{"id":4462,"date":"2024-11-17T21:24:31","date_gmt":"2024-11-17T20:24:31","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=4462"},"modified":"2024-11-19T19:08:47","modified_gmt":"2024-11-19T18:08:47","slug":"chybely-mi-tam-precliky","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2024\/11\/17\/chybely-mi-tam-precliky\/","title":{"rendered":"Chyb\u011bly mi tam precl\u00edky.\u00a0"},"content":{"rendered":"\n

Tak n\u011bjak bych mohl r\u00e1doby vtipn\u011b za\u010d\u00edt dojmologii na tu V\u011bc<\/em>. <\/p>\n\n\n\n

V\u011bc Makropulos<\/strong>. <\/p>\n\n\n\n

Tato skv\u011bl\u00e1 Jan\u00e1\u010dkova opera je ned\u00edlnou sou\u010d\u00e1st\u00ed nem\u00e9n\u011b skv\u011bl\u00e9ho Festivalu Jan\u00e1\u010dek<\/strong> snad ka\u017ed\u00e9 dva roky a poka\u017ed\u00e9 v jin\u00e9 produkci. Letos Brno dovezlo dva roky starou produkci z berl\u00ednsk\u00e9 St\u00e1tn\u00ed opery (Staatsoper Unter den Linden<\/strong>). <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

T\u011b\u0161il jsem se na tuto \u201emou operu z nejmilej\u0161\u00edch\u201d p\u0159evelice i proto, \u017ee jsem vid\u011bl pr\u00e1v\u011b p\u0159ed dv\u011bma roky (v \u00fanoru 2022) tuhle produkci p\u0159\u00edmo v Berl\u00edn\u011b a byl jsem uchv\u00e1cen. Tehdy jsem jen na facebooku vyk\u0159ikl: \u201eTO BYL JAN\u00c1\u010cEK! Sir Simon Rattle v Berl\u00edn\u011b potvrdil, \u017ee Jan\u00e1\u010dkovi rozum\u00ed. V\u011bc Makropulos Unter den Linden. Bravi tut<\/em>ti.\u201d <\/p>\n\n\n\n\n\n\n\n

Tak tuhle produkci d\u00e1vali v\u010dera (16.11.2024) na Festivalu Jan\u00e1\u010dek. Jen nedirigoval Sir Simon Rattle <\/strong>a taky byla jin\u00e1 p\u0159edstavitelka hlavn\u00ed role. M\u00edsto Marlis Petersen <\/strong>zp\u00edvala nesmrtelnou Elinu Dorothea R\u00f6schmann<\/strong>. No a chyb\u011bly precl\u00edky.<\/p>\n\n\n\n

