{"id":862,"date":"2017-12-17T23:51:41","date_gmt":"2017-12-17T22:51:41","guid":{"rendered":"http:\/\/www.cozynotes.cz\/?p=862"},"modified":"2017-12-17T23:55:59","modified_gmt":"2017-12-17T22:55:59","slug":"mrtve-mesto","status":"publish","type":"post","link":"https:\/\/www.cozynotes.cz\/index.php\/2017\/12\/17\/mrtve-mesto\/","title":{"rendered":"Mrtv\u00e9 m\u011bsto"},"content":{"rendered":"

V dne\u0161n\u00ed dojmologii budu ob\u010das pou\u017e\u00edvat metodu, kterou sice nem\u00e1m r\u00e1d, ale p\u0159ijde mi pro tento text vhodn\u00e1. Budou tu p\u0159\u00edm\u011bry, ale to proto, \u017ee Korngoldova opera Mrtv\u00e9 m\u011bsto (Die tote Stadt) vypr\u00e1v\u00ed tak n\u011bjak archetyp\u00e1ln\u00ed p\u0159\u00edb\u011bh, kter\u00fd lze naj\u00edt v r\u016fzn\u00fdch oper\u00e1ch a v r\u016fzn\u00fdch \u017eivotech, v tom je ta s\u00edla.<\/span><\/p>\n

Plakal jsem u\u017e v prvn\u00edm d\u011bjstv\u00ed u duetu Paula a Marietty. Star\u00e1 zapomenut\u00e1 p\u00edse\u0148 o v\u011b\u010dn\u00e9 l\u00e1sce. \u201cVezmi loutnu a zazp\u00edvej,\u201d vyzve Paul Mariettu. Loutna, n\u00e1stroj pro n\u011bj\u017e John Dowland napsal ty n\u00e1dhern\u00e9 p\u00edsn\u011b velk\u00fdch vyzn\u00e1n\u00ed l\u00e1sky i bolesti. N\u00e1stroj jej\u017e Michna ztoto\u017enil s bo\u017eskou l\u00e1skou a s lad\u011bn\u00edm du\u0161e. V tom momentu mi do\u0161la beznad\u011bjnost a osudovost cel\u00e9ho p\u0159\u00edb\u011bhu. <\/span><\/p>\n

Druh\u00e9 d\u011bjstv\u00ed je hororovou viz\u00ed, d\u011bsiv\u00fdm m\u00e1men\u00edm ne nepodobn\u00fdm blouzn\u011bn\u00ed Hindemithova Mathise, kdy\u017e maluje Poku\u0161en\u00ed sv. Anton\u00edna. T\u0159et\u00ed d\u011bjstv\u00ed je pak Modrovous\u016fv hrad, okam\u017eik proz\u0159en\u00ed, odhalen\u00ed d\u011bsiv\u00e9ho tajemstv\u00ed.<\/span><\/p>\n

A p\u0159itom je cel\u00fd p\u0159\u00edb\u011bh jen o vyrovn\u00e1v\u00e1n\u00ed se se ztr\u00e1tou milovan\u00e9ho \u010dlov\u011bka. \u201cJen\u201d. Je to \u201cjen\u201d o p\u0159ekon\u00e1v\u00e1n\u00ed temnoty du\u0161e, studie bloud\u011bn\u00ed v mrtv\u00e9m m\u011bst\u011b, p\u0159\u00edb\u011bh nad\u011bje a zoufalstv\u00ed. P\u0159\u00edb\u011bh o \u010dlov\u011bku, kter\u00fd v\u011bz\u00ed mezi sv\u011bty. Jak zp\u00edv\u00e1 Elina ve V\u011bci Makropulos: \u201cOmrz\u00ed nebe, omrz\u00ed zem\u011b, a \u010dlov\u011bk pozn\u00e1, \u017ee v n\u011bm zem\u0159ela du\u0161e.\u201d<\/span><\/p>\n

Paulovi zem\u0159ela milovan\u00e1 \u017eena, on si v\u0161ak odm\u00edt\u00e1 tento fakt p\u0159ipustit a uzav\u0159e sv\u016fj \u017eivot do jednoho pokoje, kde adoruje Marii, svou mrtvou \u017eenu. Jej\u00ed obraz, pramen jej\u00edch zlat\u00fdch vlas\u016f. Cel\u00fd p\u0159\u00edb\u011bh je uzav\u0159en v tomto pokoji, v Paulov\u011b hlav\u011b, a m\u011bn\u00ed se z chr\u00e1mu l\u00e1sky v ruiny pln\u00e9 miasmat, blouzn\u011bn\u00ed a d\u011bsiv\u00fdch viz\u00ed. <\/span><\/p>\n

