{"id":4587,"date":"2025-06-08T10:15:37","date_gmt":"2025-06-08T09:15:37","guid":{"rendered":"https:\/\/www.cozynotes.cz\/?p=4587"},"modified":"2025-06-08T10:20:17","modified_gmt":"2025-06-08T09:20:17","slug":"peer-gynt-narodni-divadlo-moravskoslezske-ostrava","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2025\/06\/08\/peer-gynt-narodni-divadlo-moravskoslezske-ostrava\/","title":{"rendered":"Peer Gynt | N\u00e1rodn\u00ed divadlo moravskoslezsk\u00e9, Ostrava"},"content":{"rendered":"\n

Ostravsk\u00e9 baletn\u00ed nastudov\u00e1n\u00ed Peer Gynta je n\u00e1dhern\u00e9 a\u017e k slz\u00e1m.<\/p>\n\n\n\n

Neuchopiteln\u00fd a kr\u00e1sn\u00fd Peer Gynt. Drama Henrika Ibsena, kde nezapomenuteln\u00e1 a skv\u011bl\u00e1 hudebn\u00ed slo\u017eka Edvarda Hagerupa Griega hraje natolik v\u00fdznamnou roli, \u017ee mnohdy \u017eije vlastn\u00edm \u017eivotem a je neust\u00e1lou inspirac\u00ed.<\/p>\n\n\n\n

V Ostrav\u011b se t\u00e9to l\u00e1tky ujmul belgick\u00fd choreograf Jeroen Verbruggen<\/strong> a se sv\u00fdm inscena\u010dn\u00edm t\u00fdmem a ostravsk\u00fdm baletem vytvo\u0159il nesm\u00edrn\u011b p\u016fsobivou inscenaci. Hudebn\u00edho nastudov\u00e1n\u00ed se ujal nizozemsk\u00fd dirigent Sander Teepen<\/strong>. Vybr\u00e1ny byly \u010d\u00e1sti Griegovy hudby k dramatu Peer Gynt a tak\u00e9 n\u011bkter\u00e9 jeho dal\u0161\u00ed hudebn\u00ed kusy. Drama je zpracov\u00e1no voln\u011b na motivy p\u016fvodn\u00edho Peera, ale to podstatn\u00e9 z\u016fst\u00e1v\u00e1. P\u0159\u00edb\u011bh o hled\u00e1n\u00ed vlastn\u00ed identity, p\u0159\u00edb\u011bh o siln\u00fdch a tich\u00fdch \u017een\u00e1ch, kter\u00e9 pe\u010duj\u00ed a trp\u011bliv\u011b \u010dekaj\u00ed.\u00a0<\/p>\n\n\n\n

\"\"<\/a>
Peer Gynt, foto: Serghei Gherciu, zdroj: N\u00e1rodn\u00ed divadlo moravskoslezsk\u00e9<\/figcaption><\/figure>\n\n\n\n\n\n\n\n

Hlavn\u00ed slo\u017ekou sc\u00e9nografie (sc\u00e9na: Wolfgang Menardi<\/strong>) jsou svatebn\u00ed \u0161aty (kost\u00fdmy: Natalia Kitamikado<\/strong>) a p\u016fsobiv\u00fd sv\u011bteln\u00fd design Daniela Tesa\u0159e<\/strong>. Na svatebn\u00ed \u0161aty dokonce divadlo vypsalo sb\u00edrku a se\u0161lo se jich opravdu hodn\u011b. A hodn\u011b jich bylo t\u0159eba, celou p\u0159\u00edzra\u010dnou horu z nich bylo t\u0159eba vystav\u011bt. Nedosa\u017eiteln\u00e1 meta, spole\u010densk\u00fd \u0159\u00e1d, odlo\u017een\u00e9 masky v procesu hled\u00e1n\u00ed sebe sama.<\/p>\n\n\n\n

T\u00fdmu se poda\u0159ilo navodit dokonale magickou atmosf\u00e9ru a vyt\u00e1hnout to podstatn\u00e9. Verbruggen kombinuje klasick\u00e9 baletn\u00ed prvky s modern\u00edm tancem v harmonick\u00fd a p\u016fsobiv\u00fd celek. Ostravsk\u00fd balet je vskutku v\u00fdborn\u00fd. Je to v\u00e1\u0161e\u0148, je to rozko\u0161, je to sou\u017een\u00ed, starost, p\u00e9\u010de. Je to trp\u011bliv\u00e1 l\u00e1ska i b\u011bsn\u011bn\u00ed troll\u00ed tlupy.<\/p>\n\n\n\n