Velkolep\u00e1 sc\u00e9na<\/h2>\n\n\n\n

Berl\u00ednsk\u00e9 nastudov\u00e1n\u00ed p\u0159iv\u00e1\u017e\u00ed zejm\u00e9na n\u00e1ro\u010dnou ob\u0159\u00ed realistickou sc\u00e9nu. \u00dast\u0159edn\u00ed motiv bez\u010das\u00e9 s\u00edn\u011b (m\u016f\u017ee b\u00fdt sarkof\u00e1gem nebo hiberna\u010dn\u00ed komorou) rozd\u011bluje jevi\u0161t\u011b na dv\u011b \u010d\u00e1sti.  Prav\u00e1 \u010d\u00e1st p\u0159edstavuje advok\u00e1tn\u00ed kancel\u00e1\u0159 plnou registratur (1. d\u011bjstv\u00ed) nebo hotelov\u00fd pokoj\/chodbu (3. d\u011bjstv\u00ed), levou \u010d\u00e1st pak divadeln\u00ed chodbu kdesi v technick\u00e9 \u010d\u00e1sti divadla (2.d\u011bjstv\u00ed). Cel\u00e1 ob\u0159\u00ed sc\u00e9na je schopn\u00e1 posun\u016f do stran, \u010d\u00edm odhal\u00ed pr\u00e1v\u011b tu \u010d\u00e1st, kter\u00e1 je pro d\u011bj t\u0159eba. Z\u00e1rove\u0148 tak\u00e9 bud\u00ed v div\u00e1c\u00edch ot\u00e1zky, zda-li v onen moment netr\u010d\u00ed \u010d\u00e1st sc\u00e9ny n\u011bkde na boku z budovy Jan\u00e1\u010dkovy opery ven. Do Rooseveltovy ulice k soudu advok\u00e1tn\u00ed kancel\u00e1\u0159, do Koli\u0161t\u011b pak divadeln\u00ed \u0161atny. Fungov\u00e1n\u00ed sc\u00e9ny umo\u017e\u0148uje, krom ji\u017e zm\u00edn\u011bn\u00e9ho, odehr\u00e1t celou operu v celku, proto\u017ee p\u0159estavby sc\u00e9ny nejsou v podstat\u011b t\u0159eba. Sc\u00e9nick\u00e9 obrazy prostupuje jen Elina Makropulos a mezi d\u011bjstv\u00edmi se s n\u00ed m\u016f\u017eete v bez\u010das\u00ed jej\u00ed hiberna\u010dn\u00ed komory vyd\u00fdchat.<\/p>\n\n\n\n

Ve V\u011bci nen\u00ed balet, p\u0159esto v Berl\u00edn\u011b nam\u00edchali do opery pantomimick\u00e9\/tane\u010dn\u00ed kusy v podob\u011b advok\u00e1tn\u00edch koncipient\u016f, hostesek a hotelov\u00e9ho person\u00e1lu. A t\u00edm vnesli do tohoto z\u00e1va\u017en\u00e9ho kusu i prvky komiky a jak\u00e9hosi sv\u011btsk\u00e9ho frmolu a bl\u00e1znovstv\u00ed marnosti nebo naopak formalizovan\u00e9 \u00fa\u0159ednick\u00e9 byrokracie v advok\u00e1tn\u00ed kancel\u00e1\u0159i. Nemuselo to b\u00fdt, ale mysl\u00edm, \u017ee to ne\u0161kodilo. Div\u00e1k se mohl pousm\u00e1t, nebo to prost\u011b ignorovat. D\u011blal jsem oboj\u00ed.<\/p>\n\n\n\n

Z\u00e1rove\u0148 p\u0159edstaven\u00edm u\u017e od po\u010d\u00e1tku proch\u00e1z\u00ed postava mlad\u00e9 d\u00edvky v historick\u00e9m kost\u00fdmu, pozd\u011bji sta\u0159enky o berli a tak\u00e9 podivn\u00e9 zneklid\u0148uj\u00edc\u00ed n\u00e1lezy vl\u00e1kna\/niti z klub\u00ed\u010dka \u017eivota. Ty dv\u011b dal\u0161\u00ed \u017eeny vid\u00ed jen Elina\/Elian a div\u00e1ci. To aby jim na 100 % do\u0161lo, \u017ee to cel\u00e9 nen\u00ed jen tak a \u017ee to bude cel\u00e9 n\u011bjak\u00e9 zamotan\u00e9.<\/p>\n\n\n\n

Funguje to skv\u011ble a po p\u0159edstaven\u00ed m\u016f\u017eu, stejn\u011b jako p\u0159ed dv\u011bma lety v Berl\u00edn\u011b, i v Brn\u011b volat: \u201eTo byl Jan\u00e1\u010dek!<\/em>\u201d <\/p>\n\n\n\n

\u201eLidi \u0159vali, j\u00e1 myslel, \u017ee to v\u0161ecko zbo\u0159ej. A vid\u011bli ty kytice?\u201d<\/h2>\n\n\n\n

