{"id":4152,"date":"2024-02-20T12:13:49","date_gmt":"2024-02-20T11:13:49","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=4152"},"modified":"2024-02-20T17:55:05","modified_gmt":"2024-02-20T16:55:05","slug":"rusalka-aneb-lekce-z-biologie-uhore","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2024\/02\/20\/rusalka-aneb-lekce-z-biologie-uhore\/","title":{"rendered":"Rusalka aneb Z tajemn\u00e9 biologie \u00faho\u0159e"},"content":{"rendered":"\n

P\u0159ehnan\u011b realistick\u00e1, ale velmi promy\u0161len\u00e1 a dokonale funguj\u00edc\u00ed sc\u00e9na nov\u00e9ho berl\u00ednsk\u00e9ho nastudov\u00e1n\u00ed Rusalky v prvn\u00ed polovin\u011b ve\u010dera (z\u00e1m\u011brn\u011b nep\u00ed\u0161u o jedn\u00e1n\u00edch, proto\u017ee s t\u011bmi nakl\u00e1d\u00e1 re\u017eie voln\u011b) nenech\u00e1v\u00e1 p\u0159\u00edli\u0161 prostoru div\u00e1kov\u011b p\u0159edstavivosti. Ano, k dokonalosti v\u00fdjev\u016f tu ob\u010das op\u011bt chyb\u00ed, aby postavy odch\u00e1zely spr\u00e1vn\u00fdmi dve\u0159mi. Na tuhle re\u017eijn\u00ed ned\u016fslednost jsem h\u00e1kliv\u00fd, u dokonale detailu v\u011brn\u00fdch sc\u00e9n dvojn\u00e1sob. Nicm\u00e9n\u011b jinak je to filmov\u00fd v\u00fdjev bez chyb.<\/p>\n\n\n\n

Sledujeme n\u00e1jemn\u00ed d\u016fm kdesi v Berl\u00edn\u011b. Podle v\u00fdhledu z terasy ve st\u0159e\u0161n\u00edm apartm\u00e1nu by znalec t\u00e9to metropole jist\u011b ur\u010dil i p\u0159esnou \u010dtvr\u0165, kde se d\u011bj odehr\u00e1v\u00e1. Na nebi ob\u010das prolet\u00ed holub, plynule zde ub\u00fdv\u00e1 denn\u00edho sv\u011btla. Filmov\u00e1 re\u017eie a promy\u0161len\u011b vystav\u011bn\u00e1 sc\u00e9na umo\u017e\u0148uj\u00ed vypr\u00e1v\u011bt d\u011bj opery zcela plynule bez p\u0159eru\u0161en\u00ed pro n\u011bjak\u00e9 sc\u00e9nick\u00e9 p\u0159estavby. Snad i proto nen\u00ed dodr\u017eeno \u010dlen\u011bn\u00ed na d\u011bjstv\u00ed tak, jak je Kvapil s Dvo\u0159\u00e1kem pl\u00e1novali. P\u0159edstaven\u00ed by se klidn\u011b mohlo odehr\u00e1t i bez p\u0159est\u00e1vky, kdyby\u2026 <\/p>\n\n\n\n

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Rusalka, Staatsoper unter den Linden | foto: Gianmarco Bresadola, zdroj: Staatsoper unter den Linden<\/em><\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Rusalka – horor<\/h2>\n\n\n\n