Magi\u010dnost atmosf\u00e9ry z\u00e1m\u011brn\u011b naru\u0161uje automatick\u00e1 pra\u010dka, cizorod\u00fd, a p\u0159esto srozumiteln\u00fd prvek. Peerova matka Ase v\u011b\u0161\u00ed pr\u00e1dlo, pere, upoutan\u00e1 p\u00e9\u010d\u00ed o Peera, stejn\u011b tak Peerova osudov\u00e1 Solvejg, trp\u011bliv\u011b \u010dekaj\u00edc\u00ed. Dlouh\u00e9 vlasy, kter\u00e9 mohou symbolizovat s\u00edlu a nespoutanou v\u00e1\u0161e\u0148 jsou v p\u0159\u00edpad\u011b Solvejg spleteny do cop\u016f a p\u0159ipout\u00e1ny k pra\u010dce.\u00a0 Pra\u010dka a maj\u00e1k v podob\u011b industri\u00e1ln\u00ed lampy – sv\u011btlo ve vzd\u00e1len\u00e9m okn\u011b, sv\u011btlo nad\u011bje a trp\u011blivosti.<\/p>\n\n\n\n

Zd\u00e1 se v\u00e1m to divn\u00e9? Mn\u011b v\u016fbec, tohle podobenstv\u00ed m\u011b zasahuje hluboce. Rezonuje mi podobn\u011b jako podobenstv\u00ed o Marii a Mart\u011b. Te\u010f jsem ho sly\u0161el kr\u00e1sn\u011b zpracovan\u00e9 v rozhlasov\u00e9 h\u0159e Vy\u017ee\u0148te lvy! podle \u010capkov\u00fdch Apokryf\u016f. Z\u00e1rove\u0148 vzpom\u00edn\u00e1m na svoji m\u00e1mu, kter\u00e1 mi je\u0161t\u011b p\u0159ed p\u00e1r t\u00fddny nab\u00eddla, \u017ee mi vypere tri\u010dko, abych vyrazil na cestu dom\u016f vo\u0148av\u00fd a \u010dist\u00fd.\u00a0 Vzpom\u00edn\u00e1m, jak \u017eehlila v kuchyni na stole, chodila do su\u0161\u00e1rny, kde jsem si, podobn\u011b jako mlad\u00fd Peer hr\u00e1l mezi rozv\u011b\u0161en\u00fdmi prost\u011bradly a lo\u017en\u00edm pr\u00e1dlem a kde jsme m\u011bli navlas stejnou lampu, jako je na ostravsk\u00e9 sc\u00e9n\u011b, vzpom\u00edn\u00e1m na v\u016fni a kouzlo mandlu ve vedlej\u0161\u00edm vchod\u011b. Ano, samoz\u0159ejm\u00e9 pe\u010duj\u00edc\u00ed matky, samoz\u0159ejm\u00e9 pe\u010duj\u00edc\u00ed \u017eeny\u2026tich\u00e9 a trp\u011bliv\u00e9. Ano, i proto se mi u ostravsk\u00e9ho Peera derou slzy do o\u010d\u00ed a jsem uchv\u00e1cen, jak p\u0159esv\u011bd\u010div\u011b a kr\u00e1sn\u011b lze v\u011bci vyj\u00e1d\u0159it tancem.<\/p>\n\n\n\n

\"\"<\/a>
Peer Gynt, foto: Serghei Gherciu, zdroj: N\u00e1rodn\u00ed divadlo moravskoslezsk\u00e9<\/figcaption><\/figure>\n\n\n\n