\u201eLidi \u0159vali, j\u00e1 myslel, \u017ee to v\u0161ecko zbo\u0159ej. A vid\u011bli ty kytice?<\/em>\u201d mohl bych si ukr\u00e1st citaci z libreta. \u0158vali i tleskali zaslou\u017een\u011b. Kytice v ko\u0161i pros\u00edm ned\u00e1vat! Nicm\u00e9n\u011b k bravi tutti tam bylo p\u00e1r vad na kr\u00e1se. A ne, nebyly to ty chyb\u011bj\u00edc\u00ed (berl\u00ednsk\u00e9 louhovan\u00e9) precl\u00edky v p\u0159\u00edjemn\u00e9m brn\u011bnsk\u00e9m divadeln\u00edm bistru.<\/p>\n\n\n\n

Prvn\u00ed v\u00fdtka sm\u011b\u0159uje k p\u0159edstavitelce hlavn\u00ed role. Dorothea R\u00f6schmann je jist\u011b velk\u00e1 zp\u011bva\u010dka, kter\u00e1 sice nem\u00e1 knedl\u00edk, ani nep\u00edsk\u00e1 (zase kradu obraty z libreta), ale zato tot\u00e1ln\u011b vyho\u0159ela na \u010de\u0161tin\u011b a pak taky v\u016fbec nep\u016fsob\u00ed jako femme fatale, kter\u00e9 osudov\u011b a neodvratn\u011b podl\u00e9haj\u00ed mu\u017ei i chlapci. Ano, v\u00edm, \u010de\u0161tina je t\u011b\u017ek\u00e1; a tak\u00e9 div\u00e1ck\u00e1 p\u0159edstava o t\u00e9 \u010di on\u00e9 divadeln\u00ed postav\u011b a tom, jak ji p\u011bvkyn\u011b, \u010di p\u011bvec napl\u0148uj\u00ed, je v\u011bc ryze subjektivn\u00ed. To druh\u00e9 beru, tu \u010de\u0161tinu \u00fapln\u011b ne. \u010ce\u0161tina Dorothey R\u00f6schmann byla naprosto nesrozumiteln\u00e1, m\u00edsty sp\u00ed\u0161e zvuk \u010de\u0161tiny napodobovala, ani\u017e by se sna\u017eila o v\u00fdslovnost. Byla to velk\u00e1 \u0161koda. Jin\u00e9 zahrani\u010dn\u00ed zp\u011bva\u010dky ukazuj\u00ed, \u017ee to \u010desky jde mnohem l\u00e9pe a lep\u0161\u00ed \u010de\u0161tinu nab\u00edzelo i berl\u00ednsk\u00e9 obsazen\u00ed. Nicm\u00e9n\u011b i v Brn\u011b mi v z\u00e1v\u011bre\u010dn\u00e9m d\u011bjstv\u00ed na d\u0159e\u0148 obna\u017een\u00e1 Elina vehnala slzy do o\u010d\u00ed. \u201eVe mn\u011b se \u017eivot zastavil, Je\u017e\u00ed\u0161i Kriste, a nem\u016f\u017ee d\u00e1l!<\/em>\u201d<\/p>\n\n\n\n

Druh\u00e1 v\u00fdtka sm\u011b\u0159uje k produk\u010dn\u00edmu t\u00fdmu festivalu, kter\u00fd bohu\u017eel nebyl schopen k produkci p\u0159ipravit d\u016fstojn\u00fd a obs\u00e1hl\u00fd program, a spokojil se pouze s tzv. festivalov\u00fdm. Co\u017e je takov\u00e9 obs\u00e1hlej\u0161\u00ed obsazen\u00ed. \u0160koda, dal se aspo\u0148 t\u0159eba p\u0159elo\u017eit program z Berl\u00edna, doplnit to fotografiemi. Jan\u00e1\u010dci maj\u00ed v\u017edy obs\u00e1hl\u00e9 programy, nechyb\u00ed libreto – pro\u010d tady serv\u00edrovali jen se\u0161itek se jm\u00e9ny a CV um\u011blc\u016f, navzdory mimo\u0159\u00e1dn\u00e9 zahrani\u010dn\u00ed inscenaci?<\/p>\n\n\n\n

