{"id":4107,"date":"2023-12-07T17:09:08","date_gmt":"2023-12-07T16:09:08","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=4107"},"modified":"2024-04-09T13:28:12","modified_gmt":"2024-04-09T12:28:12","slug":"komensky-ve-vitrine","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2023\/12\/07\/komensky-ve-vitrine\/","title":{"rendered":"Komensk\u00fd ve vitr\u00edn\u011b"},"content":{"rendered":"\n

Za kulturou do nejkr\u00e1sn\u011bj\u0161\u00edho kraje<\/em>, kde maj\u00ed nejkr\u00e1sn\u011bj\u0161\u00ed n\u00e1m\u011bst\u00ed <\/em>(cituji jiho\u010desk\u00e9ho hejtmana) na sv\u011btovou premi\u00e9ru opery<\/em> (cituji \u0161\u00e9fa \u010deskobud\u011bjovick\u00e9 opery). Ano, \u010deskobud\u011bjovi\u010dt\u00ed maj\u00ed st\u00e1le pocit naprost\u00e9 v\u00fdlu\u010dnosti, to se nezm\u011bnilo. Tak\u00e9 se nezm\u011bnilo nejv\u00edc o\u0161unt\u011bl\u00e9 divadlo, kter\u00e9 zn\u00e1m, a kter\u00e9 ukazuje, jak mace\u0161sky se \u010cesk\u00e9 Bud\u011bjovice chovaj\u00ed ke sv\u00e9mu opern\u00edmu domu. Jo, holt evropsk\u00e9 m\u011bsto kultury. Zat\u00edmco v jin\u00fdch m\u011bstech b\u00fdv\u00e1 budova opery takov\u00fdm t\u00edm noblesn\u00edm kulturn\u00edm st\u00e1nkem, v Bud\u011bjc\u00edch se do kultur\u00e1ku, kde opera hraje, st\u00e1le chod\u00ed zadn\u00edm vchodem od \u0161koln\u00ed j\u00eddelny a \u010d\u00edsla na prastar\u00fdch sedadlech u\u017e nejdou p\u0159e\u010d\u00edst skoro ani s lupou a baterkou. <\/p>\n\n\n\n

Ale k v\u011bci. Spont\u00e1nn\u00ed odpoledn\u00ed rozhodnut\u00ed vedlo k n\u00e1v\u0161t\u011bv\u011b on\u00e9 sv\u011btov\u00e9 premi\u00e9ry opery, kterou si Jiho\u010desk\u00e9 divadlo zadalo u dua Jan Jir\u00e1sek<\/strong> (hudba) a Tom\u00e1\u0161 Jarkovsk\u00fd<\/strong> (libreto). Jan Jir\u00e1sek je oce\u0148ovan\u00fd autor filmov\u00e9 hudby (dvakr\u00e1t \u010cesk\u00fd lev), Tom\u00e1\u0161 Jarkovsk\u00fd \u0161\u00e9fuje kr\u00e1lovehradeck\u00e9mu divadlu DRAK.<\/p>\n\n\n\n

KOMENSK\u00dd.<\/p>\n\n\n\n

To je odpov\u011b\u010f o \u010dem, resp. o kom, nov\u00e1 opera je. Ov\u0161em, sv\u00fdm zp\u016fsobem to tak \u00fapln\u011b neplat\u00ed.<\/p>\n\n\n\n

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foto: Martina Root, zdroj: web Jiho\u010desk\u00e9ho divadla<\/figcaption><\/figure>\n\n\n\n\n\n\n\n
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\u201cZbrusu nov\u00e1 opera dr\u017eitele dvou \u010cesk\u00fdch lv\u016f Jana Jir\u00e1ska, zkomponovan\u00e1 na objedn\u00e1vku Jiho\u010desk\u00e9ho divadla, v\u00e1s filmovou rychlost\u00ed provede neklidnou Evropou 17. stolet\u00ed. A zde, na pozad\u00ed v\u00e1le\u010dn\u00fdch bou\u0159\u00ed a po\u017e\u00e1r\u016f, spat\u0159\u00edte jeden z nejhlub\u0161\u00edch lidsk\u00fdch p\u0159\u00edb\u011bh\u016f, jak\u00e9 na\u0161e d\u011bjiny znaj\u00ed.<\/p>\n\n\n\n

O tom, jak v labyrintu t\u0159icetilet\u00e9 v\u00e1lky, morov\u00fdch ran, n\u00e1bo\u017eensk\u00e9 netolerance, osobn\u00edch trag\u00e9di\u00ed a \u017eivota v emigraci naj\u00edt r\u00e1j srdce.\u201d<\/p>\nzdroj: web Jiho\u010desk\u00e9ho divadla<\/cite><\/blockquote>\n<\/div><\/div>\n\n\n\n