Kdyby nebylo pot\u0159eba prov\u00e9st n\u011bco, co re\u017eis\u00e9rovi na Rusalce pr\u00fd vad\u00ed. A to, fyzickou prom\u011bnu. Skute\u010dnost, \u017ee zapuzen\u00e1 Rusalka m\u00e1 svou dal\u0161\u00ed existenci tr\u00e1vit jako bludi\u010dka a p\u0159esto pr\u00fd je na sc\u00e9n\u011b fyzicky neprom\u011bn\u011bn\u00e1, dr\u00e1\u017edilo re\u017eis\u00e9ra natolik, \u017ee z n\u00ed ud\u011blal ob\u0159\u00ed larvu. Ta opou\u0161t\u00ed vodn\u00edk\u016fv zanedban\u00fd p\u0159\u00edzemn\u00ed byt a n\u00e1sledn\u011b se p\u0159esouv\u00e1 do sklepa, kde za\u010d\u00edn\u00e1 hororov\u00e1 \u010d\u00e1st d\u011bje posledn\u00edho aktu.<\/p>\n\n\n\n

Ve sklep\u011b u\u017e nic nen\u00ed jako na po\u010d\u00e1tku. P\u016fvodn\u00ed, t\u00e9m\u011b\u0159 filmov\u011b dokument\u00e1rn\u00ed, sonda do \u017eivota jednoho berl\u00ednsk\u00e9ho \u010din\u017e\u00e1ku se m\u011bn\u00ed v horor. Za mne i horor p\u00e1chan\u00fd na d\u00edle Dvo\u0159\u00e1kov\u011b a Kvapilov\u011b. V moment\u011b, kdy Rusalka jako ob\u0159\u00ed \u010dern\u00e1 larva opou\u0161t\u00ed vodn\u00edk\u016fv byt, kam vtrhne hajn\u00fd s kucht\u00edkem (zde snad princovi kolegov\u00e9 z byznysu nebo p\u0159\u00edbuzn\u00ed. Vystupuj\u00ed zde toti\u017e i statist\u00e9 v roli princov\u00fdch rodi\u010d\u016f a dokonce jeho sestra), hledaj\u00edc\u00ed je\u017eibabu (ta na n\u011b n\u00e1sledn\u011b vysko\u010d\u00ed z vany),  a z klimatizace za\u010dnou padat dal\u0161\u00ed a dal\u0161\u00ed \u00faho\u0159i, opustil jsem v roz\u010dilen\u00ed hledi\u0161t\u011b. V\u00edce bych nesnesl, nejsa milovn\u00edk hororu. Sklepn\u00ed sc\u00e9ny, kter\u00e9 se n\u00e1sledn\u011b odehr\u00e1vaj\u00ed, zn\u00e1m tedy ji\u017e pouze z vypr\u00e1v\u011bn\u00ed a fotodokumentace. <\/p>\n\n\n\n

Sklep je pr\u00fd s\u00eddlem nev\u011bdom\u00ed, \u0159\u00edk\u00e1 v rozhovoru re\u017eis\u00e9r. Vyjdou zde najevo v\u011bci skryt\u00e9. Proto u\u017e asi ani lesn\u00ed \u017e\u00ednky, zde rusal\u010diny sestry a vodn\u00edkovy dcery, nejsou \u201ct\u00edm, \u010d\u00edm byly prve\u201d<\/em>, ale v\u0161e se rozplizne do deformovan\u00e9 slizsk\u00e9 pod\u00edvan\u00e9. <\/p>\n\n\n\n

Jist\u011b, ona ani smrt v mo\u010d\u00e1lu v p\u016fvodn\u00edm libretu nen\u00ed nic kr\u00e1sn\u00e9ho, le\u010d to poselstv\u00ed je, \u0159ekl bych, dost jin\u00e9.<\/p>\n\n\n\n

Symbolika nebo re\u017eis\u00e9rsk\u00e9 ego?<\/h2>\n\n\n\n

Za mne je nepochopiteln\u00e9, jak re\u017eie nejprve naprosto opust\u00ed symbolickou rovinu (nechci ps\u00e1t poh\u00e1dkovou, proto\u017ee to u mnoha \u010desk\u00fdch div\u00e1k\u016f vzbuzuje tro\u0161kovsk\u00e9 poh\u00e1dkov\u00e9 asociace, kter\u00e9 jsou mi stejn\u011b protivn\u00e9, jako Rusalka-larva), aby se na z\u00e1v\u011br k n\u011b\u010demu, snad soudob\u011b symbolick\u00e9mu vr\u00e1tila, kdy\u017e nev\u00ed (nebo v\u00ed, a j\u00e1 tomu prost\u011b nerozum\u00edm), jak z t\u00e9 cel\u00e9 aktualizace ven. <\/p>\n\n\n\n