Jak jsem \u0159\u00edkal, co by byl Peer bez hudby a tak\u00e9 bez Solvej\u017einy p\u00edsn\u011b. Ani v Ostrav\u011b nechyb\u00ed. V ope\u0159e v\u011bt\u0161inou (v \u010cesku obzvl\u00e1\u0161\u0165) pozn\u00e1te snadno zp\u011bv\u00e1ky od tane\u010dn\u00edk\u016f. U Solvejg v Ostrav\u011b to nen\u00ed tak snadn\u00e9. Solvej\u017eina du\u0161e v pod\u00e1n\u00ed Kadi J\u00fcrgens<\/strong> st\u00edr\u00e1 rozd\u00edly mezi zp\u011bva\u010dkou a tane\u010dnic\u00ed, je rovnocennou partnerkou v\u0161em tane\u010dn\u00edk\u016fm a tane\u010dnic\u00edm a je to kr\u00e1sa pro oko i ucho.<\/p>\n\n\n\n

Peer Gynt v N\u00e1rodn\u00edm divadle moravskoslezsk\u00e9m se tak pro mne \u0159ad\u00ed po bok zdej\u0161\u00ed M\u00e9dey. Co je M\u00e9dea v \u010dinoh\u0159e, je Peer v baletu. Nesm\u00edrn\u011b kr\u00e1sn\u00e1 a p\u016fsobiv\u00e1 inscenace, kter\u00e1 se zaryje hluboko a kterou chcete vid\u011bt znovu a znovu. <\/p>\n\n\n\n

Bravi tutti.<\/p>\n\n\n\n

<\/div>\n\n\n\n

E. H. Grieg | Peer Gynt <\/strong><\/p>\n\n\n\n

balet Jeroena Verbruggena voln\u011b inspirovan\u00fd stejnojmenn\u00fdm dramatem Henrika Ibsena<\/p>\n\n\n\n

proveden\u00ed: 6.6.2025<\/p>\n\n\n\n

choreografie: Jeroen Verbruggen<\/strong><\/p>\n\n\n\n

hudebn\u00ed nastudov\u00e1n\u00ed, orchestr NDM \u0159\u00edd\u00ed: Sander Teepen<\/strong><\/p>\n\n\n\n

sc\u00e9na: Wolfgang Menardi<\/strong><\/p>\n\n\n\n

kost\u00fdmy: Natalia Kitamikado<\/strong><\/p>\n\n\n\n

sv\u011bteln\u00fd design: Daniel Tesa\u0159<\/strong> a Jeroen Verbruggen<\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Peer v mnoha podob\u00e1ch: Edgar Mateo Navarro, Sachiya Takata, Simone Girolett, Barnaby James Packham, Nikolas Sotiriou, Gene David Goodman, Mark Griffiths<\/strong><\/p>\n\n\n\n

Ase: Natalia Adamska<\/strong><\/p>\n\n\n\n

Solvejg: Shino Sakurado<\/strong><\/p>\n\n\n\n

Solvej\u017eina du\u0161e: Kadi J\u00fcrgens<\/strong><\/p>\n\n\n\n

Nev\u011bsta: Gvendolin Nagy<\/strong><\/p>\n\n\n\n

\u017denich: Hugo Fraresso<\/strong><\/p>\n\n\n\n

Stv\u016fra: Hannah Lukey<\/strong><\/p>\n\n\n\n

Kr\u00e1l troll\u016f: James MacDonell<\/strong><\/p>\n\n\n\n

Anitra: Rita Pires<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Ostravsk\u00e9 baletn\u00ed nastudov\u00e1n\u00ed Peer Gynta je n\u00e1dhern\u00e9 a\u017e k slz\u00e1m. Neuchopiteln\u00fd a kr\u00e1sn\u00fd Peer Gynt. Drama Henrika Ibsena, kde nezapomenuteln\u00e1 a skv\u011bl\u00e1 hudebn\u00ed slo\u017eka Edvarda Hagerupa Griega hraje natolik v\u00fdznamnou roli, \u017ee mnohdy \u017eije vlastn\u00edm \u017eivotem a je neust\u00e1lou inspirac\u00ed. V Ostrav\u011b se t\u00e9to l\u00e1tky ujmul belgick\u00fd choreograf Jeroen Verbruggen a se sv\u00fdm inscena\u010dn\u00edm t\u00fdmem … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Peer Gynt | N\u00e1rodn\u00ed divadlo moravskoslezsk\u00e9, Ostrava“<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4587"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=4587"}],"version-history":[{"count":1,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4587\/revisions"}],"predecessor-version":[{"id":4590,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/4587\/revisions\/4590"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=4587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=4587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=4587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}