u00edm t\u00e9matem Eposu o Gilgame\u0161ovi, byla tak\u00e9 \u010dast\u00fdm n\u00e1m\u011btem barokn\u00ed doby. Ano, v\u0161ichni lid\u00e9 v sv\u011bt\u011b, v\u0161ichni um\u00edr\u00e1me, a v zim\u011b i v l\u00e9t\u011b odsud odch\u00e1z\u00edme&#8230;\u010cas jako hlas, pravil by \u010desk\u00fd bard a poustevn\u00edk Rovensk\u00fd. Ze zem\u011b jsi vze\u0161el jako Enkidu, do zem\u011b se navr\u00e1t\u00ed\u0161. Hl\u00edna se ho zmocnila, ne mor, jen hl\u00edna&#8230; V dob\u011b, kdy medic\u00edna v\u00edt\u011bz\u00ed a smrt je odstran\u011bna z na\u0161ich o\u010d\u00ed, p\u0159ich\u00e1z\u00ed poselstv\u00ed vzk\u0159\u00ed\u0161en\u00e9ho ducha Enkidu jako pol\u00ed\u010dek dne\u0161n\u00edmu \u010dlov\u011bku.<\/p>\n<p>Martin\u016f hudba a styl vypr\u00e1v\u011bn\u00ed kr\u00e1sn\u011b vystihuje ducha starov\u011bk\u00fdch epos\u016f a zapad\u00e1 do obrazu d\u00e1vn\u00fdch kultur bl\u00edzk\u00e9ho v\u00fdchodu. Je to i styl mnoha knih Star\u00e9ho z\u00e1kona, jasn\u00e9 podobnosti s Kazatelem \u010di J\u00f3bem. Mimo\u0159\u00e1dn\u011b siln\u00e9 a nal\u00e9hav\u00e9. Jestli jste v hodin\u00e1ch \u010de\u0161tiny nech\u00e1pali, pro\u010d se mus\u00edte u\u010dit o Gilgame\u0161ovi, tady v\u00e1m to dojde. Ten d\u00e1vn\u00fd kus vytesan\u00fd na desti\u010dk\u00e1ch z hl\u00edny (dal\u0161\u00ed vrstva symboliky&#8230;) je st\u00e1le platn\u00fd.<\/p>\n<p>Sc\u00e9na je jednoduch\u00e1, elegantn\u00ed jako paluba zaoce\u00e1nsk\u00e9 lodi. Nejen sc\u00e9na, cel\u00fd sv\u011bt je na t\u00e9 lodi, orchestr i my v hledi\u0161ti, plujeme kamsi. Vyhl\u00ed\u017e\u00edme na p\u0159\u00eddi a vid\u00edme jen vlnu za vlnou, mlhu a nekone\u010dnou d\u00e1l. Na\u0161e pozn\u00e1n\u00ed je rozt\u0159\u00ed\u0161t\u011bn\u00e9 jako prosklen\u00fd strop velk\u00e9ho s\u00e1lu. Vypr\u00e1v\u00edme p\u0159\u00edb\u011bhy, zapisujeme je na desky, ale p\u0159esto je n\u00e1m cel\u00e1 pravda utajena. Jen bohov\u00e9 \u017eij\u00ed ve sv\u011btle a my nem\u016f\u017eeme spat\u0159it jejich tv\u00e1\u0159, v\u0161e je rozost\u0159en\u00e9 jako za ml\u00e9\u010dn\u00fdm sklem. I druz\u00ed lid\u00e9, p\u0159esto\u017ee jsou n\u00e1m bl\u00edzc\u00ed, jsou pro n\u00e1s nez\u0159eteln\u00ed. A kdy\u017e u\u017e se zd\u00e1, \u017ee rozum\u00edme, p\u0159ijde smrt. Smrt, kter\u00e1 kos\u00ed v\u0161echny, pros\u0165\u00e1\u010dky i mocn\u00e1\u0159e. A p\u0159esto, stoj\u00edme na p\u0159\u00eddi lodi a vyhl\u00ed\u017e\u00edme&#8230;<\/p>\n<p>Pom\u00edjivost a marnost je i osudem velk\u00e9 l\u00e1sky kr\u00e1lovny Dido k hrdinn\u00e9mu Aeneovi. A op\u011bt bychom mohli zp\u00edvat s Rovensk\u00fdm: l\u00e1sku i up\u0159imnost, v\u0161eho zanech\u00e1me&#8230; Dido jako by do sc\u00e9ny vstoupila z d\u00e1vn\u00fdch \u010das\u016f Gilgame\u0161ov\u00fdch, v\u00e1\u017en\u00e1, hrd\u00e1, obklopen\u00e1 hravost\u00ed a bezstarostn\u00fdm \u017eivotem smet\u00e1nky na zaoce\u00e1nsk\u00e9 lodi. Ano, sc\u00e9na je t\u00e9m\u011b\u0159 stejn\u00e1 jako ta p\u0159ed tis\u00edci lety v Uruku, i zde jsme v\u0161ichni na jedn\u00e9 lodi, orchestr i div\u00e1ci, zde nen\u00ed hranic.