Z\u00e1rove\u0148 prvn\u00ed, z\u00e1sadn\u00ed prom\u011bna, z vodn\u00ed v\u00edly na \u010dlov\u011bka byla v re\u017eijn\u00edm pojet\u00ed Korn\u00e9la Mundrucz\u00f3<\/strong> jak\u00e1si nedota\u017een\u00e1 – zkr\u00e1cen\u00ed vlas\u016f, trochu jin\u00e9 \u0161aty. I kdy\u017e vlastn\u011b i ty \u0161aty Rusalce nejsp\u00ed\u0161 pat\u0159ily u\u017e p\u0159edt\u00edm, Je\u017eibaba \u017e\u00e1dn\u00e9 nov\u00e9 nep\u0159inesla, ani si \u017e\u00e1dn\u00e9 (\u201cpr\u016fsvitn\u00fd vodn\u00ed \u0161at<\/em>\u201d) neodnesla. Rusalka-v\u00edla (ta v\u00edla by m\u011bla b\u00fdt s otazn\u00edkem) a Rusalka-\u010dlov\u011bk je krom \u00fa\u010desu a za\u010dern\u011bn\u00fdch\/zalepen\u00fdch \u00fast to jedin\u00e9, co se zm\u011bnilo. V kontextu berl\u00ednsk\u00e9ho \u010din\u017e\u00e1ku je to sakra m\u00e1lo. Nic, co by v ulic\u00edch t\u00e9hle metropole mohlo vzbudit n\u011bjakou zvl\u00e1\u0161tn\u00ed pozornost. Symbolem prom\u011bny je tu sp\u00ed\u0161e p\u0159\u00edtomnost on\u011bch \u00faho\u0159\u016f. Z biologick\u00e9ho pohledu jist\u011b zaj\u00edmav\u00fd symbol, le\u010d sc\u00e9nicky to v prvn\u00ed chv\u00edli vypad\u00e1, \u017ee Je\u017eibaba tah\u00e1 ze z\u00e1chodov\u00e9 m\u00edsy star\u00e9 pono\u017eky nebo snad n\u011bjak\u00e9 dildo. V pom\u011brn\u011b alternativn\u00ed a zanedban\u00e9 vodn\u00edkov\u011b dom\u00e1cnosti, kde t\u0159i dcery (lesn\u00ed \u017e\u00ednky) jedou z p\u00e1rty na p\u00e1rty a s\u00e1m vodn\u00edk m\u00e1 daleko do spo\u0159\u00e1dan\u00e9ho otce, by to, narozd\u00edl od macat\u00e9ho \u00faho\u0159e, nebylo \u017e\u00e1dn\u00fdm p\u0159ekvapen\u00edm.<\/p>\n\n\n\n

Probl\u00e9m toho p\u0159edstaven\u00ed rozhodn\u011b nen\u00ed naprosto sou\u010dasn\u00e1 sc\u00e9na s berl\u00ednsk\u00fdm \u010din\u017e\u00e1kem. V \u017e\u00e1dn\u00e9m p\u0159\u00edpad\u011b neplat\u00ed, \u017ee klasick\u00e1 a star\u00e1 nastudov\u00e1n\u00ed oper jsou v\u017edy dobr\u00e1 a nov\u00e1, do sou\u010dasnosti posunut\u00e1, v\u017edy \u0161patn\u00e1, a naopak. V\u017edy\u0165, kdo by cht\u011bl (krom mnoha zarputil\u00fdch konzervativc\u016f) st\u00e1le dokola vid\u011bt zelen\u00e9ho vodn\u00edka s pentlemi a do omrzen\u00ed opakovat, jak ten p\u00e1n\u011b Haken\u016fv byl nejlep\u0161\u00ed. Nebo, vyp\u016fj\u010d\u00edm si jin\u00e9 obl\u00edben\u00e9 d\u00edlo, kde re\u017eis\u00e9\u0159i\/re\u017eis\u00e9rky v \u010cech\u00e1ch kon\u010d\u00ed na pran\u00fd\u0159i: Prodanku s toporn\u00fdmi sbory s hrablemi a v kroj\u00edch. <\/p>\n\n\n\n