Skv\u011bl\u00fd Adam Plachetka<\/h2>\n\n\n\n

Nem\u00e1 se ale kon\u010dit v\u00fdtkami, tak\u017ee\u2026 <\/p>\n\n\n\n

Po\u0159\u00e1d plat\u00ed, \u017ee tohle nastudov\u00e1n\u00ed je skv\u011bl\u00e9. A to brn\u011bnsk\u00e9 m\u011blo bonusy v podob\u011b v\u00fdborn\u00fdch mu\u017esk\u00fdch part\u016f Ale\u0161e Brisceina<\/strong> (Albert Gregor) a zejm\u00e9na pak Adama Plachetky<\/strong> v roli Jaroslava Pruse. Byl \u00fachvatn\u00fd. Za mne skute\u010dn\u00e1 hv\u011bzda brn\u011bnsk\u00e9ho nastudov\u00e1n\u00ed.\u00a0<\/p>\n\n\n\n

<\/div>\n\n\n\n

D\u00edky za to, \u017ee jsem mohl tenhle kus vid\u011bt znovu a b\u00e1je\u010dn\u011b si ho u\u017e\u00edt. <\/p>\n\n\n\n

Precl\u00edk jsem si koupil v ned\u011bli.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Leo\u0161 Jan\u00e1\u010dek | V\u011bc Makropulos<\/strong><\/p>\n\n\n\n

Staatsoper Unter den Linden, Berl\u00edn <\/p>\n\n\n\n

proveden\u00ed 16.11.2024 Brno, Jan\u00e1\u010dkovo divadlo, Festival Jan\u00e1\u010dek<\/p>\n\n\n\n

Re\u017eie:<\/strong> Claus Guth
Dirigent:<\/strong> Robert Jindra
Sc\u00e9na: <\/strong>\u00c9tienne Pluss
Kost\u00fdmy: <\/strong>Ursula Kudrna
Sv\u011btla: <\/strong>Sebastian Alphons
Choreografie: <\/strong>Sommer Ulrickson
Dramaturgie: <\/strong>Yvonne Gebauer, Benjamin W\u00e4ntig<\/p>\n\n\n\n

Emilia Marty \u2013 Dorothea R\u00f6schmann<\/strong>
Albert Gregor \u2013 Ale\u0161 Briscein<\/strong>
V\u00edtek  \u2013 Stephan R\u00fcgamer<\/strong>
Kristina \u2013 Natalia Skrycka<\/strong>
Janek Prus \u2013 Linard Vrielink<\/strong>
Jaroslav Prus \u2013 Adam Plachetka<\/strong>
Dr. Kolenat\u00fd \u2013 Jan Martinik<\/strong>
Strojn\u00edk \u2013 Dionysios Avgerinos<\/strong>
Pokl\u00edze\u010dka \u2013 Adriane Queiroz<\/strong>
Hauk-\u0160endorf \u2013 Jan Je\u017eek<\/strong>
Komorn\u00e1 \u2013 Sandra Laagus<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Tak n\u011bjak bych mohl r\u00e1doby vtipn\u011b za\u010d\u00edt dojmologii na tu V\u011bc. V\u011bc Makropulos.  Tato skv\u011bl\u00e1 Jan\u00e1\u010dkova opera je ned\u00edlnou sou\u010d\u00e1st\u00ed nem\u00e9n\u011b skv\u011bl\u00e9ho Festivalu Jan\u00e1\u010dek snad ka\u017ed\u00e9 dva roky a poka\u017ed\u00e9 v jin\u00e9 produkci. Letos Brno dovezlo dva roky starou produkci z berl\u00ednsk\u00e9 St\u00e1tn\u00ed opery (Staatsoper Unter den Linden).  T\u011b\u0161il jsem se na tuto \u201emou operu … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Chyb\u011bly mi tam precl\u00edky.\u00a0„<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4462"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4462"}],"version-history":[{"count":4,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4462\/revisions"}],"predecessor-version":[{"id":4471,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4462\/revisions\/4471"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}