Paul se sezn\u00e1m\u00ed s Mariettou. Ta se stane jeho Mari\u00ed. Ona je tane\u010dnice, pln\u00e1 \u017eivota a s\u00edly, on mu\u017e pln\u00fd l\u00e1sky a touhy ke sv\u00e9 \u017een\u011b Marii. V tom duetu prvn\u00edho d\u011bjstv\u00ed pozn\u00e1te, \u017ee jejich sv\u011bty se osudov\u011b p\u0159itahuj\u00ed, ale nemohou se protnout. Paula tr\u00e1p\u00ed d\u011bsiv\u00e9 halucinace. Rozmlouv\u00e1 se svou mrtvou \u017eenou. Jeho pokoj se m\u011bn\u00ed v ruiny, kter\u00fdmi proch\u00e1z\u00ed poh\u0159ebn\u00ed proces\u00ed s obrazy Marie. V ruiny, kde ve v\u00edru tance a stylizaci odpov\u00eddaj\u00edc\u00ed commedii dell’arte dov\u00e1d\u00ed Marietta s Harlek\u00fdnem i se Smrt\u00ed. Marietta se odd\u00e1 Paulovi. \u017divot a v\u00e1\u0161e\u0148 se na moment protnou s podivn\u00fdm bez\u010das\u00edm smrti. Opona.<\/span><\/p>\n

Paul se probere. Marietta vedle n\u011bho. Venku pod okny jejich pokoje proch\u00e1z\u00ed velikono\u010dn\u00ed proces\u00ed. Myst\u00e9rium uk\u0159i\u017eov\u00e1n\u00ed a vzk\u0159\u00ed\u0161en\u00ed. (Zd\u00e1 se, \u017ee pro Korngolda leitmotiv objevuj\u00edc\u00ed se i v jeho Z\u00e1zraku Heliany). Pro Paula je v\u0161ak st\u00e1le z\u00e1sadn\u00ed my\u0161lenka, \u017ee jeho \u017eena Marie \u017eije. Marietta takov\u00fd \u017eivot z\u00e1sadn\u011b odm\u00edt\u00e1. Mus\u00ed porazit Marii v Paulov\u011b \u017eivot\u011b. \u017divot mus\u00ed zv\u00edt\u011bzit. Smrt pat\u0159\u00ed minulosti. V divokosti Marietta zni\u010d\u00ed Mariin obraz a zmocn\u00ed se Paulovy nejsv\u011bt\u011bj\u0161\u00ed sv\u00e1tosti, pramene Mari\u00edn\u00fdch vlas\u016f. V nastal\u00e9 roztr\u017ece Paul Mariettu u\u0161krt\u00ed pramenem vlas\u016f sv\u00e9 zesnul\u00e9 \u017eeny. Po tom hrozn\u00e9m \u010dinu, sklon\u011bn nad mrtv\u00fdm t\u011blem Marietty, zvol\u00e1 Paul: \u201cNyn\u00ed je opravdu Mari\u00ed!\u201d<\/span><\/p>\n

Dal\u0161\u00ed obraz zcela zm\u011bn\u00ed situaci. Zd\u00e1 se, \u017ee v\u0161e byla jen dal\u0161\u00ed vize. Mrtv\u00e9 t\u011blo je pry\u010d. Na sc\u00e9nu vb\u00edh\u00e1 Marietta, zapomn\u011bla si u Paula r\u016f\u017ee. Ten moment jakoby ru\u0161\u00ed hr\u016fzu sn\u016f. P\u0159ij\u00ed\u017ed\u00ed Paul\u016fv p\u0159\u00edtel Frank a vyz\u00fdv\u00e1 Paula, aby opustil sv\u00e9 mauzoleum a za\u010dal \u017e\u00edt. Symbolicky je Frank upout\u00e1n na invalidn\u00ed voz\u00edk. M\u00e1 s\u00edlu, ale Paulovi nedok\u00e1\u017ee pomoci. Je hlasem, kter\u00fd sice zn\u00ed, ale t\u0159\u00ed\u0161t\u00ed se o st\u011bny Paulova mauzolea. <\/span><\/p>\n

\u201cPoj\u010f se mnou z m\u011bsta mrtv\u00fdch! P\u016fjde\u0161?\u201d nal\u00e9h\u00e1 Frank.<\/span><\/p>\n

\u201cZkus\u00edm to\u2026\u201d odpov\u00edd\u00e1 Paul. Odch\u00e1z\u00ed za Frankem z pokoje, zachyt\u00ed p\u0159itom koberec, velk\u00fd star\u00fd koberec na podlaze a t\u00e1hne jej za sebou. Z \u010dern\u00e9ho p\u00edsku pod n\u00edm vy\u010duhuj\u00ed zlat\u00e9 vlasy. Paul se zastav\u00ed a ul\u00e9h\u00e1 na p\u00edsek. Sc\u00e9na se pono\u0159\u00ed do tmy, jen shora z\u00e1\u0159\u00ed siln\u00fd paprsek sv\u011btla\u2026<\/span><\/p>\n