Probl\u00e9m je, kdy\u017e re\u017eis\u00e9r p\u0159\u00edli\u0161 tla\u010d\u00ed na pilu sv\u00e9ho ega. Kdy\u017e \u010dtu v rozhovoru, \u017ee se mu n\u011bco nel\u00edb\u00ed v p\u0159edloze a proto\u2026 rozsv\u00edt\u00ed se mi varovn\u00fd maj\u00e1\u010dek. D\u011bje se i v na\u0161\u00ed, konzervativn\u00edm pojet\u00edm (zvl\u00e1\u0161t\u011b \u010desk\u00fdch oper) pros\u00e1kl\u00e9 kotlin\u011b. Sta\u010d\u00ed odk\u00e1zat na pom\u011brn\u011b \u010derstv\u00e9ho olomouck\u00e9ho Modrovouse, kde se re\u017eis\u00e9rce nel\u00edbil z\u00e1v\u011br opery a tak si ho prost\u011b na s\u00edlu zm\u011bnila. Pro\u010d? Proto\u017ee chci!<\/p>\n\n\n\n

Co ale na berl\u00ednsk\u00e9m nastudov\u00e1n\u00ed stoj\u00ed za to? <\/h2>\n\n\n\n

Hereck\u00e9 v\u00fdkony. Jak jsem ji\u017e \u0159\u00edkal, nastudov\u00e1n\u00ed je a\u017e dokument\u00e1rn\u011b filmov\u011b p\u0159esn\u00e9 (ostatn\u011b re\u017eis\u00e9r Korn\u00e9l Mundrucz\u00f3 m\u00e1 k filmu snad bl\u00ed\u017e ne\u017e k jin\u00e9mu \u017e\u00e1nru) a to klade na hereck\u00e9 dovednosti \u00fa\u010dinkuj\u00edc\u00edch obzvl\u00e1\u0161tn\u00ed n\u00e1roky.<\/p>\n\n\n\n

Christiane Karg<\/strong> v roli Rusalky v\u0161ak bez probl\u00e9m\u016f napl\u0148uje tyto po\u017eadavky m\u011brou vrchovatou. A to j\u00ed re\u017eie nakl\u00e1d\u00e1 \u0159\u00e1dnou porci \u010dinohry i tance nav\u00edc. Zru\u0161en\u00fd svatebn\u00ed balet (milovan\u00e9 \u201cKv\u011btiny b\u00edl\u00e9 po cest\u011b<\/em>\u201d) mus\u00ed odehr\u00e1t Rusalka na terase princova st\u0159e\u0161n\u00edho apartm\u00e1nu sama. A pravda, poko\u0159\u00ed v tom hrav\u011b mnoh\u00e9 nudn\u00e9 upacht\u011bn\u00e9 opern\u00ed balety, kter\u00fdch jsem vid\u011bl nepo\u010d\u00edtan\u011b. Hlasov\u00fd projev Christiane Karg je civiln\u011bj\u0161\u00ed, do nastudov\u00e1n\u00ed se ale hod\u00ed perfektn\u011b, p\u0159\u00edli\u0161 lyrick\u00e1 a n\u011b\u017en\u00e1 Rusalka by tu neobst\u00e1la. <\/p>\n\n\n\n