<\/p>\n<p>Nelze vypsat v\u0161e, to se mus\u00ed vid\u011bt a sly\u0161et a za\u017e\u00edt. Propojen\u00ed dvou orchestr\u016f (Marko Ivanovi\u010d s orchestrem NdB v prvn\u00ed \u010d\u00e1sti a\u00a0V\u00e1clav Luks\u00a0s Collegiem 1704 v \u010d\u00e1sti druh\u00e9), zapojen\u00ed sboru (jakkoli je\u0161t\u011b nezvykl\u00e9ho na dynamiku) do d\u011bje (!), n\u00e1dhern\u00fd balet, v\u00fdborn\u00e1 choreografie, sc\u00e9na, sv\u011bteln\u00fd design, to v\u0161echno d\u011bl\u00e1 z brn\u011bnsk\u00e9ho p\u0159edstaven\u00ed mimo\u0159\u00e1dn\u00fd kus, na kter\u00fd nejsme v \u010cech\u00e1ch zvykl\u00ed a kter\u00fd podle mne snese, jako jeden z m\u00e1la, srovn\u00e1n\u00ed se zahrani\u010d\u00edm.<\/p>\n<p>Vid\u011bli jsme druh\u00e9 proveden\u00ed, tedy i druh\u00e9 (nikoli premi\u00e9rov\u00e9) obsazen\u00ed, p\u0159esto v\u0161ak v\u0161ichni jedou naplno a pod\u00e1vaj\u00ed skv\u011bl\u00e9 v\u00fdkony. V\u00fdborn\u00ed jsou Ji\u0159\u00ed Bruckler jako Gilgame\u0161 a Kate\u0159ina Kn\u011b\u017e\u00edkov\u00e1 jako Kurtiz\u00e1na\/Belinda. Takt\u00e9\u017e Veronika Hajnov\u00e1 Fialov\u00e1 v nelehk\u00e9m partu Dido obstoj\u00ed, p\u0159esto\u017ee nen\u00ed zvykl\u00e1 zp\u00edvat barokn\u00ed operu. A to m\u016f\u017eeme srovn\u00e1vat s ned\u00e1vn\u00fdm n\u00e1dhern\u00fdm koncertn\u00edm proveden\u00edm v pra\u017esk\u00e9m Rudolfinu. Av\u0161ak, co se nedost\u00e1v\u00e1 v mistrnosti a barv\u011b zp\u011bvu Marie-Claude Chappuis (Dido v Rudolfinu), je zde vyv\u00e1\u017eeno celkov\u00fdm pojet\u00edm.<\/p>\n<p>BRAVO, BRAVO, BRAVO!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00d3 jak radostn\u00e9 je ps\u00e1t o n\u011b\u010dem tak v\u00fdte\u010dn\u00e9m, jako je brn\u011bnsk\u00e1 opern\u00ed dvojinscenace Epos o Gilgame\u0161ovi \/ Dido a Aeneas. Brno pro mne op\u011bt potvrzuje, \u017ee je prvn\u00ed a nejprogresivn\u011bj\u0161\u00ed opern\u00ed sc\u00e9nou v na\u0161\u00ed kotlin\u011b, kter\u00e1 hluboko za sebou zanech\u00e1v\u00e1 celou zlatou Prahu. To, \u017ee re\u017eis\u00e9r a um\u011bleck\u00fd \u0161\u00e9f opery Ji\u0159\u00ed He\u0159man s\u00e1hnul po &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.cozynotes.cz\/index.php\/2016\/05\/16\/gilgames-a-dido-v-nd-brno\/\" class=\"more-link\">Pokra\u010dovat ve \u010dten\u00ed<span class=\"screen-reader-text\"> &#8222;Gilgame\u0161 a Dido v ND Brno&#8220;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/362"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=362"}],"version-history":[{"count":4,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/362\/revisions"}],"predecessor-version":[{"id":800,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/362\/revisions\/800"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}