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Tolik informace o ope\u0159e na webu divadla. <\/p>\n\n\n\n

Pro\u010d se v Bud\u011bjc\u00edch rozhodli zrovna pro Komensk\u00e9ho, nev\u00edm. Bohu\u017eel tato informace nepronikla ani do programu opery, ani ji nezm\u00ednil v lektorsk\u00e9m \u00favodu k ope\u0159e \u0159editel jiho\u010desk\u00e9 opery a z\u00e1rove\u0148 re\u017eis\u00e9r nastudov\u00e1n\u00ed Tom\u00e1\u0161 Ond\u0159ej Pila\u0159<\/strong>. Je smutn\u00e9, jak m\u00e1lo se o motivac\u00edch dozv\u00edme z programu, p\u0159itom kde jinde, ne\u017e p\u0159i sv\u011btov\u00e9 premi\u00e9\u0159e by m\u011bla b\u00fdt programov\u00e1 bro\u017eura pln\u00e1 rozhovor\u016f s inscena\u010dn\u00edm t\u00fdmem. Spokojit se tedy mus\u00edme s t\u00edm, \u017ee Komensk\u00fd je zkr\u00e1tka velkou postavou na\u0161ich d\u011bjin, kter\u00e1 z\u00e1sadn\u00edm zp\u016fsobem ovlivnila i d\u011bjiny a sou\u010dasnost Evropy a auto\u0159i ji maj\u00ed n\u011bjak zvl\u00e1\u0161\u0165 r\u00e1di, nebo ji pova\u017euj\u00ed za opom\u00edjenou.<\/p>\n\n\n\n

U\u017e p\u0159i lektorsk\u00e9m \u00favodu m\u011b zarazilo, \u017ee to byla sp\u00ed\u0161 p\u0159edn\u00e1\u0161ka o \u017eivot\u011b a putov\u00e1n\u00ed Jana Amose Komensk\u00e9ho a hlavn\u011b o a\u017e punti\u010dk\u00e1\u0159sk\u00fdch detailech, kter\u00fdch si m\u00e1me v p\u0159edstaven\u00ed v\u0161imnout. Motiv b\u0159idlice Komensk\u00e9ho n\u00e1hrobku, panorama Nivnice, Komensk\u00e9ho rukopis na \u0161atech hlavn\u00edch protagonist\u016f, autentick\u00e1 kopie truhly ze 17. stolet\u00ed (takovou pr\u00fd mohl m\u00edt i s\u00e1m Jan Amos! Spojen\u00ed autentick\u00e1 kopie<\/em> jsem si nevymyslel, padlo to takto na lektorsk\u00e9m \u00favodu), z\u00e1znam zvuku zvon\u016f\u2026 p\u0159ehr\u0161le jist\u011b obdivuhodn\u00fdch detail\u016f a\u017e muzejn\u00ed sb\u011bratelsk\u00e9 povahy.\u00a0<\/p>\n\n\n\n

M\u00e9 obavy se b\u011bhem ve\u010dera potvrdily. Opera Komensk\u00fd je o\u017eivl\u00fdm muze\u00e1ln\u00edm kusem. Obrazy z Komensk\u00e9ho \u017eivota poskl\u00e1dan\u00e9 sice do vizu\u00e1ln\u011b atraktivn\u00edho a nejsp\u00ed\u0161 tedy i historicky velmi v\u011brn\u00e9ho leporela se st\u0159\u00eddaj\u00ed filmovou rychlost\u00ed (a\u017e sem pozv\u00e1nka na p\u0159edstaven\u00ed nelhala), ale jsou tot\u00e1ln\u011b ne\u017eivotn\u00e9, bez emoc\u00ed, bez s\u00edly vt\u00e1hnout \u010dlov\u011bka a vytvo\u0159it si k d\u011bn\u00ed n\u011bjak\u00fd vztah, p\u0159edat poselstv\u00ed. P\u0159esto\u017ee jsou v p\u0159edstaven\u00ed hned dva Komen\u0161t\u00ed – junior a senior, je opera sp\u00ed\u0161 o vn\u011bj\u0161\u00edch d\u011bj\u00edch velk\u00e9 historie, kter\u00fdmi Komensk\u00fd na prknech divadla tak n\u011bjak proplouv\u00e1, nebo je jimi mo\u017en\u00e1 zm\u00edt\u00e1n, ale ani v jedn\u00e9 Komensk\u00e9ho postav\u011b jakoby nebyl \u017eivot. Jsou to deklamace fr\u00e1z\u00ed, citace z Komensk\u00e9ho d\u011bl, ale Komensk\u00fd z masa a krve na jevi\u0161ti nen\u00ed. Ostatn\u011b nejsiln\u011bj\u0161\u00ed postavou cel\u00e9 opery je podle m\u00e9ho V\u0161udybud. <\/p>\n\n\n\n