Takt\u00e9\u017e je\u017eibaba i vodn\u00edk jsou skv\u011bl\u00ed. Anna Kissjudit <\/strong>sice nem\u00e1 \u00fapln\u011b uchvacuj\u00edc\u00ed hlas a srozumitelnost jej\u00ed \u010de\u0161tiny v\u00e1zne, le\u010d jej\u00ed je\u017eibaba (sousedka od vedle) je herecky p\u0159esv\u011bd\u010div\u00e1 a v\u00fdte\u010dn\u00e1. To Mika Kares<\/strong> jako vodn\u00edk je hlasov\u011b bo\u017esk\u00fd. M\u00e1 n\u00e1dhern\u00fd bas, kter\u00fd jsem si zamiloval od prvn\u00edch t\u00f3n\u016f, a v\u00fdbornou v\u00fdslovnost. Zkr\u00e1tka vodn\u00edk vynikaj\u00edc\u00ed po v\u0161ech str\u00e1nk\u00e1ch. <\/p>\n\n\n\n

Do role prince re\u017eis\u00e9r obsadil \u010desk\u00e9ho tenoristu Pavla \u010cernocha<\/strong>. Ten je v zahrani\u010d\u00ed v\u00edc ne\u017e na dom\u00e1c\u00edch sc\u00e9n\u00e1ch a prince nezp\u00edv\u00e1 rozhodn\u011b poprv\u00e9. Tentokr\u00e1t m\u011b sice zpo\u010d\u00e1tku p\u011bvecky neuchv\u00e1til, ale v pr\u016fb\u011bhu ve\u010dera se rozezp\u00edval a pak u\u017e to byla radost. <\/p>\n\n\n\n

Ani dal\u0161\u00ed charaktery nebyly v\u016fbec \u0161patn\u00e9, snad jen ciz\u00ed kn\u011b\u017ena Anny Samuil <\/strong>ve vy\u0161\u0161\u00edch poloh\u00e1ch nezn\u011bla moc lib\u011b, ov\u0161em sed\u011blo to k roli zhrzen\u00e9 ex-man\u017eelky\/p\u0159\u00edtelkyn\u011b tak, jak ji berl\u00ednsk\u00e1 re\u017eie pojala. <\/p>\n\n\n\n

Orchestr Staatskapelle Berlin<\/strong> pod veden\u00edm Robina Ticciatiho<\/strong> m\u011bl jasn\u00fd a \u010dist\u00fd zvuk, i kdy\u017e tempo na m\u016fj vkus n\u011bkdy moc sp\u011bchalo. <\/p>\n\n\n\n

Jin\u00fd p\u0159\u00edb\u011bh<\/h2>\n\n\n\n

Jak to cel\u00e9 shrnout? V Berl\u00edn\u011b je to po mnoha v\u00fdborn\u00fdch p\u0159edstaven\u00edch teprve druh\u00e1 st\u0159elba vedle. Kdyby re\u017eis\u00e9r m\u00e9n\u011b tla\u010dil sv\u00e9 vid\u011bn\u00ed a nechal v\u00edce prostoru pro div\u00e1ka a hlavn\u011b pro autory d\u00edla, mohlo to b\u00fdt poveden\u00e9. V tomto p\u0159\u00edpad\u011b plat\u00ed, \u017ee m\u00e9n\u011b je n\u011bkdy v\u00edce. A ur\u010dit\u011b plat\u00ed, \u017ee div\u00e1ctvo v Berl\u00edn\u011b m\u016f\u017ee rozum\u011bt tomuto pojet\u00ed l\u00e9pe ne\u017e u n\u00e1s, by\u0165 jsem tedy m\u011bl n\u011bkdy pocit, \u017ee bez porozum\u011bn\u00ed tomu, co se zp\u00edv\u00e1, si div\u00e1k zvl\u00e1dne snadn\u011bji ospravedlnit mnoh\u00e9 re\u017eis\u00e9rsk\u00e9 z\u00e1seky a n\u011bkdy si asi ani nev\u0161imne, \u017ee sleduje \u00fapln\u011b jin\u00fd p\u0159\u00edb\u011bh. Titulky nutn\u011b nemus\u00edte \u010d\u00edst a ani s nimi – p\u0159eklad nen\u00ed poetick\u00fd – nem\u00e1te \u0161anci pro\u017e\u00edt pln\u011b kr\u00e1su Kvapilova libreta, kter\u00e9, na rozd\u00edl od t\u011bch Vrchlick\u00e9ho, st\u00e1le mnoho neztratilo na srozumitelnosti. <\/p>\n\n\n\n