 <\/p>\n

N\u011bco tak nabouchan\u00e9ho symboly a mnohov\u00fdznamy jsem snad je\u0161t\u011b nevid\u011bl. Zdaleka jsem neporozum\u011bl v\u0161emu a p\u0159esto to je p\u0159edstaven\u00ed, kter\u00e9 p\u0159ibije do sedadla. Je to p\u0159\u00edb\u011bh, kter\u00fd ka\u017ed\u00fd zn\u00e1me. <\/span><\/p>\n

V Semperov\u011b ope\u0159e kr\u00e1sn\u011b pracuj\u00ed se sc\u00e9nou. I kdy\u017e m\u00e1m d\u00edl\u010d\u00ed v\u00fdhrady k n\u011bkter\u00fdm \u0159e\u0161en\u00edm, momenty p\u0159em\u011bny zatuchl\u00e9 starod\u00e1vn\u00e9 m\u00edstnosti nepodobn\u00e9 mauzoleu v hroziv\u00e9 ruiny v mlh\u00e1ch, digit\u00e1ln\u00ed vizualizace prom\u00edtan\u00e9 na sc\u00e9nu, kost\u00fdmy, sv\u011btla, to v\u0161e bylo mimo\u0159\u00e1dn\u011b p\u016fsobiv\u00e9. Inscena\u010dn\u00ed t\u00fdm <\/span>Davida B\u00f6sch<\/span>e se s n\u00e1strahami a n\u00e1ro\u010dnost\u00ed realizace t\u00e9to opery vyrovnal znamenit\u011b. Dmitri Jurowski a <\/span>S\u00e4chsische Staatskapelle Dresden hr\u00e1li bezchybn\u011b a kr\u00e1sn\u011b, v\u00fdborn\u011b si poradili i p\u0159edstavitel\u00e9 jednotliv\u00fdch rol\u00ed. Skv\u011bl\u00e1 byla Manuela Uhl jako Marietta. Jen p\u0159edstavitel \u00fast\u0159edn\u00ed role Paula Burkhard Fritz byl slab\u0161\u00ed. Tedy, byl siln\u011bj\u0161\u00ed, tak\u017ee, jak to \u010dasto b\u00fdv\u00e1, hereck\u00e9 poleno, a kdo o\u010dek\u00e1val alespo\u0148 velk\u00fd siln\u00fd hlas, musel b\u00fdt zklam\u00e1n t\u00e9\u017e. Hlas p\u011bkn\u00fd, ale slab\u00fd. \u0160koda. I kdy\u017e je dlu\u017eno \u0159\u00edct, \u017ee Korngold p\u0159edstavitele sv\u00fdch hrdin\u016f ne\u0161et\u0159\u00ed. Mrtv\u00e9 m\u011bsto je p\u011bvecky velmi n\u00e1ro\u010dn\u00e9, ale stoj\u00ed za realizaci.<\/span><\/p>\n

A stoj\u00ed i za vid\u011bn\u00ed a sly\u0161en\u00ed. Byly to dv\u011b hodiny n\u00e1dhern\u00e9 hudby, skv\u011bl\u00fdch v\u00fdkon\u016f a mimo\u0159\u00e1dn\u011b p\u016fsobiv\u00e9ho obsahu. <\/span><\/p>\n

Bravo!<\/span><\/p>\n

 <\/p>\n

E. W. Korngold – Die tote Stadt | Semperoper Dresden | 16.12.2017<\/p>\n","protected":false},"excerpt":{"rendered":"

V dne\u0161n\u00ed dojmologii budu ob\u010das pou\u017e\u00edvat metodu, kterou sice nem\u00e1m r\u00e1d, ale p\u0159ijde mi pro tento text vhodn\u00e1. Budou tu p\u0159\u00edm\u011bry, ale to proto, \u017ee Korngoldova opera Mrtv\u00e9 m\u011bsto (Die tote Stadt) vypr\u00e1v\u00ed tak n\u011bjak archetyp\u00e1ln\u00ed p\u0159\u00edb\u011bh, kter\u00fd lze naj\u00edt v r\u016fzn\u00fdch oper\u00e1ch a v r\u016fzn\u00fdch \u017eivotech, v tom je ta s\u00edla.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"_links":{"self":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/862"}],"collection":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/comments?post=862"}],"version-history":[{"count":4,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/862\/revisions"}],"predecessor-version":[{"id":866,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/posts\/862\/revisions\/866"}],"wp:attachment":[{"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/media?parent=862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/categories?post=862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cozynotes.cz\/index.php\/wp-json\/wp\/v2\/tags?post=862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}