Jir\u00e1skova hudba nezap\u0159e filmov\u00fd styl, ale na operu prost\u011b nesta\u010d\u00ed. Jsou to velk\u00e9 rozm\u00e1chl\u00e9 ilustrace v not\u00e1ch, kter\u00e9 ned\u00e1vaj\u00ed Komensk\u00e9mu \u017eivot a ani vlastn\u011b neposouvaj\u00ed d\u011bj. Ani nemohou. D\u011bj se v ope\u0159e Komensk\u00fd nekon\u00e1. Je to sled obraz\u016f, kter\u00fdm chyb\u00ed u\u017e jen letopo\u010det a uveden\u00ed m\u00edsta, kde se v\u00fdjev odehr\u00e1v\u00e1. Nepom\u00e1haj\u00ed tu ani ruchy, kter\u00e9 se do hudby a zp\u011bvu domixov\u00e1vaj\u00ed, zp\u011bv\u00e1ci zp\u00edvaj\u00ed na mikroporty. Pr\u00fd pro z\u00e1\u017eitek z nov\u00e9 opern\u00ed estetiky hodn\u00e9 21. stolet\u00ed. <\/p>\n\n\n\n

Je to Komensk\u00fd ve vizu\u00e1ln\u011b atraktivn\u00ed vitr\u00edn\u011b, ale st\u00e1le \u201cjen\u201d v muzeu, by\u0165 bychom mohli \u0159\u00edct v muzeu nov\u00e9 generace. Nic proti muzej\u00edm, ale opera je zkr\u00e1tka jin\u00fd \u017e\u00e1nr. \u010cert vem autentickou kopii truhly ze 17. stolet\u00ed, Naardenskou b\u0159idlici a zvony z Le\u0161na,  j\u00e1 chci avizovan\u00fd hlubok\u00fd lidsk\u00fd p\u0159\u00edb\u011bh, chci uk\u00e1zat r\u00e1j srdce.<\/p>\n\n\n\n

Bud\u011bjovick\u00e9 nastudov\u00e1n\u00ed je po str\u00e1nce vizu\u00e1ln\u00ed atraktivn\u00ed. Nezap\u0159e se tu Pila\u0159\u016fv styl a poetika. Sp\u00ed\u0161e ne\u017e jednotliv\u00fdm zp\u011bv\u00e1k\u016fm, d\u00e1v\u00e1 hudba prostor sboru, kter\u00fd je po celou dobu \u201czapu\u0161t\u011bn\u00fd ve sc\u00e9n\u011b\u201d jako ve \u0161koln\u00edch \u0161kamn\u00e1ch. Dva Komen\u0161t\u00ed jsou tu, nam\u00edsto hlavn\u00edch postav, jen koment\u00e1to\u0159i. Jan Amos Senior v p\u0159\u00edjemn\u00e9m hlasov\u00e9m pod\u00e1n\u00ed Jarom\u00edra Noska<\/strong> se dr\u017e\u00ed sp\u00ed\u0161e vzadu a ob\u010das d\u00e1v\u00e1 rady mlad\u00e9mu Komensk\u00e9mu. Toho na premi\u00e9\u0159e ztv\u00e1rnil Jakub Hlin\u011bnsk\u00fd<\/strong> a p\u0159izn\u00e1v\u00e1m, \u017ee si nejsem jist\u00fd p\u0159esv\u011bd\u010divost\u00ed. Na \u017eiv\u00e9ho Komensk\u00e9ho, se kter\u00fdm budu pro\u017e\u00edvat jeho putov\u00e1n\u00ed, tv\u016fr\u010d\u00ed nad\u0161en\u00ed a tak\u00e9 \u017eivotn\u00ed str\u00e1zn\u011b prost\u011b nesta\u010d\u00ed zavlhl\u00fd pohled k nebi jako z barvotiskov\u00fdch obr\u00e1zk\u016f konce 19. stolet\u00ed. Probl\u00e9m ov\u0161em je, \u017ee tituln\u00edm postav\u00e1m d\u00edlo samo moc prostoru ned\u00e1v\u00e1, jsou tu pozn\u00e1mkami na okraji velk\u00fdch d\u011bjinn\u00fdch zvrat\u016f.<\/p>\n\n\n\n