Zkr\u00e1tka Korn\u00e9l Mundrucz\u00f3 podle m\u00e9ho vypr\u00e1v\u00ed jin\u00fd p\u0159\u00edb\u011bh ne\u017e vypr\u00e1v\u011bj\u00ed Kvapil s Dvo\u0159\u00e1kem. S berl\u00ednskou Rusalkou jsem nebyl schopen se identifikovat a pro\u017e\u00edt naplno ten siln\u00fd p\u0159\u00edb\u011bh.<\/p>\n\n\n\n

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Rusalka, Staatsoper unter den Linden | foto: Gianmarco Bresadola, zdroj: Staatsoper unter den Linden<\/em><\/figcaption><\/figure>\n\n\n\n
<\/div>\n\n\n\n

Anton\u00edn Dvo\u0159\u00e1k | Rusalka<\/strong><\/p>\n\n\n\n

Staatsoper unter den Linden, Berlin, 18.2.2024<\/p>\n\n\n\n

re\u017eie:<\/strong> Korn\u00e9l Mundrucz\u00f3<\/p>\n\n\n\n

sc\u00e9na a kost\u00fdmy:<\/strong> Monika Pormale<\/p>\n\n\n\n

<\/div>\n\n\n\n

Rusalka | Christiane Karg<\/p>\n\n\n\n

Princ | Pavel \u010cernoch<\/p>\n\n\n\n

Ciz\u00ed kn\u011b\u017ena | Anna Samuil<\/p>\n\n\n\n

Vodn\u00edk | Mika Kares<\/p>\n\n\n\n

Je\u017eibaba | Anna Kissjudit<\/p>\n\n\n\n

<\/div>\n\n\n\n

orchestr Staaskapelle Berlin \u0159\u00edd\u00ed Robin Ticciati <\/p>\n","protected":false},"excerpt":{"rendered":"

P\u0159ehnan\u011b realistick\u00e1, ale velmi promy\u0161len\u00e1 a dokonale funguj\u00edc\u00ed sc\u00e9na nov\u00e9ho berl\u00ednsk\u00e9ho nastudov\u00e1n\u00ed Rusalky v prvn\u00ed polovin\u011b ve\u010dera (z\u00e1m\u011brn\u011b nep\u00ed\u0161u o jedn\u00e1n\u00edch, proto\u017ee s t\u011bmi nakl\u00e1d\u00e1 re\u017eie voln\u011b) nenech\u00e1v\u00e1 p\u0159\u00edli\u0161 prostoru div\u00e1kov\u011b p\u0159edstavivosti. Ano, k dokonalosti v\u00fdjev\u016f tu ob\u010das op\u011bt chyb\u00ed, aby postavy odch\u00e1zely spr\u00e1vn\u00fdmi dve\u0159mi. Na tuhle re\u017eijn\u00ed ned\u016fslednost jsem h\u00e1kliv\u00fd, u dokonale detailu v\u011brn\u00fdch … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Rusalka aneb Z tajemn\u00e9 biologie \u00faho\u0159e“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4152"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4152"}],"version-history":[{"count":5,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4152\/revisions"}],"predecessor-version":[{"id":4159,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4152\/revisions\/4159"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}