Nejv\u00fdrazn\u011bji a nej\u017eiv\u011bji p\u016fsobil na premi\u00e9\u0159e V\u0161udybud Michala Marholda<\/strong> s jeho d\u011bsiv\u00fdm l\u00ed\u010den\u00edm, mo\u017en\u00e1 trochu stylizovan\u00fdm do postavy filmov\u00e9ho Jokera. P\u011bvecky sv\u00e9mu partu dost\u00e1l a do p\u0159edstaven\u00ed se sna\u017eil marn\u011b napumpovat trochu krve. Spolu s n\u00edm pronikla do opery i druh\u00e1 postava Komensk\u00e9ho Labyrintu sv\u011bta – M\u00e1men\u00ed. V premi\u00e9rov\u00e9m p\u0159edstaven\u00ed ji zp\u00edvala Zuzana Ko\u015b Kop\u0159ivov\u00e1<\/strong> a jakkoli se sna\u017e\u00edm neb\u00fdt p\u0159\u00edli\u0161 p\u0159\u00edkr\u00fd, jej\u00ed p\u011bveck\u00fd v\u00fdkon byl fyzicky bolestiv\u00fd. V dvojroli Purkmistra Le\u0161na a Ferdinanda II. se pak p\u0159edstavil p\u011bvecky slab\u0161\u00ed Peter Mal\u00fd<\/strong>. Jeho hlas bohu\u017eel v\u00fdrazov\u011b nesed\u011bl ani jedn\u00e9 roli a velk\u00e9 orchestr\u00e1ln\u00ed plochy ho pohlcovaly, zejm\u00e9na v druh\u00e9 polovin\u011b u\u017e prost\u011b nesta\u010dil s dechem.<\/p>\n\n\n\n

Shrnuto podtr\u017eeno, \u010deskobud\u011bjovick\u00fd Komensk\u00fd neuraz\u00ed ani nenadchne. Dopln\u011bn v\u00fdkladem souvislost\u00ed m\u016f\u017ee b\u00fdt u\u017eite\u010dn\u00fdm a atraktivn\u00edm pou\u010den\u00edm o \u017eivot\u011b a d\u00edle Jana Amose, k lidsk\u00e9mu p\u0159\u00edb\u011bhu a siln\u00e9 ope\u0159e m\u00e1 ale podobn\u011b daleko, jako n\u00e1v\u0161t\u011bva p\u0159\u00edrodov\u011bdn\u00e9 muzejn\u00ed expozice k v\u00fdletu a pobytu v lese. <\/p>\n\n\n\n

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Jan Jir\u00e1sek, Tom\u00e1\u0161 Jarkovsk\u00fd | Komensk\u00fd<\/strong><\/p>\n\n\n\n

premi\u00e9ra 6.12.2023, Jiho\u010desk\u00e9 divadlo<\/p>\n\n\n\n

hudebn\u00ed nastudov\u00e1n\u00ed, dirigent: <\/strong>Ji\u0159\u00ed \u0160trunc<\/p>\n\n\n\n

re\u017eie:<\/strong> Tom\u00e1\u0161 Ond\u0159ej Pila\u0159<\/p>\n\n\n\n

sc\u00e9nografie: <\/strong>Marek Kub\u00e1t a Tom\u00e1\u0161 Ond\u0159ej Pila\u0159<\/p>\n\n\n\n

<\/div>\n\n\n\n

Jan Amos st. <\/strong>| Jarom\u00edr Nosek<\/p>\n\n\n\n

Jan Amos ml. <\/strong>| Jakub Hlin\u011bnsk\u00fd<\/p>\n\n\n\n

V\u0161udybud<\/strong> | Michal Marhold<\/p>\n\n\n\n

M\u00e1men\u00ed <\/strong>| Zuzana Ko\u015b Kop\u0159ivov\u00e1<\/p>\n\n\n\n

Pukrmistr \/ Ferdinand II.<\/strong> | Peter Mal\u00fd<\/p>\n\n\n\n

Sbor opery JD, Balet JD a Orchestr opery JD<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Za kulturou do nejkr\u00e1sn\u011bj\u0161\u00edho kraje, kde maj\u00ed nejkr\u00e1sn\u011bj\u0161\u00ed n\u00e1m\u011bst\u00ed (cituji jiho\u010desk\u00e9ho hejtmana) na sv\u011btovou premi\u00e9ru opery (cituji \u0161\u00e9fa \u010deskobud\u011bjovick\u00e9 opery). Ano, \u010deskobud\u011bjovi\u010dt\u00ed maj\u00ed st\u00e1le pocit naprost\u00e9 v\u00fdlu\u010dnosti, to se nezm\u011bnilo. Tak\u00e9 se nezm\u011bnilo nejv\u00edc o\u0161unt\u011bl\u00e9 divadlo, kter\u00e9 zn\u00e1m, a kter\u00e9 ukazuje, jak mace\u0161sky se \u010cesk\u00e9 Bud\u011bjovice chovaj\u00ed ke sv\u00e9mu opern\u00edmu domu. Jo, holt evropsk\u00e9 m\u011bsto … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Komensk\u00fd ve vitr\u00edn\u011b“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4107"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4107"}],"version-history":[{"count":3,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4107\/revisions"}],"predecessor-version":[{"id":4208,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4107\/revisions\/4208"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}